Its key mission is to help students understand the link between the historical context in which the literature developed, how this has influenced the literature of the period and how subsequent periods in literature have been influenced by those that precede them. The book is carefully structured for undergraduate use, with a rich range of illustrations and textboxes that enhance and summarise vital background material. The seven chronological chapters are written by a team of expert contributors who are also highly experienced teachers with a clear sense of the requirements of the undergraduate English curriculum. Each analyses a major historical period, surveying and documenting the cultural contexts that have shaped English literature, and focusing on key texts. In addition to the narrative survey, each chapter includes a detailed chronology, providing a quick-reference guide to the period; contextual readings of select literary texts; and annotated suggestions for further reading.

    These works speak across centuries, beginning with Chaucer's resourceful inventions and moving through Shakespeare's masterpieces, John Donne's complex originality, and Alexander Pope's mordant satires. The anthology also features perennial favorites such as William Blake, William Wordsworth, and John Keats; Emily Dickinson's prisms of profundity; the ironies of Wallace Stevens and T.S. Eliot; and the passion of Sylvia Plath and Allen Ginsberg. These 500 poems are verses that readers either know already or will want to know, encapsulating the visceral power of truly great literature. William Harmon provides illuminating commentary to each work and a rich introduction that ties the entire collection together.

    As explored in this volume, Emersonian thought is a unique blend of belief in individual freedom and in humility before the power of nature. “I become a transparent eyeball,” Emerson wrote in Nature, “I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God.” Written over a century ago, this passage is a striking example of the passion and originality of Emerson’s ideas, which continue to serve as a spiritual center and an ideological base for modern thought.From the Paperback edition.

    Learn how to launch and sustain a writing career and get a rare, intimate look inside the yearlong process of creating, selling, and getting a TV show made. Edited by writers' program director Linda Venis, Inside the Room is the ultimate guide to writing one's way into the Writers Guild of America."Venis corrals an accessible and useful guide for anyone with the dream and the drive who needs to know, practically, what to do. An engaging and helpful how-to for hopeful TV writers or anyone interested in the nuts and bolts of this ephemeral art."- Kirkus Reviews

    She believes you can too.

    In response, the technique of rhetoric rapidly developed, bringing virtuoso performances and a host of practical manuals for the layman. While many of these were little more than collections of debaters’ tricks, the Art of Rhetoric held a far deeper purpose. Here Aristotle establishes the methods of informal reasoning, provides the first aesthetic evaluation of prose style and offers detailed observations on character and the emotions. Hugely influential upon later Western culture, the Art of Rhetoric is a fascinating consideration of the force of persuasion and sophistry, and a compelling guide to the principles behind oratorical skill.

    In McCarthy's Bar, his journey begins in Cork and continues along the west coast to Donegal in the north. Traveling through spectacular landscapes, but at all times obeying the rule, "never pass a bar that has your name on it," he encounters McCarthy's bars up and down the land, meeting fascinating people before pleading to be let out at four o'clock in the morning.Written by someone who is at once an insider and an outside, McCarthy's Bar is a wonderfully funny and affectionate portrait of a rapidly changing country.

    Included are The Very Strange Mr. Fish, The Butcher of Plainfield, From the Pros to the Penitentiary, Nightmare on Elm Drive, The Brown's Chicken Murders, The Kitty Genovese Murder, The Wichita Horror, The Hi Fi Murders, The Poster Boy for Capital Punishment, The Yogurt Shop Murders, The Vampire Rapist, The Murder of James Bulger, Thrill Killers: Leopold and Loeb, The Killing of Anita Cobby, Death in a Bottle: The Tylenol, Excedrin and Sudafed Murders, The Easter Sunday Murders, Murder at McDonald's, The Luby's Massacre, Charles Manson and Helter Skelter. Part Two: Quick Hits holds 13 shorter chapters that include Eric Smith, The Camden Killer, Killed Over a Kiss, The Bed & Breakfast Murders, Who Shot the War Hero?, The Colorado Springs Killings, Joseph Vacher, Jeanne Weber, Michael Hernandez, The Tourniquet Killer, Patricia Johnson and Killed Over Facebook Status. The book ends with I Don't Like Mondays.

    The Essential Guide to Rhetoric provides an accessible and balanced overview of the core historical and contemporary theories. It uses concrete, relevant examples and jargon-free language to bring these concepts to life. The guide helps students move from concept to action with discussions of invention, the traditions of trope, argument and speech, among others. This handy guide is an excellent addition to the public speaking class, extending and deepening crucial concepts, and an indispensable supplement to the rhetorical theory class.

    Fitzgerald rose to fame in his 20s with stories chronicling the upheaval of manners and morals in the Jazz Age, and with his wife Zelda blurred the line between literature and life.

    Al Burian weaves an excellent fictional but real account of twenty / thirty something life in the modern USA. Here is an Excerpt: "We see humans engage in similar behavior, although admittedly less in the context of procreation and Darwinistic survival and more in the are of pay-per-view cable entertainment options, in the form of the "Ultimate Fighting Championship" program, an international sporting event in which there seem to be no rules except those generally governing global human rights abuses and war crimes. Martial arts masters from the Far East go up against guys from Newark whose idea of fighting expertise is drinking from a bottle of gin and starting a bar fight. The results are often surprising. The constant is the insane violence, the disturbing spectacle of seeing people pounding on each other like animals. "Ultimate Fighting Championship" viewing never fails to deliver a queasy, unsanitary sensation, the bottom-feeding feeling of watching the very lowest common denominator in what can still be identified as "entertainment" - one step up, maybe, from watching videos of police car wreck footage. Although, I must concede: if, as in ape culture, the prize for being the winner of "Ultimate Fighting Championship" was the exclusive right to mate with the women of earth, it would probably make the program more compelling viewing. In any case, I am not sure where I stand in regards to this whole mating-for-life-issue. Humans, Judith points out, are the only creatures that mate for entertainment. That whole aspect complicates everything greatly, we both agree. The great apes have a good thing going for their needs, in that they have an effective, albeit socio-mechanically primitive, form of assuring that the greatest of the ape qualities are passed on, and since these great qualities consist of exactly two, ass-kicking and chest-pounding, the selection process is reasonably simple. If humans subscribed to a winner-takes-all pecking order of the type the great apes favor, the only person currently allowed to initiate sexual intercourse would be someone like Bill Gates, a man of great power and influence but also a man whose dancing was characterized by Newsweek magazine as looking like "a twelve year old kicking around a squirrel."

    No reporter, who flew in, contacted a few dissidents, and flew out again, could ever match his experience, insight, or personal adventures. His book, For The Love Of Prague, is part love story, part history, part a record of national lunacy, and part terror. It is all true, with real names, real people, and real incidents. The New York Times, in a two-thirds page illustrated story, hailed it as a spicy, funny memoir! About the Author: Gene Deitch is an Oscar-winning animation film director and scenarist. He is a voting member of the Motion Picture Academy of Arts and Scientists. In the early 1950s he was Creative Director of UPA s New York studio, where among his many gold-medal winning films were the famous Bert & Harry Piels beer commercials. His TV commercials were the first ever shown at the New York Museum of Modern Art. In 1956 CBS purchased the Terrytoons animation studio and named Gene Deitch as its Creative Director. Under his supervision and direction, the studio produced 18 CinemaScope cartoons per year for 20th Century-Fox, and won its very first Oscar nomination. He personally created and directed the Tom Terrific series for the CBS nationwide Captain Kangaroo show. Tom Terrific, with Mighty Manfred the Wonder Dog, was the very first animated serial for network television. In 1958 he set up his own studio, Gene Deitch Associates, inc., in New York.

    Her novels were short, spare masterpieces, self-concealing, oblique and subtle. She won the Booker Prize for her novel Offshore in 1979, and her last work, The Blue Flower, was acclaimed as a work of genius. The early novels drew on her own experiences – a boat on the Thames in the 1960s; the BBC in war time; a failing bookshop in Suffolk; an eccentric stage-school. The later ones opened out to encompass historical worlds which, magically, she seemed to possess entirely: Russia before the Revolution; post-war Italy; Germany in the time of the Romantic writer Novalis. Fitzgerald’s life is as various and as cryptic as her fiction. It spans most of the twentieth century, and moves from a Bishop’s Palace to a sinking barge, from a demanding intellectual family to hardship and poverty, from a life of teaching and obscurity to a blaze of renown. She was first published at sixty and became famous at eighty. This is a story of lateness, patience and persistence: a private form of heroism. Loved and admired, and increasingly recognised as one of the outstanding novelists of her time, she remains, also, mysterious and intriguing. She liked to mislead people with a good imitation of an absent-minded old lady, but under that scatty front were a steel-sharp brain and an imagination of wonderful reach. This brilliant account – by a biographer whom Fitzgerald herself admired – pursues her life, her writing, and her secret self, with fascinated interest.

    Topics include: • How to get royalties from selling articles.• Proper pricing.• How to submit articles to the "Kindle Singles" (special Amazon category). • Best ways to sell articles.• Representing articles accurately in e-Reader bookstores.• Avoiding unnecessary costs. • Image formatting.Tips are also applicable for a variety of mobile devices such as the Barnes and Noble Nook and Apple ipad. You will learn how to publish your article in a word processor, without having to learn HTML coding. Instructional Appendices Include: • How to create table of contents and internal links.• Solving formatting problems.• Converting your article to a Kindle device.• Easy preview options before you publish.• A curated list of the 50 best resources for finding free Kindle books, software, podcasts, help forums and the best blogs on Kindle publishing (10,300 words).About the Author: Kate Harper has taught art and computer classes in the San Francisco Bay Area and enjoys creating visual step-by-step guides for non-technical users. She is a credentialed adult education instructor in the state of California, and is inspired by technologies that encourage people to be more creative.

    Collections of interviews with notable modern writers