Locked in a deadly battle of wits with a psychopath, she struggles to keep her sanity as she's held.A 59,000+ word novel, with over 17,000 words of bonus content.For mature audiences only.

    The original ‘Gray Man’ was Albert Fish - serial killer, rapist and cannibal - who was executed in New York’s Sing Sing prison in January 1936 for the murder of Grace Budd, but was believed to have been responsible for the deaths of up to one hundred people.Some tricks are worth repeating and some tastes never die, so enter the new ‘Grey Man’, a gourmet serial killer, who is itching to get his teeth into his next victim.And if the gruesome results of the killer’s classic cuisine are not chilling enough for Detective Chief Inspector Zara Wade who is leading the investigation, he claims to know her, and that she knows him.

     What is the truth? What is reality? Twenty-six-year-old Zach Hughes and his wife Michelle were just hoping to have a nice dinner at a restaurant on a Friday evening. As Zach is seated at the table, Michelle goes to the restroom . . . she never comes back. After a frantic search, the only thing Zach finds is his wife's purse in the bathroom with her keys, money, and cell phone inside. The only witness is an elderly woman who saw Michelle leave with a man. Zach believes his wife was taken. The police are called, but they get nowhere, believing Michelle left Zach. The next morning, Zach is questioned by two detectives who believe he did something terrible to his wife. With no police help, Zach begins searching for his wife, unearthing clues. As he digs into her past, he finds that she's led a secret life. Every night since Michelle's disappearance, Zach wakes up to find himself fully dressed, the lights on in his house, and his front door unlocked. Has he been sleepwalking? He's never done that before. Could it be connected to his wife's disappearance? He films himself while he sleeps to see where he goes while sleepwalking, to see what he does. What he sees on the video scares him to death . . . and it's only the beginning. Pick up Sleep Disorders and discover the terrible secrets along with Zach.

    Laurel’s new life is going well, with a new best friend, a place on the cheerleading squad and T-Boom, co-captain of the basketball team, for a boyfriend. Yet Laurel is haunted by voices and memories from her past. When T-Boom introduces Laurel to meth, she immediately falls under its spell, loving the way it erases, even if only briefly, her past. But as she becomes alienated from her friends and family, she becomes a shell of her former self, and longs to be whole again. With help from an artist named Moses and her friend Kaylee, she’s able to begin to rewrite her story and start to move on from her addiction.Incorporating Laurel’s bittersweet memories of life before and during the hurricane, this is a stunning novel by one of our finest writers. Jacqueline Woodson’s haunting—but ultimately hopeful—story is beautifully told and one readers will not want to miss.

    With a good job, a loving wife, and happy and healthy sons, he has little to complain about. In a flash that life is ripped away and he is thrust into a world of violence and slavery beginning with a brutal home invasion. His sons are murdered in front of him and he and his wife Rebecca are then kidnapped, drugged, and taken to an uncharted tropical island where they awake on a pristine beach in the company of five strangers. The island is a playground of horror and the kidnapped are forced to participate in the Game, a modern-day rendition of the Coliseum of ancient Rome, where they must compete in acts of murder, rape, and self-mutilation for the amusement of an unseen wealthy elite. Contestants must survive the Game five times to earn their freedom from the island. Losers become the evening meal. Steven struggles to survive in a world where violence is not only accepted but cheered. He fights to hold on to his wife in a community where cannibalism is survival, brutality is affection, and living another day is at the expense of his own soul. Survival comes with a price, however, and he soon learns that not all of the players are there unwillingly and they’ve paid a steep price for the opportunity.

    . . you know. But people said all sorts of stupid stuff. Nobody really knew anything. Nobody really knew Jimmy. I guess you could say I knew Jimmy as well as anyone (which was not very well). I knew what scared him. And I knew he had dreams—even if I didn't understand them. Even if he nearly ruined my life to pursue them.Jimmy's dead now, and I definitely know that better than anyone. I know about blood and bone and how bodies decompose. I know about shadows and stones and hatchets. I know what a last cry for help sounds like. I know what blood looks like on my own hands. What I don't know is if I can trust my own eyes. I don't know who threw the stone. Who swung the hatchet? Who are the shadows? What do the living owe the dead?

    Left to their own devices, the inseparable sisters spend their days studying record jackets, concocting elaborate fantasies about the life of the mysterious neighbor who moves in down the street, and playing dangerous games on the mountain that rises up behind their house.When young women start showing up dead on the mountain, the girls' father is charged with finding the man responsible, known as The Sunset Strangler. Seeing her father's life slowly unravel when he fails to stop the murders, Rachel embarks on her most dangerous game yet: setting herself up as bait to catch the killer, with consequences that will destroy her father's career and alter the lives of everyone she loves. It is not until thirty years later that Rachel, who has never given up hope of vindicating her father, finally smokes out the killer, bringing her back to the territory of her childhood, and uncovering a long-buried family secret. As with her novel Labor Day, Maynard's newest work is part thriller, part love story. Loosely inspired by the Trailside Killer case that terrorized Marin County in the late seventies, her tale delves deep into the alternately thrilling and terrifying landscape of a young girl's first explorations of adult sexuality and the loss of innocence, the bond between sisters - and into a daughter's tender but damaged relationship with her father, and what it is to finally trust a man.

    Now Mama's run off, and Cricket thinks the room might be the answer to getting her to come back. If it exists. And if she can find it.Cricket's only clue is a coin from a grown-over ghost town in the woods. So with her daddy's old guidebook and a coat full of snacks stolen from the Cash 'n' Carry, Cricket runs away to find the room. Surviving in the woods isn't easy. While Cricket camps out in an old tree house and looks for clues, she meets the last resident of the ghost town, encounters a poetry-loving dog (who just might hold a key to part of the puzzle), and discovers that sometimes you have to get a little lost . . . to really find your way.

    Please come right away.We have to finish."Frances Robinson is in high school now. She lives a quiet, suburban life, far from her horrifying past. When she was a child, her birthmother smothered her three sisters. Through pure luck, Frances survived. Now her mother has just been released from prison . . . and she wants to see Frances.A new boy at school called Nix charms Frances. Together, Nix and Frances embark on a clandestine journey to visit Frances' mother: to confront the monster in its lair. This trip will help Frances at last find peace or die trying. But no matter what, Frances will discover just what it means to finish.

    Devlin. Hornbeck had been in captivity for four years, was gradually given more and more freedom, but never tried to escape.

    Someone else is out there with him, though. Watching. Waiting to harm… Who is drugging people, forcing them to kill? Why are kids involved? And who is the mastermind behind the callous murders? Oliver trails DI Langham on the investigation, hoping they catch the killers sooner rather than later—before more bodies turn up, eviscerated, so wrecked they’re barely recognisable…

    Handsome, successful, and romantic, he was embraced by the audience—and chosen as the winner by the beautiful bachelorette. To viewers across the country, Rodney seemed like the answer to every woman's dreams. Until they learned the truth about his once and future crimes... Ten years before his TV appearance, Rodney was charged with the sexual assault and attempted murder of an eight-year-old girl. In the decades that followed, he would be accused of seven murders—and, as new DNA evidence continues to be uncovered, the list may grow. The case is so disturbing that it's been documented in several news outlets, from People magazine and USA Today to 48 Hours Mystery and Dr. Phil. The Dating Game Killer is the shocking true story about the dark and twisted man.

    In The Mother’s Promise, she delivers her most powerful novel yet: the story of a single mother who is dying, the troubled teenaged daughter who is battling her own demons, and the two women who come into their lives at the most critical moment. Alice and her daughter Zoe have been a family of two all their lives. Zoe has always struggled with crippling social anxiety and her mother has been her constant and fierce protector. With no family to speak of, and the identity of Zoe’s father shrouded in mystery, their team of two works—until it doesn’t. Until Alice gets sick and is given a grim prognosis. Desperate to find stability for Zoe, Alice reaches out to two women who are practically strangers, but who are her only hope: Kate, her oncology nurse, and Sonja, a social worker. As the four of them come together, a chain of events is set into motion and all four of them must confront their sharpest fears and secrets—secrets about abandonment, abuse, estrangement, and the deepest longing for family. Imbued with heart and humor in even the darkest moments, The Mother’s Promise is an unforgettable novel about the power of love and forgiveness.

    She hasn’t got a troop or even a badge to call her own.  But she’s checked the Handbook out from the elementary school library so many times that her name fills all the lines on the card, and she pores over its surreal advice (Disposal of Outgrown Uniforms; The Right Use of Your Body; Finding Your Way When Lost) for tips to get off the Calle:  that is, Calle de los Flores, the Reno trailer park where she lives with her mother, Jo, the sweet-faced, hard-luck bartender at the Truck Stop.Rory’s been told she is “third generation in a line of apparent imbeciles, feeble-minded bastards surely on the road to whoredom.” But she’s determined to prove the County and her own family wrong. Brash, sassy, vulnerable, wise, and terrified, she struggles with her mother’s habit of trusting the wrong men, and the mixed blessing of being too smart for her own good. From diary entries, social worker’s reports, half-recalled memories, story problems, arrest records, family lore, Supreme Court opinions, and her grandmother’s letters, Rory crafts a devastating collage that shows us her world while she searches for the way out of it. Girlchild is a heart-stopping and original debut.

    Secrets. Murder. Newly promoted DI Kate Fletcher has reluctantly returned to her home town after a twenty-year absence and a recent divorce. The discovery of a child’s body near the estate where Kate grew up has her rushing back to Thorpe – a place of bad memories and closed mouths. As her team investigate the murder, they keep hitting dead ends. The community is reluctant to reopen old wounds and retell old stories. But Kate’s history refuses to stay buried.Then another child disappears… Can Kate solve the case and right the wrongs from her past?