Dorman revises his textbook, which introduces and explains the classic doctrines of the historic Christian faith. While systematic in organization, the book remains written for students, aiming to bring them to an understanding of the central doctrines of the Christian church including the doctrines of Scripture, God, creation, humanity, atonement, salvation, and eschatology.

    Using the same inspired, inquisitive approach, he now turns to our most sacred book, the Bible. What Is the Bible? provides insights and answers that make clear why the Bible is so revered and what makes it truly inspiring and essential to our lives.Rob takes us deep into actual passages to reveal the humanity behind the Scriptures. You cannot get to the holy without going through the human, Rob tells us. When considering a passage, we shouldn’t ask "Why did God say . . .?" To get to the heart of the Bible’s meaning, we should be asking: "What’s the story that’s unfolding here and why did people find it important to tell it? What was it that moved them to record these words? What was happening in the world at that time? What does this passage/story/poem/verse/book tell us about how people understood who they were and who God was at that time?" In asking these questions, Rob goes beyond the one-dimensional question of "is it true?" to reveal the Bible’s authentic transformative power.Rob addresses the concerns of all those who see the Bible as God’s Word but are troubled by the ethical dilemmas, errors, and inconsistencies in Scripture. With What Is the Bible?, he recaptures the Good Book’s magic and reaffirms its power and inspiration to shape and inspire our lives today.

    She lost thirty pounds, chugged antacid, and visited doctors for three months before she was finally diagnosed with Stage IV colon cancer.As she navigates the aftermath of her diagnosis, Kate pulls the reader deeply into her life, which is populated with a colorful, often hilarious collection of friends, pastors, parents, and doctors, and shares her laser-sharp reflections on faith, friendship, love, and death. She wonders why suffering makes her feel like a loser and explores the burden of positivity. Trying to relish the time she still has with her son and husband, she realizes she must change her habit of skipping to the end and planning the next move. A historian of the "American prosperity gospel"--the creed of the mega-churches that promises believers a cure for tragedy, if they just want it badly enough--Bowler finds that, in the wake of her diagnosis, she craves these same "outrageous certainties." She wants to know why it's so hard to surrender control over that which you have no control. She contends with the terrifying fact that, even for her husband and child, she is not the lynchpin of existence, and that even without her, life will go on.On the page, Kate Bowler is warm, witty, and ruthless, and, like Paul Kalanithi, one of the talented, courageous few who can articulate the grief she feels as she contemplates her own mortality.

    Using a layout style that was later copied by Wired, McLuhan and coauthor/designer Quentin Fiore combine word and image to illustrate and enact the ideas that were first put forward in the dense and poorly organized Understanding Media. McLuhan's ideas about the nature of media, the increasing speed of communication, and the technological basis for our understanding of who we are come to life in this slender volume. Although originally printed in 1967, the art and style in The Medium is the Massage seem as fresh today as in the summer of love, and the ideas are even more resonant now that computer interfaces are becoming gateways to the global village.

    

    Jenson at Princeton University in the spring of 2008. Based on a series of twenty-three course lectures, it offers a concise and accessible overview of Christian theology while retaining the atmosphere of Jenson's classroom. Much as does Jenson's Systematic Theology, A Theology in Outline treats a standard sequence of doctrines in Christian theology--God, Trinity, creation, humanity, sin, salvation, church, among others. However, its organizing principle and leitmotiv are less traditional. Reflecting his recent interest in theological interpretation of scripture, Jenson frames the whole of Christian theology as a response to the question posed to the prophet Ezekiel: "Son of man, can these bones live?" For Jenson, to ask this question is to ask whether Christian theology itself is a pile of dead bones. Can the story that God lives with his people be told today? From first to last the chapters of this book proceed under the impelling pressure of this question. They thus comprise a single sequence of illustrative conversations for the purpose of introducing beginners to Christian theology.

    Though originally published nearly seventy years ago, the book maintains its relevance today.

    As G. K. Chesterton explains, "Only with original sin can we at once pity the beggar and distrust the king."Do we arrive in this world predisposed to evil? St. Augustine passionately argued that we do; his opponents thought the notion was an insult to a good God. Ever since Augustine, the church has taught the doctrine of original sin, which is the idea that we are not born innocent, but as babes we are corrupt, guilty, and worthy of condemnation. Thus started a debate that has raged for centuries and done much to shape Western civilization.Perhaps no Christian doctrine is more controversial; perhaps none is more consequential. Blaise Pascal claimed that "but for this mystery, the most incomprehensible of all, we remain incomprehensible to ourselves." Chesterton affirmed it as the only provable Christian doctrine. Modern scholars assail the idea as baleful and pernicious. But whether or not we believe in original sin, the idea has shaped our most fundamental institutions—our political structures, how we teach and raise our young, and, perhaps most pervasively of all, how we understand ourselves. In Original Sin, Alan Jacobs takes readers on a sweeping tour of the idea of original sin, its origins, its history, and its proponents and opponents. And he leaves us better prepared to answer one of the most important questions of all: Are we really, all of us, bad to the bone?