For more than a year and a half she ventured into the world as Ned, with an ever-present five o'clock shadow, a crew cut, wire-rim glasses, and her own size 11 1/2 shoes—a perfect disguise that enabled her to observe the world of men as an insider. The result is a sympathetic, shrewd, and thrilling tour de force of immersion journalism that's destined to challenge preconceptions and attract enormous attention. With her buddies on the bowling league she enjoyed the rough and rewarding embrace of male camaraderie undetectable to an outsider. A stint in a high-octane sales job taught her the gut-wrenching pressures endured by men who would do anything to succeed. She frequented sex clubs, dated women hungry for love but bitter about men, and infiltrated all-male communities as hermetically sealed as a men's therapy group, and even a monastery. Narrated in her utterly captivating prose style and with exquisite insight, humor, empathy, nuance, and at great personal cost, Norah uses her intimate firsthand experience to explore the many remarkable mysteries of gender identity as well as who men are apart from and in relation to women. Far from becoming bitter or outraged, Vincent ended her journey astounded—and exhausted—by the rigid codes and rituals of masculinity. Having gone where no woman (who wasn't an aspiring or actual transsexual) has gone for any significant length of time, let alone eighteen months, Norah Vincent's surprising account is an enthralling reading experience and a revelatory piece of anecdotally based gender analysis that is sure to spark fierce and fascinating conversation.

    Helplessness in the face of disease and human disaster helped to perpetuate this belief in magic and the supernatural. As Keith Thomas shows, England during these years resembled in many ways today's underdeveloped areas. The English population was exceedingly liable to pain, sickness, and premature death; many were illiterate; epidemics such as the bubonic plague plowed through English towns, at times cutting the number of London's inhabitants by a sixth; fire was a constant threat; the food supply was precarious; and for most diseases there was no effective medical remedy. In this fascinating and detailed book, Keith Thomas shows how magic, like the medieval Church, offered an explanation for misfortune and a means of redress in times of adversity. The supernatural thus had its own practical utility in daily life. Some forms of magic were challenged by the Protestant Reformation, but only with the increased search for scientific explanation of the universe did the English people begin to abandon their recourse to the supernatural. Science and technology have made us less vulnerable to some of the hazards which confronted the people of the past. Yet Religion and the Decline of Magic concludes that if magic is defined as the employment of ineffective techniques to allay anxiety when effective ones are not available, then we must recognize that no society will ever be free from it.

    He penned the speeches of Ollie North. He was a ghostwriter for Jerry Falwell, worked with Jim Bakker, flew in Pat Robertson's private jet, walked sandy beaches with Billy Graham. What these men didn't know was that Mel White—evangelical minister, committed Christian, family man—was gay. In this remarkable book, Mel White details his twenty-five years of being counseled, exorcised, electric-shocked, prayed for, and nearly driven to suicide because his church said homosexuality was wrong. But his salvation—to be openly gay and Christian—is more than a unique coming-out story. It is a chilling exposé that goes right into the secret meetings and hidden agendas of the religious right. Told by an eyewitness and sure to anger those Mel White once knew best, Stranger at the Gate is a warning about where the politics of hate may lead America … a brave book by a good man whose words can make us richer in spirit and much wiser too.

    Author Susanne Pharr poses the idea that homophobia is a construct used by the dominant system in our society.

     In 1883, Frank Dubois gained national attention for his life in Waupun, Wisconsin. There he was known as a hard-working man, married to a young woman named Gertrude Fuller. What drew national attention to his seemingly unremarkable life was that he was revealed to be anatomically female. Dubois fit so well within the small community that the townspeople only discovered his "true sex" when his former husband and their two children arrived in the town searching in desperation for their departed wife and mother. At the turn of the twentieth century, trans men were not necessarily urban rebels seeking to overturn stifling gender roles. In fact, they often sought to pass as conventional men, choosing to live in small towns where they led ordinary lives, aligning themselves with the expectations of their communities. They were, in a word, unexceptional. In True Sex, Emily Skidmore uncovers the stories of eighteen trans men who lived in the United States between 1876 and 1936. Despite their "unexceptional" quality, their lives are surprising and moving, challenging much of what we think we know about queer history. By tracing the narratives surrounding the moments of "discovery" in these communities - from reports in local newspapers to medical journals and beyond -- this book challenges the assumption that the full story of modern American sexuality is told by cosmopolitan radicals. Rather, True Sex reveals complex narratives concerning rural geography and community, persecution and tolerance, and how these factors intersect with the history of race, identity and sexuality in America.

    Based on eighteen months of fieldwork in a racially diverse working-class high school, Dude, You're a Fag sheds new light on masculinity both as a field of meaning and as a set of social practices. C. J. Pascoe's unorthodox approach analyzes masculinity as not only a gendered process but also a sexual one. She demonstrates how the "specter of the fag" becomes a disciplinary mechanism for regulating heterosexual as well as homosexual boys and how the "fag discourse" is as much tied to gender as it is to sexuality.

    Dylan's story—which is, sadly, not that unusual—has already received attention from such shows as 20/20, Dateline, Today, and Leeza. But his memoir, bound to become a classic, tells the story in a funny, ironic, unforgettable voice that "isn't all grim; Scholinski tells [his] story in beautifully evocative prose and mines [his] experiences for every last drop of ironic humor, determined to have the last laugh." (Time Out New York)

    Clerics denounce it as a heinous sin, while newspapers write cryptically of "shameful acts." Although many parts of the world now accept sexual diversity, the Middle East is moving in the opposite direction. In this absorbing account, journalist Brian Whitaker calls attention to the voices of men and women who are struggling with gay identities in societies where they are marginalized and persecuted by the authorities. He paints a disturbing picture of people who live secretive, fearful lives and who are often jailed, beaten, and ostracized by their families, or sent to be "cured" by psychiatrists.Whitaker's exploration of changing sexual behavior in the Arab world reveals that—while deeply repressive prejudices and stereotypes still govern much thinking about homosexuality—there are pockets of change and tolerance. The author combines personal accounts from individuals in the region with a look at recent Arab films and novels featuring gay characters and conducts a sensitive comparative reading of Christian, Jewish, and Islamic strictures around sexuality. Deeply informed and engagingly written, Unspeakable Love draws long overdue attention to a crucial subject.Copub: Saqi Books Brian Whitaker was Middle East editor at the Guardian for seven years and then an editor for the newspaper’s Comment is Free website. He is the author of What’s Really Wrong with the Middle East (Saqi Books, 2009). His website, www.al-bab.com, is devoted to Arab culture and politics. Unspeakable Love was shortlisted for the Lambda Literary Award in 2006.

    Gone is the image of the sternly puritanical Confucian as sole representative of Chinese sexual practices—and with it the justification for the modern Chinese insistence that homosexuality is a recent import from the decadent West. Rediscovering the male homosexual tradition in China provides a startling new perspective on Chinese society and adds richly to our understanding of homosexuality.Bret Hinsch's reconstruction of the Chinese homosexual past reveals unexpected scenes. An emperor on his deathbed turns over the seals of the empire to a male beloved; two men marry each other with elaborate wedding rituals; parents sell their son into prostitution. The tradition portrays men from all levels of society—emperors, transvestite actors, rapists, elegant scholars, licentious monks, and even the nameless poor.Drawing from dynastic histories, erotic novels, popular Buddhist tracts, love poetry, legal cases, and joke books, Passions of the Cut Sleeve evokes the complex and fascinating male homosexual tradition in China from the Bronze Age until its decline in recent times.

    In The Purity Myth Jessica Valenti argues that the country’s intense focus on chastity is damaging to young women. Through in-depth cultural and social analysis, Valenti reveals that powerful messaging on both extremes — ranging from abstinence curriculum to Girls Gone Wild infomercials — place a young woman’s worth entirely on her sexuality. Morals are therefore linked purely to sexual behavior, rather than values like honesty, kindness, and altruism. Valenti sheds light on the value — and hypocrisy — around the notion that girls remain virgin until they’re married by putting into context the historical question of purity, modern abstinence-only education, pornography, and public punishments for those who dare to have sex. The Purity Myth presents a revolutionary argument that girls and women are overly valued for their sexuality, as well as solutions for a future without a damaging emphasis on virginity.

    When Jackson Bird was twenty-five, he came out as transgender to his friends, family, and anyone in the world with an internet connection. Assigned female at birth and raised as a girl, he often wondered if he should have been born a boy. Jackson didn’t share this thought with anyone because he didn’t think he could share it with anyone. Growing up in Texas in the 1990s, he had no transgender role models. He barely remembers meeting anyone who was openly gay, let alone being taught that transgender people existed outside of punchlines. In this “soulful and heartfelt coming-of-age story” (Jamia Wilson, director and publisher of the Feminist Press), Jackson chronicles the ups and downs of growing up gender-confused. Illuminated by journal entries spanning childhood to adolescence to today, he candidly recalls the challenges and loneliness he endured as he came to terms with both his gender and his bisexual identity. With warmth and wit, Jackson also recounts how he navigated the many obstacles and quirks of his transition––like figuring out how to have a chest binder delivered to his NYU dorm room and having an emotional breakdown at a Harry Potter fan convention. From his first shot of testosterone to his eventual top surgery, Jackson lets you in on every part of his journey—taking the time to explain trans terminology and little-known facts about gender and identity along the way. “A compassionate, tender-hearted, and accessible book for anyone who might need a hand to hold as they walk through their own transition or the transition of a loved one” (Austin Chant, author of Peter Darling), Sorted demonstrates the power and beauty in being yourself, even when you’re not sure who “yourself” is.

    Like its predominantly gay male counterpart, the Mattachine Society, DOB was launched in response to the oppressive anti-homosexual climate of the McCarthy era, when lesbian and gay people were arrested, fired from jobs, and had their children taken away simply because of their sexual orientation. It was against this political backdrop that a circle of San Francisco lesbians formed a private club where lesbians could meet others in a safe, affirming setting. The small social group evolved over the next two decades into a national organization that counted more than a dozen chapters, and laid the foundation for today’s lesbian rights movement.Different Daughters chronicles this movement and the women who fought the church and state in order to change not only our nation’s perception of homosexuality but how lesbians see themselves. Marcia Gallo has interviewed dozens of former DOB members, many of whom have never spoken on record. Through its leaders, magazine, and network of local chapters, DOB played a crucial role in creating lesbian identity, visibility, and political strategies in Cold War America.

    Yet such places did exist, and their histories tell amazing stories of survival and the struggle for acceptance and self-respect. When Ricardo J. Brown died in 1999, he left a compelling memoir of his youth and experiences as a young gay man in St. Paul. After being discharged from the navy for revealing his sexual orientation to a commanding officer in 1945, Brown returned to his hometown with a new self-awareness and a desire to find a group of people like himself. He discovered such a place in Kirmser's.A small neighborhood bar owned by a German immigrant couple in St. Paul's downtown, Kirmser's served working-class customers during daylight hours, but became an unofficial home to the gay men and lesbians who gathered there nightly in the years following World War II. The Evening Crowd at Kirmser's introduces us to often humorous but frequently tragic stories of those who would become the author's friends: Flaming Youth, a homely, sardonic man who carried the nickname from his younger years ironically into middle age; Bud York, the "All-American Boy," who seduced all with his wholesome good looks and confidence; Dickie Grant, a likable, gentle boy who is arrested for writing bad checks and is murdered while in prison; and Dale, the author's best friend, who suddenly loses his job of six years after an anonymous note informed his employer that he is gay.A revealing look at the origins of gay culture in a mid-sized city and among working-class people, The Evening Crowd at Kirmser's is destined to become a rare and unique classic.

    From our television screens to the ballot box, transgender people have suddenly become part of the zeitgeist.This apparently overnight emergence, though, is just the latest stage in a long and varied history. The renown of Paris Lees and Hari Nef has its roots in the efforts of those who struggled for equality before them, but were met with indifference – and often outright hostility – from mainstream society.Trans Britain chronicles this journey in the words of those who were there to witness a marginalised community grow into the visible phenomenon we recognise today: activists, film-makers, broadcasters, parents, an actress, a rock musician and a priest, among many others.Here is everything you always wanted to know about the background of the trans community, but never knew how to ask.

    This book is not so much a manifesto as it is a dialogue—a “writing in conversation”—among a luminous group of scholar-activists revisiting the history of gay and lesbian studies in Indigenous communities while forging a path for Indigenouscentered theories and methodologies. The bold opening to Queer Indigenous Studies invites new dialogues in Native American and Indigenous studies about the directions and implications of queer Indigenous studies. The collection notably engages Indigenous GLBTQ2 movements as alliances that also call for allies beyond their bounds, which the co-editors and contributors model by crossing their varied identities, including Native, trans, straight, non-Native, feminist, Two-Spirit, mixed blood, and queer, to name just a few. Rooted in the Indigenous Americas and the Pacific, and drawing on disciplines ranging from literature to anthropology, contributors to Queer Indigenous Studies call Indigenous GLBTQ2 movements and allies to center an analysis that critiques the relationship between colonialism and heteropatriarchy. By answering critical turns in Indigenous scholarship that center Indigenous epistemologies and methodologies, contributors join in reshaping Native studies, queer studies, transgender studies, and Indigenous feminisms. Based on the reality that queer Indigenous people “experience multilayered oppression that profoundly impacts our safety, health, and survival,” this book is at once an imagining and an invitation to the reader to join in the discussion of decolonizing queer Indigenous research and theory and, by doing so, to partake in allied resistance working toward positive change.