Through the notion of trauma, she contends, we come to a new understanding that permits history to arise where immediate understanding is impossible. In her wide-ranging discussion, Caruth engages Freud's theory of trauma as outlined in Moses and Monotheism and Beyond the Pleasure Principle; the notion of reference and the figure of the falling body in de Man, Kleist, and Kant; the narratives of personal catastrophe in Hiroshima mon amour; and the traumatic address in Lecompte's reinterpretation of Freud's narrative of the dream of the burning child.

    These talks, coming during the last days of his life, were the culmination of the rarest teachings he had to give us; they were the summit of the heights of his wisdom.

    At least not until Janaki’s sister, Lakshmi—now a refugee whose husband, a Tamil, has disappeared—comes back to live with her family. And when Sam, an American Peace Corps worker who boards with Janaki’s family, falls in love with one of his students, a young girl from the north, he, too, becomes acutely aware of the dangers that exist for any- one who gets drawn into the conflict, however marginally. Skillfully weaving together the stories of these and other intersecting lives, The Beach at Galle Road explores themes of memory and identity amid the consequences of the Sri Lankan civil war. From different points of view, across generations and geographies, it pits the destructive power of war against the resilient power of family, individual will, and the act of storytelling itself.

    Drawing attention to the political forces that have spawned, shaped, and perpetuated these misrepresentations since colonial times, Uma Narayan inspects the underlying problems which "culture" poses for the respect of difference and cross-cultural understanding.Questioning the problematic roles assigned to Third World subjects within multiculturalism, Narayan examines ways in which the flow of information across national contexts affects our understanding of issues. Dislocating Cultures contributes a philosophical perspective on areas of ongoing interest such as nationalism, post-colonial studies, and the cultural politics of debates over tradition and "westernization" in Third World contexts.

    Lost Tribe features stories and commentary from a brilliant mixture of critically acclaimed and emerging writers.Steve AlmondAimee BenderGabriel BrownsteinJudy BudnitzNathan EnglanderJonathan Safran FoerMyla GoldbergEhud HavazeletDara HornRachel KadishGloria DeVidas KirchheimerBinnie KirshenbaumJoan LeegantMichael LowenthalEllen MillerTova MirvisPeter OrnerJon PapernickNelly ReiflerBen SchrankSuzan ShermanGary ShteyngartAryeh Lev StollmanEllen UmanskySimone Zelitch

    This fascinating collection includes essays from the last ten years on Islam and freedom, Orwell as an informer, the Lives of Others and Gunter Grass in the Waffen-SS. Timothy Garton Ash witnessed the fall of Milosevic in Serbia, visited Aung San Suu Kyi in Burma, watched the Orange revolution in Ukraine and talked to militant mullahs in Iran, and all these are recorded here, alongside critical reflections on the future of Europe, multiculturalism and terroris, all in these last ten years. The literature of fact is a theme that runs through the whole volume. When is it legitimate to cross that heavily mined frontier between fact and fiction? How do we know when a writer (Ryszard Kapuscinski, for example, or Paul Theroux) has strayed across the line? How do we ever know what we can know, given the notorious unreliability of eyewitnesses? We all have a novelist in our heads called Memory, and (s)he starts rewriting the script the minute after something happens. Yet Tim Garton Ash maintains against every post-modernist in the world that there are facts, and that establishing them is both a political and a moral imperative. And an aesthetic one, too. 'I will bring you,' the poet Craig Raine has written, 'the beauty of facts'.

    From the poverty of the Dublin slums twelve-year-old Jimmy Conway sees it all as glorious, and loves the British Army for which his father is fighting.But when war comes to his own streets Jimmy's loyalties are divided. The rebels occupy the General Post Office and other parts of the city, and Jimmy's uncle is among them. Dublin's streets are destroyed, business comes to a halt.In an attempt to find food for his family, Jimmy crosses the city, avoiding the shooting, weaving through the army patrols, hoping to make it home before curfew. But his quest is not easy and danger threatens at every corner.

    She critiques both the male bias of current theory and the debilitating dominion held by notions of "proper femininity" over women and their bodies in patriarchal culture.

    Courageous enough to create revolutionary change in their daily lives, Mujeres Libres mobilized over 20,000 women into an organized network to strive for community, education, and equality for women -during the Spanish Revolution. Martha Ackelsberg writes a comprehensive study of Mujeres Libres, intertwining interviews with the women themselves and analysis connecting them with modern feminist movements.Martha Ackelsberg is a professor of government and a member of the Women’s Studies Program Committee at Smith College, where she teaches courses in political theory, urban politics, political activism and feminist theory. She has contributed to a variety of anthologies on women’s political activism in the United States.

    In this ambitious collection, Traci Brimhall corresponds with the urges of life and death within herself as she lives through a series of impossibilities: the sentencing of her friend’s murderers, the birth of her child, the death of her mother, divorce, a trip sailing through the Arctic. In lullaby, lyric essay, and always with brutal sincerity, Brimhall examines how beauty and terror live right alongside each other—much like how Nod is both a fictional dreamscape and the place where Cain is exiled for murdering Abel. By plucking at the tensions between life and death, love and hate, truth and obscurity, Brimhall finds what it is that ties opposing themes together; how love and loss are married in grief. Like Eve thrust from Eden, Brimhall is tasked with finding meaning in a world defined by its cruelty. Unrelenting, incisive, and tender, these poems expose beauty in the grotesque and argue that the effort to be good always outweighs the desire to succumb to what is easy.

    It also requires thought which, in, turn, builds understanding. Drawing cannot be detached from seeing and thinking about the fundamental nature of the subject matter being represented. The knowledge and understanding gained through drawing from life directly enhances our ability to draw from the imagination. Just as thought can be put into words, ideas can be made visible in a drawing to promote visual thinking and further stimulate the imagination. Once what is seen or imagined is made visible in a drawing, the image takes on a life of its own and communicates graphically. However eloquently or crudely, all drawings, speak to the eye. From the Preface . Francis D.K. Ching

    An omnibus edition of three Ruth Rendell crime novels - A Demon in My View, A Judgement in Stone and The Face of Trespass.

    So fasten your seat belt and get ready to go, go through fifty states of fun! Snappy, often humorous facts fill each page along with Yaccarino's bold, colorful, quirky illustrations. Also included are maps and cleverly designed backmatter with information every kid needs: state mottos, state flowers, state birds, state trees, state nicknames, etc. This is a rollicking road trip to be visited again and again by readers of all ages on the go, go. About the author: Dan's inspiration for this book came from the road trips he took with his own fabulous family as a kid. He says, I spent a lot of time in the back seat of the family station wagon with my brother and sister as our family traveled the East coast on many road trips. I have amazing memories of touring Colonial Williamsburg in Virginia, eating frogs' legs in Georgia, and watching gator wrestling in Florida. These days, Dan travels with his wife and two children to many of the very same destinations. He's even caught himself shouting, Don't make me pull this car over!

    

    Aspiring spies can get a head start into the world of becoming a private-eye or investigator. From chaos to counter-intelligence, secret messages to gadgets and every other spy thing in between, the Big Book of Spy Stuff opens the "top secret" file on the world of sabotage and espionage with humor and amazement.