Stone's poems blend the personal with dimensions of the larger world in a manner reminiscent of the late William Stafford. Few poets have this gift for taking the workings of ordinary life and fusing them with a poetic process that sustains intense emotion, allowing human experience to be felt through the mysteries of language.... Ruth Stone belongs to every generation of poets who have taken the responsibility to give back to the world." —The Bloomsbury Review"This volume rightly secures (Stone's) status as a sui generis treasure who has survived poverty, a lack of formal education, profound personal tragedy, and decades of obscurity to emerge as a pre-eminent American poet who is still writing vital poems at the age of ninety-three." —Harvard ReviewWhat Love Comes To, a finalist for the 2009 Pulitzer Prize in poetry, gathers nearly half a century of poems from a National Book Award-winning poet who, over the course of her career, has written in a wide range of voices and forms. Drawing from eleven previous volumes, this collection offers a trajectory through that career, presenting Ruth Stone from her early formal lyrics, through fierce feminist and political poems, to her most recent meditations on blindness and aging. Stone, at age ninety-two, returns often to the theme of loss in her work, all the while maintaining what the Vermont poet laureate nominations committee calls “a sense of survival surpassing poverty and grief. . . . Her poetry’s irrepressible humor and intellectual curiosity are unique among contemporary American poets.”What Love Comes To is the perfect entry point into Stone’s world of serious laughter; of uncertainty and insight; of mystery and acceptance.When I forget to weep,I hear the peeping tree toadscreeping up the bark.Love lies asleepand dreams that everythingis in its golden net;and I am caught there, too,when I forget.A recipient of the National Book Award and the National Book Critics Circle Award, Ruth Stone has taught at numerous American universities. The author of eleven books of poetry, she has lived in Vermont since 1957.

    Illustrated with visual artifacts of the period. With the long-awaited publication of this book, we have for the first time in any modern literary form one of the most vital and important of ancient myths: that of Inanna, the world's first goddess of recorded history and the beloved deity of the ancient Sumerians.The stories and hymns of Inanna (known to the Semites as Ishtar) are inscribed on clay tablets which date back to 2,000 B.C. Over the past forty years, these cuneiform tablets have gradually been restored and deciphered by a small group of international scholars. In this groundbreaking book, Samuel Noah Kramer, the preeminent living expert on Sumer, and Diane Wolkstein, a gifted storyteller and folklorist, have retranslated, ordered, and combined the fragmented pieces of the Cycle of Inanna into a unified whole that presents for the first time an authentic portrait of the goddess from her adolescence to her completed womanhood and godship. We see Inanna in all her aspects: as girl, lover, wife, seeker, decision maker, ruler; we witness the Queen of Heaven and Earth as the voluptuous center and source of all fertile power and the unequaled goddess of love.Illustrated throughout with cylinder seals and other artifacts of the period, the beautifully rendered images guide the reader through Inanna's realm on a journey parallel to the one evoked by the text. And the carefully wrought commentaries providing an historical overview, textual interpretations, and aannotations on the art at once explicate and amplify the power, wonder, and mystery embedded in these ancient tales.Inanna--the world's first love story, two thousand years older than the Bible--is tender, erotic, frightening, and compassionate. It is a compelling myth that is timely in its rediscovery."A great masterpiece of universal literature."--Mircea Eliade

    In them we find loneliness, love, and the passage of time, demonstrating the range and complexity of a true master of short fiction.

    Alberto Manguel has selected 72 fantastic tales from life on the edge of the twilight zone, with stories from Marguerite Yourcenar, Herman Hesse, Italo Calvino, Vladimir Nabokov, and many, many more. This is a collection of irresistible masterpieces, many of which have never before appeared in the English language.Fantastic literature Manguel writes in his introduction, makes use of our everyday world as a facade through which the undefinable appears, hinting at the half-forgotten dreams of our imagination. Unlike tales of fantasy, fantastic literature deals with what can be best defined as the impossible seeping into the possible, what Wallace Stevens calls black water breaking into reality. Fantastic literature never really explains everything, it thrives on surprise, on the unexpected logic that is born from its own rules.Contents:House taken over by Julio CortázarHow love came to Professor Guildea by Robert S. HichensClimax for a ghost story by I.A. IrelandThe mysteries of the Joy Rio by Tennessee WilliamsPomegranate seed by Edith WhartonVenetian masks by Adolfo Bioy CasaresThe wish house by Rudyard KiplingThe playground by Ray BradburyImportance by Manuel Mujica LáinezEnoch Soames by Max BeerbohmA visitor from down under by L.P. HartleyLaura by SakiAn injustice revealedA little place off the Edgware Road by Graham GreeneFrom "A School Story" by M.R. JamesThe signalman by Charles DickensThe tall woman by Pedro Antonio de AlarcónA scent of mimosa by Francis KingDeath and the gardener by Jean CocteauLord Mountdrago by W. Somerset MaughamThe sick gentleman's last visit by Giovanni PapiniInsomnia by Virgilio PiñeraThe storm by Jules VerneA dream (from The Arabian Nights Entertainments)The facts in the case of M. Valdemar by Edgar Allan PoeSplit second by Daphne du MaurierAugust 25, 1983 by Jorge Luis BorgesHow Wang-Fo was saved by Marguerite YourcenarFrom "Peter and Rosa" by Isak DinesenTattoo by Jun'ichirō TanizakiJohn Duffy's brother by Flann O'BrienLady into fox by David GarnettFather's last escape by Bruno SchulzA man by the name of Ziegler by Hermann HesseThe Argentine ant by Italo CalvinoThe lady on the grey by John CollierThe queen of spades by Alexander PushkinOf a promise kept by Lafcadio HearnThe wizard postponed by Juan ManuelThe monkey's paw by W.W. JacobsThe bottle imp by Robert Louis StevensonThe rocking-horse winner by D.H. LawrenceCertain distant suns by Joanne GreenburgThe third bank of the river by João Guimarães RosaHome by Hilaire BellocThe door in the wall by H.G. WellsThe friends by Silvina OcampoEt in sempiternum pereant by Charles WilliamsThe captives of Longjumeau by Léon BloyThe visit to the museum by Vladimir NabakovAutumn Mountain by Ryūnosuke AkutagawaThe sight by Brian MooreClorinda by André Pieyre de MandiarguesThe pagan rabbi by Cynthia OzickThe fisherman and his soul by Oscar WildeThe bureau d'echange de maux by Lord DunsanyThe ones who walk away from Omelas by Ursula K. LeGuinIn the penal colony by Franz KafkaA dog in Durer's etching "The Knight, Death and the Devil" by Marco DeneviThe large ant by Howard FastThe lemmings by Alex ComfortThe grey ones by J.B. PriestleyThe feather pillow by Horacio QuirogaSeaton's aunt by Walter de la MareThe friends of the friends by Henry JamesThe travelling companion by Hans Christian AndersenThe curfew tolls by Stephen Vincent BenetThe state of grace by Marcel AyméThe story of a panic by E.M. ForsterAn invitation to the hunt by George HitchcockFrom the "American Notebooks" by Nathaniel HawthorneThe dream by O. Henry

    A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.

    So early, so cold, the branches shone with ice. I'd returned to collect the songbirds. They are worth more than their weight in gold.Yiannis is a poacher, trapping the tiny protected songbirds that stop in Cyprus as they migrate each year from Africa to Europe and selling them on the black market. He dreams of finding a new way of life, and of marrying Nisha, who works on the island as a nanny and maid--having left her native Sri Lanka to try to earn enough to support her daughter, left behind and raised by relatives.But Nisha has vanished; one evening, she steps out on a mysterious errand and doesn't return. The police write off her disappearance as just another runaway domestic worker, so her employer, Petra, undertakes the investigation.Petra's unravelling of Nisha's last days in Cyprus lead her to Nisha's friends--other maids in the neighborhood--and to the darker side of a migrant's life, where impossible choices leave them vulnerable, captive, and worse.Based on the real-life disappearance of domestic workers in Cyprus, Christy Lefteri has crafted a poignant, deeply empathetic narrative of the human stories behind the headlines. With infinite tenderness and skill, Songbirds offers a triumphant story of the fight for truth and justice, and of women reclaiming their lost voices.

    ""Not knowing what the rest of the world is thinking and writing is both dangerous and boring.""--Alane Mason, founding editor, Words Without BordersDuring the Cold War, writers behind the Iron Curtain--Solzhenitsyn, Kundera, Milosz--were translated and published in the United States, providing an invaluable window on the Soviet regime's effects on daily life and humanizing the individuals living under its conditions.Yet U.S. Treasury Department regulations made it almost impossible for Americans to gain access to writings from "evil" countries such as Iran and Cuba until recently. Penalties for translating such works or for "enhancing their value" by editing them included stiff fines and potential jail time for the publisher. With relaxation in 2005 of the Treasury regulations (in response to pressure from the literary and scientific publishing communities that culminated in a lawsuit), it is now possible, for the first time in many years, to read in English works from these disfavored nations. The New Press and Words Without Borders are proud to be among the first to offer American readers contemporary literature of "enemy nations." Literature from the Axis of Evil includes thirty-five works of fiction from seven countries, most of which have never before been translated into English.

    And images of a fantastic idyll complete with falling stars, the sound of the sea, and beautiful countryside. In the hands of Surrealists, though, love poetry also includes gravediggers and murderers, dice and garbage, snakeskin purses and "the drunken kisses of cyclones." Surrealism, the movement founded in the 1920s on the ashes of Dada's nihilism, embraced absurdity, contradiction, and, to a supreme extent, passion and desire. From André Breton's battle cry of "Mad Love" to the quiet lyricism of Robert Desnos, Surrealist writers and artists obsessively expressed the permutations of that fundamental human state, love, and they did so with the vocabulary of natural and unnatural worlds, the explicit language of sex, and a great deal of humor.Surrealist Love Poems brings together sixty poems by Surrealists who charged their work with all forms of eroticism. Expertly and energetically edited by Mary Ann Caws, this collection seeks to demonstrate the truth of Breton's words, that "the embrace of poetry like that of bodies / As long as it lasts / Shuts out all the woes of the world.""Erotic, impassioned and necrophilic, the sixty works gathered in Surrealist Love Poems celebrate the idea of obsessive and transformative love. 'I want to sleep with you side by side. . . . Stretched out on your shadow / Hammered by your tongue / To die in a rabbit's rotting teeth / Happy' writes Joyce Mansour. . . . Caws places poems by major surrealist writers like André Breton and Paul Eluard, along with the poetry of Picasso, Dalí, and Frida Kahlo, side by side with fourteen lushly printed and alluring black-and-white photos by the likes of Man Ray, Lee Miller, and Claude Cahun."—Publishers Weekly

    Firmly grounded by the hallmark strengths of all Norton anthologies—thorough and helpful introductory matter, judicious annotation, complete texts wherever possible—the Eighth Edition features a significantly expanded selection of literature (37 new authors and over 150 new pieces) as well as three new pedagogical features designed to enrich students' understanding of the historical and cultural context of the literary works.

    Includes biographical notes, a key to Roman transcription, a list of titles or first lines, and a glossary of Urdu words in Roman script.

    Kennedy presented an idea to a crowd of restless students for an organization that would rally American youth in service. Though the speech lasted barely three minutes, his germ of an idea morphed dramatically into Kennedy's most enduring legacy -- the Peace Corps. From this offhand campaign remark, shaped speedily by President Kennedy's brother-in-law, Sargent Shriver, in 1961, the organization ascended with remarkable excitement and publicity, attracting the attention of thousands of hopeful young Americans. Not an institutional history, "When the World Calls" is the first complete and balanced look at the Peace Corps's first fifty years. Revelatory and candid, Stanley Meisler's engaging narrative exposes Washington infighting, presidential influence, and the Volunteers' unique struggles abroad. Meisler deftly unpacks the complicated history with sharp analysis and memorable anecdotes, taking readers on a global trek starting with the historic first contingent of Volunteers to Ghana on August 30, 1961. The Peace Corps has served as an American emblem for world peace and friendship, yet few realize that it has sometimes tilted its agenda to meet the demands of the White House. Tracing its history through the past nine presidential administrations, Meisler discloses, for instance, how Lyndon Johnson became furious when Volunteers opposed his invasion of the Dominican Republic; he reveals how Richard Nixon literally tried to destroy the Peace Corps, and how Ronald Reagan endeavored to make it an instrument of foreign policy in Central America. But somehow the ethos of the Peace Corps endured, largely due to the perseverance of the 200,000 Volunteers themselves, whose shared commitment to effect positive global change has been a constant in one of our most complex--and valued--institutions.

    A natural storyteller, Seal takes readers from the Meander's source in the uplands of central Turkey to its mouth on the Aegean Sea, with as many historical, cultural, and personal asides as there are bends in the river.In a rapidly industrializing Turkey, the river itself has been largely forgotten, but the Meander was the original conduit by which the cultures of Europe and Asia first met, then clashed. The city at the river's mouth, Miletus, was home to the earliest Western philosophers, while the one at its source, Dinar, commanded the mountain pass that carried the earliest roads east. All manner of legendary adventurers, soldiers, and visionaries passed through: the Persian king Xerxes, Alexander the Great, Saint Paul, and Crusader kings, to name just a few.In the course of his travels, Seal meets any number of people eager to share stories with a stranger. This rich mix creates a portrait of extraordinary insight and sweep at a time when Turkey is busy rediscovering her historic significance. An enchanting blend of past and present, at once epic and intimate, Meander is an atmospheric, incident-rich, and free-flowing portrayal of the essential meeting point between East and West.

    Navigate easily to any chapter, section or poem from Table of Contents or search for the words or phrases. Features Navigate from Table of Contents or search for words or phrases Make bookmarks, notes, highlights Access the e-book anytime, anywhere - at home, on the train, in the subway. Table of Contents Complete Prose WorksDrum TapsLeaves of Grass AppendixList of Works in Alphabetical Order Walt Whitman Biography

    B is known for her amazing ability to make readers feel like they are walking beside her with every page that they turn, and this book, the follow up to the notorious "Letters To My Ex," is another testament to that. Fresh out of an intense break-up, and with her three closest friends by her side, Cici brings you with her as she learns what it means to take back control of her life, and to be her own woman. Completely raw and unfiltered, as always, she doesn't hold back. This is a story for the modern day grown woman. It will make you smile, laugh out loud, hold your breath, bite your bottom lip, and most importantly... Blush.

    Mohi symbolises ""the hurting"" and Kabir is all about ""the healing"" that comes after it. A book written and illustrated by author,which is for everyone. for those who believe in love and compassion and for those who don't. Those who have healed and those who are still in process. Those who aren't able to move on and those who have successfully done it. It is for feminists, the activists, the believers, the gender norm shatterers.It is a gift, a book on its journey to make difference in it's reader's life.