In The Good Times Are Killing Me, Lynda Barry reveals her masterful way with story, memory, and feelings, and anyone who lingers in Edna Arkins's world will be the better for it.

    Although these images are sanitized and romanticized in American popular culture, they represent the untold stories of enslaved men and women who had a significant impact on the nation's culinary and hospitality traditions even as they were forced to prepare food for their oppressors.Kelley Fanto Deetz draws upon archaeological evidence, cookbooks, plantation records, and folklore to present a nuanced study of the lives of enslaved plantation cooks from colonial times through emancipation and beyond. She reveals how these men and women were literally -bound to the fire- as they lived and worked in the sweltering and often fetid conditions of plantation house kitchens. These highly skilled cooks drew upon skills and ingredients brought with them from their African homelands to create complex, labor-intensive dishes such as oyster stew, gumbo, and fried fish. However, their white owners overwhelmingly received the credit for their creations.Focusing on enslaved cooks at Virginia plantations including Thomas Jefferson's Monticello and George Washington's Mount Vernon, Deetz restores these forgotten figures to their rightful place in American and Southern history. Bound to the Fire not only uncovers their rich and complex stories and illuminates their role in plantation culture, but it celebrates their living legacy with the recipes that they created and passed down to future generations.

    An examination of Le Guin's career, from her obscure beginnings in the science fiction magazines to her rapid rise to the top in the 1970's.

    From one of the top relationship coaches in America, this book breaks down the equation of dating, and marriage. This is every relationship book you've ever read multiplied by 10 and filled with insight that can be understood and applied. Tony A. Gaskins Jr. is living proof that the insight in this book actually works because his Mrs. Right gave him the real life experience he needed to pen this book. This book was birthed from the reality of real results, not from an unattainable fantasy.Gaskins gives real life examples that almost anyone can relate to. This book touches on every aspect of relationships with real insight and wisdom. It's not for the weak hearted, Gaskins warns. This is the man law broken and the guy code unlocked. If you've ever wanted to walk around in a man's mind to understand what makes him tick then this book is for you.

    Far from the trendy gaijin neighborhoods of downtown Tokyo, she’s settled in a remote seaside village where she makes ends meet as a bar hostess. Her world appears to open when she meets Yusuke, a savvy and sensitive art gallery owner who believes in her talent. But their love affair, and subsequent marriage, is doomed to a life of domestic hell, for Yusuke is the chonan, the eldest son, who assumes the role of rigid patriarch in his traditional family while Jill’s duty is that of a servile Japanese wife. A daily battle of wills ensues as Jill resists instruction in the proper womanly arts. Even the long-anticipated birth of a son, Kei, fails to unite them. Divorce is the only way out, but in Japan a foreigner has no rights to custody, and Jill must choose between freedom and abandoning her child.Told with tenderness, humor, and an insider’s knowledge of contemporary Japan, Losing Kei is the debut novel of an exceptional expatriate voice.Suzanne Kamata's work has appeared in over one hundred publications. She is the editor of The Broken Bridge: Fiction from Expatriates in Literary Japan and a forthcoming anthology from Beacon Press on parenting children with disabilities. A five-time nominee for the Pushcart Prize, she has twice won the Nippon Airways/Wingspan Fiction Contest.

    In this stunning debut novel, Jenoyne Adams, a PEN Center USA West Emerging Voices Fellow, displays a rare talent for a first-time author: the skill and courage to write about some of the most controversial issues today in an absorbing and compulsively readable manner. Mingus Browning is a successful, young, beautiful lawyer whose life is falling apart. After a thirty-five-year marriage, Mingus's African-American father has suddenly left her Irish mother for a black woman. A daddy's girl, Mingus is torn between the father she has always been closer to, the mother she may have to defend in divorce proceedings, and a sister hell-bent on winning their lifelong sibling rivalry. Mingus is caught in middle of the three, a woman alone, and, in turn, realizes that she has probably always felt more comfortable that way because she is part of no one group, let alone a united family. Juggling her parents' grief with her own proves to be too much for Mingus as she stumbles from one questionable relationship to another, further complicating her life.After years of isolating herself from those who have tried to care for her, Mingus finally meets someone who rips through her protective defenses and exposes her need to be loved. Eric Simms, a smooth-talking television producer, is through playing dating games and is looking for love for real this time. With Eric, Mingus finally learns to forget the fear of a broken heart and opens herself completely. That is, until word starts circulating that her new love has his secrets as well, and suddenly what was a perfect relationship begins to look like yet another minefield of hurt, as Mingus is forced to choose between her man, her sister, and the truth.After facing a long, sad string of heartaches and betrayals, Mingus finally reaches the point in her life where she realizes who she is, what she wants, and how she doesn't need another man to get it. Marked by raw images and poetic prose, Jenoyne Adams's affecting first novel candidly explores the bonds of family, faith, and finding someone to love when you can't even find someone to trust.

    "These hags, these great beauties, these mermaids who taunt, who feast, who slash, who steal, these succubae who cannot rest, my mothers, my sisters, my unborn friends, my keepers, my guardians": Powerhouse Jenny Zhang on identity, love, art, and living with rage.

    From belting out off-key renditions of torch songs while washing the dishes to seeing even the most unlikely career opportunity as a chance to spread one’s wings, Chambers shows that a willingness to fall flat on one’s face heightens the joys of everyday life and opens a new, wonderfully liberating perspective on work, motherhood, aging, friendship, failure, and success. With a winning combination of lighthearted anecdotes and heartfelt musings, Chambers encourages readers to follow her example and do the things that tickle their fancies and fire their imaginations—no matter what other people (and that little voice inside) may say. Like Chambers herself, they’ll discover that “what we consider our failures have a surprising ability to charm . . . we are loved for our imperfections—for our funny faces and walks and dances and songs.”

    Her gratitude for her immigrant parents’ sacrifices creates intense pressure to perform and embody the role of the “perfect daughter.” Yet, the demand for such perfection can stifle desire, curb curiosity, and make it fraught for a Good Girl to construct her own identity in the face of stern parental opinion.Of course, this is not always the case. Certain stories in this collection uncover relationships between parents and daughters that are open and supportive while also being exacting. Many of the essays, however, dig into difficult truths about what it is to be a young woman in a world of overbearing cultural expectation.Good Girls Marry Doctors is filled with honest stories, difficult and joyous, heartbreaking and hilarious, from a diverse array of powerful women. These narratives combine to expose struggles that are too often hidden from the public eye, while reminding those going through similar experiences that they are heard, and they are not alone. Contributors include: Ankita Rao, Ayesha Mattu, Fawzia Mirza, Hema Sarang-Sieminski, Jabeen Akhtar, Jyothi Natarajan, Leila Khan, Madiha Bhatti, Mathangi Subramanian, Meghna Chandra, Natasha Singh, Nayomi Munaweera, Neelanjana Banerjee, Phiroozeh Romer, Piyali Bhattacharya, Rachna Khatau, Rajpreet Heir, Roksana Badruddoja, Sayantani DasGupta, SJ Sindu, Sona Charaipotra, Surya Kundu, Swati Khurana, Tanzila Ahmed, Tara Dorabji, Tarfia Faizullah, and Triveni Gandhi.

    Using a womanist methodological approach, Pamela R. Lightsey helps readers explore the impact of oppression against Black LBTQ women while introducing them to the emergent intellectual movement known as queer theology. The author privileges their narratives and experiences as she reviews several doctrines and dogma of the Christian church. Theological reflection on contemporary debates such as same-sex marriage and ordination rights make this book a valuable resource to clergy, students of theology, LGBTQ persons and allies. "Writing in the shadow of mass killings of unarmed black persons in the United States, Lightsey's Our Lives Matter: A Womanist Queer Theology is a timely publication. This valuable interdisciplinary resource provides a succinct overview of the doctrine of creation that is informed by a discussion on identity. Our Lives Matter challenges readers to move beyond theory and to acknowledge the full humanity of all persons and is a must-read for any who self-identifies as Christian." --Angela D. Sims, Dean of Academic Programs and Associate Professor of Ethics and Black Church Studies, Saint Paul School of Theology Pamela R. Lightsey is an associate dean and clinical assistant professor of contextual theology and practice at Boston University School of Theology. She is also a self-identified queer lesbian ordained elder in full connection in the United Methodist Church. A national leader among LGBTQ social justice activists, Dr. Lightsey's writings have appeared in Washington Post (online), Religion Dispatches and Black Theology Journal.

    "Important and innovative."--Feminist Bookstore News

    Now a new generation of brilliant, outspoken women of color is speaking to the concerns of a new feminism, and their place in it. Daisy Hernandez of Ms. magazine and poet Bushra Rehman have collected a diverse, lively group of emerging writers who speak to their experience—to the strength and rigidity of community and religion, to borders and divisions, both internal and external—and address issues that take feminism into the twenty-first century. One writer describes herself as a “mixed brown girl, Sri-Lankan and New England mill-town white trash,” and clearly delineates the organizing differences between whites and women of color: “We do not kick ass the way the white girls do, in meetings of NOW or riot grrl. For us, it’s all about family.” A Korean-American woman struggles to create her own identity in a traditional community: “Yam-ja-neh means nice, sweet, compliant. I’ve heard it used many times by my parents’ friends who don’t know shit about me.” An Arab-American feminist deconstructs the “quaint vision” of Middle-Eastern women with which most Americans feel comfortable. This impressive array of first-person accounts adds a much-needed fresh dimension to the ongoing dialogue between race and gender, and gives voice to the women who are creating and shaping the feminism of the future.

    Once in college, Angela experiments with black activism (hoping to find clarity in extremism), capitalizes on her “exotic” look at a strip club, and ends up with a major case of the blues (aka, a racial identity problem). Yet Angela is never down for the count. After moving to Los Angeles, she discovers that being multiracial is anything but simple, especially in terms of dating and romance.By turns a comedy of errors and a moving coming-of-age chronicle, Mixed traces one woman’s unforgettable journey to self-acceptance and belonging.Praise for Mixed“I love Angela Nissel's writing. Reading Mixed was like getting a letter from a best friend I forgot I had. How ironic that a book written by someone who felt like no one "got" her will surely be one of those rare books everyone gets- black, white, both, neither. Hilarious, sweet, and honest, Mixed is the perfect read if you've ever felt like the one standing on the outside-- and let's face it, who hasn't? - -Jill Soloway, author of Tiny Ladies in Shiny Pants“Nissel is humorous, poignant, and proud yet also empathetic and generous as she recounts her constant struggle to answer the perennial question persons of mixed race seem required to ask of themselves in our society–where do I fit in?.... All readers stand to learn from her account.” — Booklist“Colorful anecdotes, marvelous dialogue and a thoughtful narrative make this memoir a delight.”–Kirkus Reviews (starred review)"If David Sedaris was a straight biracial female, this is the book he'd write. This book is so funny I've already started telling people I helped Angela write it." -- Bill Lawrence, creator of Scrubs"Growing up black and white, I always felt I had the best of both worlds. I feel the same way about Mixed. It's the perfect blend of hilarious comedy and sometimes tragic reality." -- Yvette Lee Bowser, creator of Living Single and executive producer of Half and Half"Mixed is a hilarious must-read for anyone searching for the enchanting path to self-discovery. Angela Nissel's precise account of living the mixed race experience not only hit home with me, but the journey is deliciously enlightening and heart-rending at the same time. It's a journey well worth taking." --Halle Berry

    The deva also told him that if the necklace broke the person who repaired it would die. It happened as the king feared. The necklace broke and Queen Chellana, who was wear

    Black women "shift" by altering the expectations they have for themselves or their outer appearance. They modify their speech. They shift "White" as they head to work in the morning and "Black" as they come back home each night. They shift inward, internalizing the searing pain of the negative stereotypes that they encounter daily. And sometimes they shift by fighting back.With deeply moving interviews, poignantly revealed on each page, Shifting is a much-needed, clear, and comprehensive portrait of the reality of African American women's lives today.