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An Outline of English Literature (Lernmaterialien)

G.C. Thornley - 1968

Supernatural Horror in Literature

H.P. Lovecraft - 1927

H.P.

Lovecraft (1890-1937), the most important American supernaturalist since Poe, has had an incalculable influence on all the horror-story writing of recent decades. Altho his supernatural fiction has been enjoying an unprecedented fame, it's not widely known that he wrote a critical history of supernatural horror in literature that has yet to be superceded as the finest historical discussion of the genre. This work is presented in this volume in its final, revised text. With incisive power, Lovecraft here formulates the esthetics of supernatural horror & summarizes the range of its literary expression from primitive folklore to the tales of his own 20th-century masters. Following a discussiom of terror-literature in ancient, medieval & renaissance culture, he launches on a critical survey of the whole history of horror fiction from the Gothic school of the 18th century (when supernatural horror found its own genre) to the time of De la Mare & M.R. James. The Castle of Otranto, Radcliffe, "Monk" Lewis, Vathek Charles Brockden Brown, Melmoth the Wanderer, Frankenstein, Bulwer-Lytton, Fouqué's Undine, Wuthering Heights, Poe (full chapter), The House of the Seven Gables, de Maupassant's The Horla, Bierce, The Turn of the Screw , M.P. Shiel, W.H. Hodgson, Machen, Blackwood & Dunsany are among those discussed in depth. He also notices a host of lesser writers--enough to draw up an extensive reading list. By charting so completely the background for his own concepts of horror & literary techniques, Lovecraft throws light on his own fiction as well as on the horror-literature which has followed. For this reason this book will be especially intriguing to those who've read his fiction as an isolated phenomenon. Any searching for a guide thru the inadequately marked region of literary horror, need search no further. Unabridged & corrected republication of 1945 edition. New introduction by E.F. Bleiler.

Hot, Cold, Heavy, Light, 100 Art Writings 1988-2018

Peter Schjeldahl - 2019

Hot Cold Heavy Light collects 100 writings—some long, some short—that taken together forma group portrait of many of the world’s most significant and interesting artists.

From Pablo Picasso to Cindy Sherman, Old Masters to contemporary masters, paintings to comix, and saints to charlatans, Schjeldahl ranges widely through the diverse and confusing art world, an expert guide to a dazzling scene. No other writer enhances the reader’s experience of art in precise, jargon-free prose as Schjeldahl does. His reviews are more essay than criticism, and he offers engaging and informative accounts of artists and their work. For more than three decades, he has written about art with Emersonian openness and clarity. A fresh perspective, an unexpected connection, a lucid gloss on a big idea awaits the reader on every page of this big, absorbing, buzzing book.

The Freud Reader

Sigmund Freud - 1989

The first single-volume work to capture Freud's ideas as scientist, humanist, physician, and philosopher.What to read from the vast output of Sigmund Freud has long been a puzzle.

Freudian thought permeates virtually every aspect of twentieth-century life; to understand Freud is to explore not only his scientific papers—on the psycho-sexual theory of human development, his theory of the mind, and the basic techniques of psychoanalysis—but also his vivid writings on art, literature, religion, politics, and culture.The fifty-one texts in this volume range from Freud's dreams, to essays on sexuality, and on to his late writings, including Civilization and Its Discontents. Peter Gay, a leading scholar of Freud and his work, has carefully chosen these selections to provide a full portrait of Freud's thought. His clear introductions to the selections help guide the reader's journey through each work.Many of the selections are reproduced in full. All have been selected from the Standard Edition, the only English translation for which Freud gave approval both to the editorial plan and to specific renderings of key words and phrases.

The Rough Guide to Cult Fiction

Paul Simpson - 2001

This new Rough Guide will make you a literary buff in the time it takes to say Jack Kerouac.

Even if you already know your Hunter S Thompson from your Jim Thompson, you''ll still find it hard to resist a book which tells you which cult novel has been implicated in assassinations, which world famous novelist offered to throw himself off a train to prove his devotion to his literary idol and which cult poet and prose stylist inspired a Broadway musical and the Velvet Underground. There''s a critical guide to over 150 cult authors - from Kathy Acker to Yevgeny Zamyatin, including potted biographies, their must reads, and their surprising influences. Reviews of 100 cult novels - seminal works by authors who never quite achieved cult status themselves but still produced one classic work. Finally, there''s a cult collection - a feast of literary trivia which categorises writers by the diseases they suffered for their art, reveals 12 literary giants who wrote standing up, and pores over the little known fictional epics of Sarah Bernhardt and Benito Mussolini.

Literature and Evil

Georges Bataille - 1957

”Literature is not innocent,” Bataille declares in the preface to this unique collection of literary profiles.

“It is guilty and should admit itself so.” The word, the flesh, and the devil are explored by this extraordinary intellect in the work of eight outstanding authors: Emily Bronte, Baudelaire, Blake, Michelet, Kafka, Proust, Genet and De Sade.Born in France in 1897, Georges Bataille was a radical philosopher, novelist, and critic whose writings continue to exert a vital influence on today's literature and thought.

Modernism: A Guide to European Literature 1890-1930

Malcolm Bradbury - 1978

An exploration of the ideas, groupings and the social tensions that shaped the transformation of life caused by the changes of modernity in art, science, politics and philosophy.

An exploration of the ideas, groupings and the social tensions that shaped the transformation of life caused by the changes of modernity in art, science, politics and philosophy

Kafka: Toward a Minor Literature

Gilles Deleuze - 1975

In Kafka Deleuze and Guattari free their subject from his (mis)interpreters.

In contrast to traditional readings that see in Kafka's work a case of Oedipalized neurosis or a flight into transcendence, guilt, and subjectivity, Deleuze and Guattari make a case for Kafka as a man of joy, a promoter of radical politics who resisted at every turn submission to frozen hierarchies.

Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust

Paul De Man - 1979

This important theoretical work by Paul de Man sets forth a mode of reading and interpretation based on exemplary texts by Rousseau, Nietzsche, Rilke, and Proust. The readings start from unresolved difficulties in the critical traditions engendered by these authors, and they return to the places in the text where those difficulties are most apparent or most incisively reflected upon. The close reading leads to the elaboration of a more general model of textual understanding, in which de Man shows that the thematic aspects of the texts—their assertions of truth or falsehood as well as their assertions of values—are linked to specific modes of figuration that can be identified and described. The description of synchronic figures of substitution leads, by an inner logic embedded in the structure of all tropes, to extended, narrative figures or allegories. De Man poses the question whether such self-generating systems of figuration can account fully for the intricacies of meaning and of signification they produce. Throughout the book, issues in contemporary criticism are addressed analytically rather than polemically. Traditional oppositions are put in question by a rhetorical analysis which demonstrates why literary texts are such powerful sources of meaning yet epistemologically so unreliable. Since the structure which underlies this tension belongs to language in general and is not confined to literary texts, the book, starting out as practical and historical criticism or as the demonstration of a theory of literary reading, leads into larger questions pertaining to the philosophy of language. "Through elaborate and elegant close readings of poems by Rilke, Proust’s Remembrance, Nietzsche’s philosophical writings and the major works of Rousseau, de Man concludes that all writing concerns itself with its own activity as language, and language, he says, is always unreliable, slippery, impossible….Literary narrative, because it must rely on language, tells the story of its own inability to tell a story....De Man demonstrates, beautifully and convincingly, that language turns back on itself, that rhetoric is untrustworthy."—Julia Epstein, Washington Post Book World "The study follows out of the thinking of Nietzsche and Genette (among others), yet moves in strikingly new directions....De Man’s text, almost certain to be endlessly provocative, is worthy of repeated re-reading."—Ralph Flores, Library Journal"Paul de Man continues his work in the tradition of ‘deconstructionist criticism,’… [which] begins with the observation that all language is constructed; therefore the task of criticism is to deconstruct it and reveal what lies behind.

The title of his new work reflects de Man’s preoccupation with the unreliability of language. … The contributions that the book makes, both in the initial theoretical chapters and in the detailed analyses (or deconstructions) of particular texts are undeniable."—Caroline D. Eckhardt, World Literature Today

Highland Heartbeats Boxed Set 2: Books 4-6

Aileen Adams - 2018

Three full-length Highland romances from author Aileen Adam’s Highland Heartbeats series.

Purchase this limited edition boxed set or read for free in KINDLE UNLIMITED! Book Four of the Highland Heartbeats Series! An Auctioned Bride Some promises are forever… Hugh McInnis, trying to escape the past and the present finds himself at an auction, his attention fixed on a Norwegian beauty intended for the highest bidder. He wished he could say what possessed him to bid on Dalla. Dalla was intended for a convent—punishment for disobeying her father—until her uncle intercepted her journey and put her up for auction. A stubborn quiet Norwegian woman and a grumpy Highlands man have no business traversing the landscape. Not together, anyway. Yet, that’s exactly what they are forced to do. * * * Book Five of the Highland Heartbeats Series! A Captain's Heart Some hearts are forever… Derek McInnis left the Highlands for a life on the sea. The sea has captured a heart that no woman could. Until now. Margery’s disguise as a boy doesn’t hide a comely face nor shapely hips. She has no need for a man’s assistance. Until she does. And naturally, the man who offers his assistance is the man she can’t get out of her mind. Or heart. * * * Book Six of the Highland Heartbeats Series! A Highland Sailor Some actions are forever… Gruff and straight-forward, Broc McFadden has always had one passion. To be on the sea. And then he meets the sister-in-law of his former captain Derek. He wouldn’t have met her if he hadn’t agreed to help Derek by traveling to a land where he was wanted, which puts him in the clutches of a mortal enemy. Fierce and loyal, Beatrice cannot sit idly by and watch the Highlander man who’s captured her heart punished unjustly. And yet, she’s betrothed to the Lord Randall a man whose handsomeness rivals his cruelty.

A Map to the Door of No Return

Dionne Brand - 2001

A Map to the Door of No Return is a timely book that explores the relevance and nature of identity and belonging in a culturally diverse and rapidly changing world.

It is an insightful, sensitive and poetic book of discovery.Drawing on cartography, travels, narratives of childhood in the Caribbean, journeys across the Canadian landscape, African ancestry, histories, politics, philosophies and literature, Dionne Brand sketches the shifting borders of home and nation, the connection to place in Canada and the world beyond.The title, A Map to the Door of No Return, refers to both a place in imagination and a point in history – the Middle Passage. The quest for identity and place has profound meaning and resonance in an age of heterogenous identities.In this exquisitely written and thought-provoking new work, Dionne Brand creates a map of her own art.

Powers of Horror: An Essay on Abjection

Julia Kristeva - 1980

"Kristeva is one of the leading voices in contemporary French criticism, on a par with such names as Genette, Foucault, Greimas and others.

. . Powers of Horror is an excellent introduction to an aspect of contemporary French literature which has been allowed to become somewhat neglected in the current emphasis on paraphilosophical modes of discourse. The sections on Céline, for example, are indispensable reading for those interested in this writer and place him within a context that is both illuminating and of general interest." -Paul de Man

Postmodernism: A Very Short Introduction

Christopher Butler - 2002

Postmodernism has become the buzzword of contemporary society over the last decade.

But how can it be defined? In this highly readable introduction the mysteries of this most elusive of concepts are unraveled, casting a critical light upon the way we live now, from the politicizing of museumculture to the cult of the politically correct. The key postmodernist ideas are explored and challenged, as they figure in the theory, philosophy, politics, ethics and artwork of the period, and it is shown how they have interacted within a postmodernist culture.About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundredsof key topics, from philosophy to Freud, quantum theory to Islam.

The Rise of the Novel, Updated Edition

Ian P. Watt - 1957

The Rise of the Novel is Ian Watt's classic description of the interworkings of social conditions, changing attitudes, and literary practices during the period when the novel emerged as the dominant literary form of the individualist era.In a new foreword, W.

B. Carnochan accounts for the increasing interest in the English novel, including the contributions that Ian Watt's study made to literary studies: his introduction of sociology and philosophy to traditional criticism.