A work of rare beauty and lyric grace, The Ground is an entire world, drawn and revealed through contemplation of the post-9/11 landscape. With musicality and precision of thought, Phillips’s poems limn the troubadour’s journey in an increasingly surreal modern world (“I plugged my poem into a manhole cover / That flamed into the first guitar”). The origin of mankind, the origin of the self, the self’s development in the sensuous world, and––in both a literal and a figurative sense––the end of all things sing through Phillips’s supple and idiosyncratic poems. The poet’s subtle formal sophistication—toggling between flair and restraint—and sense of lyric possibility bring together the hard glint of the contemporary world and the eroded permanence of the archaic one via remixes, underground sessions, Spenserian stanzas, myths, and revamped translations. These are poems of fiery intelligence, inescapable music, and metaphysical splendor that concern themselves with both lived life and the life of the imagination—equally vivid and true––as they lay the framework for Phillips’s meditations on our connection to and estrangement from the natural world.

    And now he has gathered from around the world the poems he loves – poems that have inspired and challenged him over the years, a number of which he has set to music. This wide-ranging and deeply moving anthology combines the ancient and the modern, the hallowed and the profane, the famous and the little known, to speak to two of literature’s great themes that have proven so powerful in his music: love and death – plus everything in between.Here are poems by Yehuda Amichai, W.H. Auden, Tusiata Avia, Hera Lindsay Bird, William Blake, Bertolt Brecht, Constantine Cavafy, Alison Croggon, Mahmoud Darwish, Emily Dickinson, John Donne, Ali Cobby Eckermann, James Fenton, Thomas Hardy, Kevin Hart, Gwen Harwood, Seamus Heaney, Philip Hodgins, Homer, Gerard Manley Hopkins, Langston Hughes, John Keats, Ono No Komachi, Maxine Kumin, Philip Larkin, Li-Young Lee, Norman MacCaig, Paula Meehan, Czeslaw Milosz, Les Murray, Pablo Neruda, Sharon Olds, Ovid, Sylvia Plath, Dorothy Porter, Rumi, Anne Sexton, William Shakespeare, Izumi Shikibu, Warsan Shire, Kenneth Slessor, Wislawa Szymborska, Máire Mhac an tSaoi, Ko Un, Walt Whitman, Judith Wright, W.B. Yeats and many more.

    After being orphaned as a young girl, Asghar grapples with coming-of-age as a woman without the guidance of a mother, questions of sexuality and race, and navigating a world that put a target on her back. Asghar's poems at once bear anguish, joy, vulnerability, and compassion, while exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests in our relationships with friends and family, and in our own understanding of identity. Using experimental forms and a mix of lyrical and brash language, Asghar confronts her own understanding of identity and place and belonging.

    Here refugees listen to relaxation tapes that create an Arcadia out of tires and bleach. Here the alphabet spells out disaster and devours children. Here plate tectonics birth a misery rift, spinning loved ones away from each other across an uncaring sea. And here the cosmos--and Cosmos, as Carl Sagan's hopeful words are fissured by erasure--yawns wide.Wilder is grimly visceral but also darkly sly; it paints its world in shades of neon and rust, and its apocalypse in language that runs both sublime and matter-of-fact. "Some of us didn't have lungs left," writes Wahmanholm. "So when we lay beneath the loudspeaker sky--when we were told to pay attention to our breath--we had to improvise." The result is a debut collection that both beguiles and wounds, whose sky is "black at noon, black in the afternoon."

    Since then, my words have been oozing pain. Today’s instant make-up, instant break-up generation have no time to spare time at all. They prefer enjoying eternity in moments to waiting eternally for that moment. Hence, these micro tales have become the latest fad. Minuscule is a collection of unique micro tales and short stories that are spread over various themes. From horror to social issues to romance, these tales leave no topic unwritten about, no emotion unexplored. Though told with brevity, the impact of these stories can be more lingering than that of novels. To-the-point, poignant, relatable - this micro fiction book can be read by anyone in today’s time - a teenager and an adult alike. Its varied range of themes is the cherry on the cake. Minuscule is a book that is sure to bring a smile to your face and tears to your eyes – and stay with you for a very long time. May the stories make a home in your heart! Don’t leave me the way you leave others. Some things are permanent indeed. Like love, like regret. And trust me honey, I’ll be your both.

    

    R. Ammons’s long, thin poem was written on a roll of adding-machine tape, then transferred foot by foot to manuscript. He chose this method as a serious experiment in making a poem adapt to something outside itself. The tape determined both the length of the poem’s lines and when it ends. Tape for the Turn of the Year is a poem of infinite variety, blessed by the rich resources of one of this century’s greatest poets. By turns witty, serious, lyrical, and meditative, it is at once a superbly entertaining book and a significant literary achievement.

    Instead, though, she does her utmost to overcome the challenges that lie ahead and to make the best of what she's got. Rose Rogers is not so forgiving. Consumed with bitterness for the cruel way she feels that life as treated her. She will stop at nothing to get the life she has been denied. But at what cost to Cam?

    Besides, Debu has only recently escaped a bunch of local ruffians who wanted him to ‘go back home to Bangladesh’.But Debu is unable to resist being friends with Clint. For, in return for doing his maths homework, Clint introduces him to a completely new life: the heady charms of Kalsang, the Chinese restaurant forbidden by Debu’s mother; the revolutionary sounds of Pink Floyd; and most importantly, the coolest, prettiest girl in town—Audrey Pariat. Audrey loves maths and detective stories, just like Debu, and does not make him feel awkward or exotic. Together, the three of them look set to embark on many adventures. But when tensions between the Khasi and Bengali communities boil over, Shillong becomes a battlefield—old neighbours become outsiders and the limits of friendship are challenged.With crackling energy, Nilanjan P. Choudhury immerses us in the tumultuous lives of Debu, his friends and his family, and their attempts to find love and belonging. Written with uncommon warmth, humour and a delightful evocation of place, Shillong Times is an exhilarating coming-of-age story—showing us how friendship can eclipse the hardened enmities of adulthood.

    G. Francis Xavier. Evidently, this harvest of stories has been gleaned from lands he visited and books he read. Xavier, who conducts full-house personal growth courses has brought out this compendium in an interactive form, making the reader give the answers at the end of the story, which is a novel approach. Stories and examples are the best way to inspire, and this volume can be gifted to anyone. It is useful for preachers, speakers and teachers. The book appeals to readers of all ages except the morose and irredeemable negaholics (negative thinking addicts) and anti-reading teenagers. It has stories to inspire and promises uninterrupted chuckles till the end. There are also quotations on success.

    This is to be the first verse translation of Goethe's poetry in penguin classics and replaces Luke's own 1964 prose translation which has been in print continously since then (life sales 43,000).

    It is one of the most appreciated works of Dinkar other than "Kurukshetra".Karna was first born son of Kunti whom she had abandoned at birth as he was an illegitimate son. Karna grew up in a lowly family, yet became one of the best warriors of his time. In the Great Mahabharata war, Karna was obliged to fight from the side of Duryodhana as Duryodhana recognizing his merits had made him a king and adopted him as a close friend. Karna fighting from Kaurava's side was a great worry of Pandavas as he was reputed to be unconquerable in war. The way Dinkar has presented the story of Karna with all hues of human emotions trapped in moral dilemmas, is simply marvelous. The rhythm and meter is lilting. Choice of words and purity of language is exhilarating. The work has a timeless relevance and is a must read.

    The impact of Alberto's labor has resulted in numerous articles of praise from the most influential mass media of Sweden, Scandinavia and Europe, such as Aftonbladet, QX, SVT and LT. 'eighteen' has also been a selected reading in European universities for raising awareness upon issues such as bullying and abuse, while the amenity of the work also encourages the youth to read more. The book is divided into three parts. Each part deals with a different stage, represented as the different cycles of the metamorphosis of a butterfly, and illustrated by the author.'the ending' as the larva, deals with abuse, homophobia, loss, bullying and suicide.'the transition' as the cocoon, explores self-discovery, healing, grieving, forgiveness, life and death. 'the beginning' as the butterfly, is a celebration of one self and of the existing beauty in this world. It exudes love and power. Joy and hope after the misery. Alberto Ramos was just fifteen when he moved from his hometown Málaga Spain, to Stockholm Sweden, and left his family and friends behind to join his bestfriend on their long-awaited international high school experience. Little did he know what he thought would be the beginning was nothing but endings. 'eighteen' is the journey since the ending until the beginning.

    . . [will] take a place on my shelves beside the stories of Narayan — Graham GreeneThis volume presents two celebrated novels by Manoj Das, one of India’s most illustrious authors, who has been writing in English and Oriya (Odia)for over six decades.In A Tiger at Twilight the erstwhile raja of Samargarh returns to his abandoned palace in Nijanpur, after years of self-exile, with his sick daughter and his supposed half-sister, and immediately assumes the responsibility of killing a man-eating tiger. Assisting him are a few noted men of the valley including Dev the owner and manager of a resort. But as the hunt intensifies Dev realizes that things aren’t as they seem: Heera, the raja’s sister, has an inexplicable power over the men in the hunting party and a strange connection with the tiger. As the men get closer to killing the beast, bizarre things begin to happen, hinting at the influence of the supernatural.Cyclones is set in Kusumpur, a small coastal village, during the struggle for Independence. The village is devastated by a cyclone and Sandip, the scion of the zamindar (land-lord) family, helps restore it. The war-time colonial government, though, wants to turn the sleepy hamlet into a busy port town. They plan to fill up the river that flows by it, in the process angering all the villagers, including Sandip. But when the contractor for the project is found murdered, Sandip is accused of the crime, forcing him to flee from the authorities. This is the start of a series of adventures that take him from a remote ashram in a forest to the city where communal violence is rife. Cyclones is a powerful novel about the metaphorical storms that gripped the nation during the most turbulent period of its modern history.

    & Ted Hughes, David Rosenberg, et al. A new printing of this large collection by the poet commonly regarded as Israel's most prominent and one of the major contemporary world poets. Born in Germany in 1924, Amichai left with his family for Israel in 1936.