Best of
German-Literature

1954

A Time to Love and a Time to Die


Erich Maria Remarque - 1954
    After two years at the Russian front, Ernst Graeber finally receives three weeks’ leave. But since leaves have been canceled before, he decides not to write his parents, fearing he would just raise their hopes. Then, when Graeber arrives home, he finds his house bombed to ruin and his parents nowhere in sight. Nobody knows if they are dead or alive. As his leave draws to a close, Graeber reaches out to Elisabeth, a childhood friend. Like him, she is imprisoned in a world she did not create. But in a time of war, love seems a world away. And sometimes, temporary comfort can lead to something unexpected and redeeming. “The world has a great writer in Erich Maria Remarque. He is a craftsman of unquestionably first rank, a man who can bend language to his will. Whether he writes of men or of inanimate nature, his touch is sensitive, firm, and sure.”—The New York Times Book Review

The Spanish Ballad (Raquel, the Jewess of Toledo)


Lion Feuchtwanger - 1954
    The story focuses on the "Golden Age" of learning in medieval Spain, and also describes the affair of Alfonso VIII with the Jewish Raquel in Toledo.In Lion Feuchtwanger's prologue to the story, he mentions that the ballad was originally written by Alfonso X of Castile in regards of his Great-Grandfather (Alfonso VIII).

Selected Poetry


Johann Wolfgang von Goethe - 1954
    This is to be the first verse translation of Goethe's poetry in penguin classics and replaces Luke's own 1964 prose translation which has been in print continously since then (life sales 43,000).

I'm Not Stiller


Max Frisch - 1954
    To prove he is who he claims to be, he confesses to three unsolved murders and recalls in great detail an adventuresome life in America and Mexico among cowboys and peasants, in back alleys and docks. He is consumed by "the morbid impulse to convince," but no one believes him. This is a harrowing account part Kafka, part Camus of the power of self-deception and the freedom that ultimately lies in self-acceptance. Simultaneously haunting and humorous, I'm Not Stiller has come to be recognized as "one of the major post-war works of fiction" and a masterpiece of German literature.