After the tragic death of her father, Bryony returns from abroad to find that his estate is to become the responsibility of her cousin Emory. Her family's estate with its load of debt is no longer her worry. Still, her father's final, dire warning about a terrible family curse haunts her days and her dreams. And there is something odd about her father's sudden death... Bryony has inherited the Ashley 'Sight' and so has one of the Ashleys. Since childhood the two have communicated through thought patterns, though Bryony has no idea of his identity. Devastated, she believes, that the mysterious stranger is her destiny... the lover-to-be who waits for her now at Ashley Court. Now she is determined to find him. But passion is not all that will greet Bryony upon her return -- for the crumbling walls of the old mansion guard dark secrets, tragic memories... and inescapable peril.

    These are the carefree days before marriage and new responsibility, and anything goes -- including house-sitting at eccentric Aunt Kate's palatial estate in Burton, Virginia. Ellie feels right at home here with the nearly invisible housekeepers and the plethora of pets, but she soon realizes that there are disturbing secrets about the local aristocracy buried in a dusty old book she has carried into the mansion. And her sudden interest in the past is attracting a slew of unwelcome guests -- some of them living and some, perhaps not. And the terrible vegeance that Ellie and her friends seem to have aroused -- now aimed at them -- surely cannot be...satanic.

    Three years after her husband, Alex, disappeared, shot down over Germany, Jo Manders still mourns his loss. Working as a paid companion to Alex's wealthy, condescending aunt, Dottie Forsyth, Jo travels to the family’s estate in the Sussex countryside. But there is much she never knew about her husband’s origins…and the revelation of a mysterious death in the Forsyths’ past is just the beginning… All is not well at Wych Elm House. Dottie's husband is distant, and her son was grievously injured in the war. Footsteps follow Jo down empty halls, and items in her bedroom are eerily rearranged. The locals say the family is cursed, and that a ghost in the woods has never rested. And when Jo discovers her husband’s darkest secrets, she wonders if she ever really knew him. Isolated in a place of deception and grief, she must find the truth or lose herself forever. And then a familiar stranger arrives at Wych Elm House…

    Caroline Verlaine, a young widow, comes to work at the estate hoping to discover the cause of the mysterious disappearance of her sister, who had been studying the nearby Roman ruins. Caroline found her employers a strange family, haunted by tragedies of the past, scarred by distrust. Yet she found herself irresistibly attracted to them - especially to the family's dark, moody young scion. But not until she had retraced her sister's fatal last steps could she answer the crucial questions about the family's past - and her own future.

    A letter summons young Megan Kincaid to the house on Washington Square. In a startling interview the master of the house, Brandon Reid, informs her that he wishes her to devote herself to moody, unbalanced Jeremy, Mrs. Reid's son by her previous husband, Brandon's younger brother Dwight. Dwight Reid's brilliant career as New York District Attorney had been ended by a shocking and tragic accident with a gun--or so the newspapers had claimed--at the hands of this same guilt-ridden child, then aged seven. Against her better judgment, Megan accepts the challenge.From the beginning Megan feels uneasy in the house; she senses the presence of lurking evil, of mysterious emotional undercurrents, of relationships that are not what they appear to be. She does not know whom to trust--the haughty yet strangely sad beauty, Leslie Reid, or the somber, fascinating master of the house, whose warm voice belies his cold, grave manner. She finds herself irresistibly drawn toward him, and their growing mutual attraction is duly noted by interested members of the household. When Megan realizes fully the extent of her own feelings, she knows she cannot honorably remain in the Reid home. Yet she also knows that if she goes, Jeremy will be left alone in world, irretrievably lost.

    There he finds a manuscript, and from the moment his mother catches him in the act, Gerard Freeman's life is irrevocably changed. What is the invisible, ever-present threat from which his mother strives so obsessively to protect him? And why should stories written a century ago entwine themselves ever more closely around events in his own life? Gerard's quest to unveil the mystery that shrouds his family, and his life, will lead him from Mawson to London, to a long-abandoned house and the terror of a ghost story come alive.

    and then Vanishes from the Pages of History.Archaeologist Verity Grey has been drawn to the dark legends of the Scottish Borderlands in search of the truth buried in a rocky field by the sea.Her eccentric boss has spent his whole life searching for the resting place of the lost Ninth Roman Legion and is convinced he's finally found it—not because of any scientific evidence, but because a local boy has "seen" a Roman soldier walking in the fields, a ghostly sentinel who guards the bodies of his long-dead comrades.Here on the windswept shores, Verity may find the answer to one of the great unsolved mysteries of our time. Or she may uncover secrets someone buried for a reason.

     The Gallagher family has called Deeprath Castle home for seven hundred years. Nestled in the Wicklow Mountains of Ireland, the estate is now slated to become a public trust, and book lover and scholar Carragh Ryan is hired to take inventory of its historic library. But after meeting Aidan, the current Viscount Gallagher, and his enigmatic family, Carragh knows that her task will be more challenging than she’d thought. Two decades before, Aidan’s parents died violently at Deeprath. The case, which was never closed, has recently been taken up by a new detective determined to find the truth. The couple’s unusual deaths harken back a century, when twenty-three-year-old Lady Jenny Gallagher also died at Deeprath under mysterious circumstances, leaving behind an infant son and her husband, a renowned writer who never published again. These incidents only fueled fantastical theories about the Darkling Bride, a local legend of a sultry and dangerous woman from long ago whose wrath continues to haunt the castle. The past catches up to the present, and odd clues in the house soon have Carragh wondering if there are unseen forces stalking the Gallagher family. As secrets emerge from the shadows and Carragh gets closer to answers—and to Aidan—could she be the Darkling Bride’s next victim?

    So when a stranger appears on her doorstep with a job offer, she finds herself accepting the mysterious yet unique position: caretaker to his mother, Amaris Sinclair, the famous and rather eccentric horror novelist whom Julia has always admired…and who the world believes is dead.When she arrives at the Sinclairs' enormous estate on Lake Superior, Julia begins to suspect that there may be sinister undercurrents to her "too-good-to-be-true" position. As Julia delves into the reasons of why Amaris chose to abandon her successful writing career and withdraw from the public eye, her search leads to unsettling connections to her own family tree, making her wonder why she really was invited to Havenwood in the first place, and what monstrous secrets are still held prisoner within its walls.

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.

    Welcome Margaret Leroy to the clan.What’s the matter with Sylvie? Such a pretty girl. Four years old; well loved by her young mother, Grace. But there’s something . . . “off ” about the child. Her deathly fear of water; her night terrors; most of all, her fixation with a photo of an Irish seaside town called Coldharbour.“Sylvie, tell me about your picture. Why’s it so special, sweetheart?” My heart is racing, but I try to make my voice quite calm.“That’s my seaside, Grace.” Very matter-of-fact, as though this should be obvious. “I lived there, Grace. Before.”Grace doesn’t know what to do with this revelation—she’s barely scraping by as it is. A single mother with no family, Grace works full-time at a London flower shop to support herself and Sylvie. Overwhelmed by her inability to help her daughter, she turns to Adam Winters, a dashing psychology professor with some unusual theories about what might be troubling the child. Together, they travel to seemingly idyllic Coldharbour, hoping to understand Sylvie’s mysterious connection to the place. Impossible as it may seem, Grace has to accept that her daughter may be remembering a past life. And not only that: the danger bedeviling Sylvie from her past life is still very much a threat to her in this one.Margaret Leroy has been celebrated for writing “like a dream,” and her previous novels have been praised for their “hypnotic prose” and “sensuously ethereal, subtly electric drama.” Now, in Yes, My Darling Daughter, Leroy offers a novel both haunted and haunting—a wonderfully original, deliciously suspenseful story that enthralls from the first page to the very last.

    With a modest inheritance and the three gowns that comprise her entire wardrobe, Theodora leaves Edinburgh--and a disappointed suitor--far behind. She is bound for Rumania, where tales of vampires are still whispered, to visit an old friend and write the book that will bring her true independence.She arrives at a magnificent, decaying castle in the Carpathians, replete with eccentric inhabitants: the ailing dowager; the troubled steward; her own fearful friend, Cosmina. But all are outstripped in dark glamour by the castle's master, Count Andrei Dragulescu.Bewildering and bewitching in equal measure, the brooding nobleman ignites Theodora's imagination and awakens passions in her that she can neither deny nor conceal. His allure is superlative, his dominion over the superstitious town, absolute--Theodora may simply be one more person under his sway.Before her sojourn is ended--or her novel completed--Theodora will have encountered things as strange and terrible as they are seductive. For obsession can prove fatal...and she is in danger of falling prey to more than desire.

    Cruising down the Nile from Luxor to the Valley of the Kings, Anna carries with her two mementos: an ancient Egyptian scent bottle, and the diary of that original Nile voyage, which has lain unread for a hundred years. As she follows Louisa's footsteps, Anna discovers both the chilling secret of the bottle and the terrifying specters that pursued her great grandmother.

    Damien Cole. Ignoring the whispered warnings and rumours that he's a man to fear, she takes her position at his eerie estate, where she quickly discovers that nothing is at it seems, least of all her handsome and brooding employer. As Darcie struggles with her fierce attraction to Damien, she must also deal with the blood, the disappearances ... and the murders.With her options dwindling and time running out, Darcie must rely on her instincts as she confronts the man she falling in love with. Is he an innocent and misunderstood man ... or a remorseless killer who prowls the East End streets?Note: All books in the Dark Gothic series can be read as stand-alone novels.

    Now, with The Ghost Orchid, a narrative that seamlessly weaves together the past and the present, Goodman creates her most lyrical and haunting work to date. For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Cradled in silence, inspired by the rough beauty of overgrown gardens and crumbling statuary, these chosen few fashion masterworks–and have cemented Bosco’s reputation as a premier artists’ colony. This season, five talented artists-in-residence find themselves drawn to the history of Bosco, from the extensive network of fountains that were once its centerpiece but have long since run dry to the story of its enigmatic founder, Aurora Latham, and the series of tragic events that occurred more than a century ago.Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple’s children, lost the winter before in a diphtheria epidemic. But when a séance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams’ only surviving child. The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she’s not alone: biographer Bethesda Graham uncovers stunning revelations about Milo and Corinth; landscape architect David Fox discovers a series of hidden tunnels underneath the gardens; poet Zalman Bronsky hears the long-dry fountain’s waters beckoning him; and novelist Nat Loomis feels something lingering just out of reach.After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.From the Hardcover edition.