From slavery to freedom, follow the inspirational rags-to-riches story of some of America’s greatest jazz musicians brought together by the determination of one man, a freed black slave named Rev. Daniel Jenkins. His Jazz Nursery revolutionized the music world! One cold December day in 1891, Rev. Jenkins discovered four black children huddled together in a railroad car. He had more than 500 children in his care. To support the Orphanage, Jenkins organized a brass band which performed on the Charleston streets for hand-outs. Ten years later, the Jenkins Band appeared in London, played for President Teddy Roosevelt and premiered on Broadway. Members of the Jenkins Band played with Duke Ellington, Count Basie and Louis Armstrong. Then, tragically in 1919, one of the Jenkins’ musicians committed a brutal murder which shocked America! During the next decade, the Roaring 20s, America underwent a tumultuous change in which everybody was soon DOIN’ THE CHARLESTON! ILLUSTRATED WITH MORE THAN 70 PHOTOS!

    A famous short story

    After escaping an abusive marriage, she's found peace on charming Cavanaugh Island. As the holiday approaches, Iris looks forward to spending it with her newfound best friend's family . . . and their very handsome visitor.On leave from Afghanistan, Army Master Sergeant Collier Ward is excited to be reunited with his family for Christmas. But the best gift of all may be this warm, beautiful stranger who joins them for the festivities. With his visit coming to an end, Collier can't deny the heat smoldering between them. Yet Iris can't help but wonder if it's just the glow of the season-and one night of passion-or a true miracle of love that will change their lives forever . . .

    At that time, four books in the line were being market-tested by the publisher to see how young readers would react to R.L. Stine's particular brand of humor-tinged horror. One element that was sure to catch the attention of little eyes everywhere was striking cover art, and, boy, did they find it!The imagery provided by the covers of the Goosebumps series is part and parcel to the 90s Kid zeitgeist, helping to create a visual brand for R.L. Stine's smash-hit horror series. The covers helped set the tone for the numerous adaptations of the series, including a television series, a theatre experience, and, more recently, blockbuster films!

    . . Roemer [is] America's most decorated FBI agent."--Chicago TribuneFor forty years Tony Accardo was America's most dangerous criminal. He cut his teeth on the Chicago mob wars of Capone and Elliot Ness. He got his nickname "Joe Batters" for killing two men with a baseball bat. As the bodies piled up, Capone's youngest capo murdered and schemed his way to the top.William Roemer was the first FBI agent to face Tony "The Big Tuna" Accardo. Now, Roemer tells the story that only he could tell: the deals, the hits, the double-crosses, and the power plays that reached from the Windy City to Hollywood and to New York. Drawing on secret wiretaps and inside information, ACCARDO chronicles bloodshed and mayhem for more than six decades--as Roemer duels against the most powerful don of them all. . . ."Roemer brings the reality of organized crime home to us."--Boston Herald"A big, sprawled out account that serves as anecdotal history of organized crime."--Kirkus Reviews

    But Alex has never shown any signs of reciprocating. That is until a game played on a group camping trip reveals her true feelings. Will the revelation tear their friendship apart? Or will Stacy finally get what she really wants? A 10,000 word short story.

    The amazing true story of the deadliest tornado in American history, as told by a survivor.

    By exposing the painful past she has created a beautiful, timely, and uplifting book with unforgettable characters who kept me guessing.--Donna Hylton, author of A Little Piece of Light: A Memoir of Hope, Prison, and a Life UnboundDeirdre Sinnott is an extraordinary writer whose eye misses nothing. This compelling story is a must read--and it couldn't be more timely.--David Black, award-winning journalist, novelist, screenwriter, and producerA fast-paced excursion into Utica, New York, in the mid-1830s, The Third Mrs. Galway captures the true-life antiabolition riots against the New York Anti-Slavery Society. With lively and enjoyable prose, Deirdre Sinnott brings the story of emancipation alive.--Paul Stewart, cofounder of the Underground Railroad History ProjectThe Third Mrs. Galway offers readers romance, adventure, and poignant family drama while also providing insight into the complexity of antislavery attitudes before the Civil War. This is a historical page-turner that both enlightens and entertains.--Barbara Weisberg, author of Talking to the Dead: Kate and Maggie Fox and the Rise of SpiritualismWith historical accuracy, Deirdre Sinnott brings to life the surprising drama of freedom-seekers and slave-catchers in Oneida County. This book animates the history of the region and the larger Underground Railroad phenomenon in a way that street signs and public lectures cannot.--Jan DeAmicis, cochair of the Oneida County Freedom Trail CommissionThe Third Mrs. Galway reads like Balzac, with fear, desire, terror, and love intertwined in this gripping work of historical fiction. Deirdre Sinnott weaves the stories of a cross-section of 1835 Utica, New York, into an impressive and fascinating narrative that contemplates race, class, history, and the search for justice and humanity. ReadThe Third Mrs. Galway to be swept into the uncertain, violent time of 1830s New York and to see in new ways how that moment still affects our own.--Taylor M. Polites, author of The Rebel WifeIt's 1835 in Utica, New York, and newlywed Helen Galway discovers a frightening secret: two runaway slaves are hiding in the shack behind her husband's house. Suddenly, she is at the center of not only the era's greatest moral dilemma, but her own as well. Should she be a good wife and report the fugitives to her husband? Or will she defy convention and come to the aid of the least of her brethren?Within her home, Helen is haunted by the previous Mrs. Galway, recently deceased but still an oppressive presence. Her husband, injured by a drunken tumble off his horse, is assisted by a doctor of questionable ambitions who keeps a close eye on Helen. In charge of all things domestic is Maggie--formerly enslaved by the Galway family and freed when emancipation came to New York eight years earlier.At the same time, Utica is at the center of emancipation efforts as abolitionists arrive for the founding meeting of the New York State Anti-Slavery Society. Those who plead for an immediate end to enslavement are attacked by newspapers accusing them of being insurrectionists and traitors to the Constitution. Everyone faces dangerous choices as they navigate this intensely heated personal and political landscape.

    It has become far too easy to ignore the hardships of millions of children plagued by poverty, poor health, illiteracy, violence, adult hypocrisy, and injustice. As founder and president of the Children's Defense Fund, Marian Wright Edelman knows all too well the suffering of so many of our nation's children, who live every day with adversity most of us can barely imagine. In The Sea Is So Wide and My Boat Is So Small, Edelman asks difficult questions about what we truly value, and looks hard at what we can -- and must -- do to build a nation fit for all children. With the passion and conviction that have made her our leading child advocate, she calls us all to stand up for the future of America. What have we done and what have we left undone? What lessons can we learn from our past and our present to realize a just and peaceful national and world vision for our children and grandchildren? Marian Wright Edelman challenges all of us -- our leaders, our teachers, the faith community, parents, grandparents, and future generations--to end the epidemic physical and spiritual poverty afflicting millions of our children. We can leave our children with a better, safer, and fairer world if we care enough. And we can -- and must -- do it now.

    It's true that Milwaukee's German accent was unmistakable in the 1880s; it was the Beer Capital of the World; and it's the home of the steam shovels that dug the Panama Canal the engines that powered the New York City subway system, and the motorcycles that made Harley-Davidson an American legend.But the stereotypes don't begin to convey the richness of Milwaukee's past. They don't describe the five citizens killed by the state militia as they marched for the eight-hour day. The Jewish community leader who wrote The Settlement Cookbook. The Italian priest who led the local crusade for civil rights in the 1960s. The railroad promoter who bribed an entire state legislature. The Socialists who made Milwaukee the best-governed big city in America. Allis-Chalmers and Pabst Blue Ribbon. Summerfest and Irish Fest. Golda Meir. Carl Sandburg. Robin Yount.The Making of Milwaukee tells all those stories and a great many more. Well-written, superbly organized, and lavishly illustrated, it is sure to be the standard reference for many years to come.

    Strongly political, the poem touches on issues of racism, intolerance, and environmental destruction, amongst others.

    A work of rare beauty and lyric grace, The Ground is an entire world, drawn and revealed through contemplation of the post-9/11 landscape. With musicality and precision of thought, Phillips’s poems limn the troubadour’s journey in an increasingly surreal modern world (“I plugged my poem into a manhole cover / That flamed into the first guitar”). The origin of mankind, the origin of the self, the self’s development in the sensuous world, and––in both a literal and a figurative sense––the end of all things sing through Phillips’s supple and idiosyncratic poems. The poet’s subtle formal sophistication—toggling between flair and restraint—and sense of lyric possibility bring together the hard glint of the contemporary world and the eroded permanence of the archaic one via remixes, underground sessions, Spenserian stanzas, myths, and revamped translations. These are poems of fiery intelligence, inescapable music, and metaphysical splendor that concern themselves with both lived life and the life of the imagination—equally vivid and true––as they lay the framework for Phillips’s meditations on our connection to and estrangement from the natural world.

    From a history of anti-Asian racism to a deconstruction of the city's urban sprawl; from an examination of local food trends to a survey of the city's politically radical past, Vancouver Special is a love letter to the city, taking a no-holds-barred look at Lotusland with verve, wit, and insight.

    Holmes’s poems are like little stories, hooking readers while navigating issues like body image, family relationships, loneliness, failed relationships, and finding belonging. Don’t Tell Me Not to Ask Why is a call to introspection, a demand for honesty, and an affirmation of second chances.

    Asian American Studies. Is there a relationship between the population density of Tokyo and the pinkest part of a hamburger? Can one touch the inside of a noun to learn the difference between one bicycle and a field of bicycles? How close is yellow to need? How far are human fears from the fears of insects? Through a sequence of prose investigations, directions, theoretical performances, and character sketches, Sawako Nakayasu's TEXTURE NOTES presses itself against everything. Here is a book of liminal cartography, where textures are percolated by thought and propelled by feeling, where intellectual frottage meets sunlight, moonlight, the pain of seeing something beautiful and an entire town enamored by a simple rock. Once again, Nakayasu's writing explodes with genre-bending fury and fine-tuned improvisation, leaving in its wake a largess of feeling for the things of the world.