Porritt, a plumber, into "good service" on a country estate. One of the precipitating events was her having tea at the Ritz. Obviously didn't know her place! How worrisome! Lovely, thoughtful, full of marvelous characters and an abundance of humor.

    It is a novel that engages the mind while satisfying those that crave the thrill of a chase. There are riots and sex. There is love and murder. There is Darwinism and Fascism, nightclubs, invented languages and the dangerous bravado of youth. And there are lots of beetles. It is clever. It is distinctive. It is entertaining. We hope you are too.

    When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results. First published in 1904, The Napoleon of Notting Hill was Chesterton's first novel. It has been called the best first novel by any author in the twentieth century. Newly designed and typeset by Waking Lion Press.

    Jen already has two college-age daughters by two different (probably) musicians, and it's her second time around the class mom block with five-year-old Max--this time with a husband and father by her side. Though her best friend and PTA President sees her as the-wisest-candidate for the job (or oldest), not all of the other parents agree.From recording parents' response times to her emails about helping in the classroom, to requesting contributions of-special-brownies for curriculum night, not all of Jen's methods win approval from the other moms. Throw in an old flame from Jen's past, a hyper-sensitive -allergy mom,-a surprisingly sexy kindergarten teacher, and an impossible-to-please Real Housewife-wannabe, causing problems at every turn, and the job really becomes much more than she signed up for.

    Is there really room for something as unpredictable as love? Oliver Clock has everything arranged just so. A steady job running the family funeral parlour. A fridge stocked with ready meals. A drawer full of colour-coded socks. A plan (of sorts) to stay trim enough for a standard-sized coffin. And in florist Marie, he’s even found the love of his life—not that she’s aware of it.When a terrible tragedy takes Marie out of his life but leaves him with her private journal, he discovers too late that she secretly loved him back. Faced now with an empty love life, a family funeral business in trouble, a fast-approaching fortieth birthday and a notebook of resolutions he’s never achieved, Oliver resolves to open himself up to love—and all the mess that comes along with it.But, with a habit of burying his feelings, can he learn to embrace his lovability and find the woman who will make him feel whole?

    Expensive things in shops. Jelly that is not ready to eat yet. Cigarette lighters. Necks. Dead Things. Dogs. Piercings. Toddlers' cheeks. Each other's knees. People also like to touch death.Jasper wants to get on in the world, but he's got a lot on his plate: A-levels, his mother pushing him to overachieve, weekly visits to his psychologist, comedowns, YouTube suicides and pregnant one-night-stands. Then there's his stepdad - the murderer.Hilarious and heartbreaking by turns, Grow Up is the ultimate twenty-first-century coming-of-age novel. It paints a vivid portrait of the pills and thrills and bellyaches of growing up today. Funny, smart and twisted, it is the story of one young man transformed.

    Nora, at first, recounts nothing that Effie really wants to hear--like who her real father was. Effie tells various versions of her life at college, where in fact she lives in a lethargic relationship with Bob, a student who never goes to lectures, seldom gets out of bed, and to whom Klingons are as real as Spaniards and Germans.But as mother and daughter spin their tales, strange things are happening around them. Is Effie being followed? Is someone killing the old people? And where is the mysterious yellow dog?In a brilliant comic narrative which explores the nonsensical power of language and meaning, Kate Atkinson has created another magical masterpiece.

    To test the facilities he’s hosting a reunion for his old school (none of his ex-classmates can remember him, but what the heck, it’s free). He is so busy showing off that he doesn’t notice that another group have invited themselves along – a collection of terrorist mercenaries who are occasionally of more danger to themselves than to the public.And they in turn are unaware that Inspector MacGregor has got wind of their activities. Within twenty-four hours Gavin’s dream has blown to the four winds, along with a lot of other things.Dress Casual. Bring your own bullets.

    In this fine and funny adventure set in the backlands of modern Turkey, a group of highly unusual travel companions makes its way from Istanbul to legendary Trebizond, encountering potion-dealing sorcerers, recalcitrant policemen, and Billy Graham on tour with a busload of Southern evangelists. But though the dominant note of the novel is humorous, its pages are shadowed by heartbreak as the narrator confronts the specters of ancient empires, religious turmoil, and painful memories of lost love.

    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    Reminiscent of Alan Bennett’s The Uncommon Reader, this lively, wonderfully inventive romp takes readers into the mind of the grand matriarch of Britain’s Royal Family, bringing us an endearing runaway Queen Elizabeth on the town—and leading us behind the Buckingham Palace walls and into the upstairs/downstairs spaces of England’s monarchy.

    of the title is Jakabob Botch, a demon whose ghastly past could make even the most merciless sociopath whimper in sympathy. Born in the deepest regions of hell, the spawn of an abusive drunkard and his whorish wife, Jakabob escapes to the world above after suffering fiendish torture. Once topside, he lands conveniently in 15th-century Mainz, the home of printing inventor Johannes Gutenberg. However, Mister B. isn't interested in merely observing history; like any other self-respecting diabolical being, he's just searching for a new demonic angle. A ghoulishly good fright fest.

    He imagines us capable of disinterested curiosity in the behaviour of our kind.' In this, the most dazzlingly intellectual of all his novels, Meredith tries to illuminate the pretensions of the most powerful class within the very citadel of security which its members have built. He develops to their logical extremity his ideas on egoism, on sentimentality and on the power of comedy. Meredith saw egoism as the great enemy of truth, feeling and progress, and comedy as the great dissolver of artifice. The Egoist is the extreme expression of his recurrent theme: the defeat of egoism by the power of comedy.

    Against the Technicolor unreality of Florida's finest tourist attractions, the Drummonds stumble into every illicit activity under the tropical sun-kidnapping, blackmail, gunplay, and black market negotiations, to name a few. But even as the Drummonds' lives spin out of control, Coupland reminds us of their humanity at every turn, hammering out a hilarious masterpiece with the keen eye of a cultural critic and the heart and soul of a gifted storyteller. He tells not only the characters' stories but also the story of our times--thalidomide, AIDS, born-again Christianity, drugs, divorce, the Internet-all bound together with the familiar glue of family love and madness.

    McQueen (no relation, unfortunately) seems to have a knack for bad luck. But a failed marriage, a stalled career, a judgmental ex-wife, a distant daughter, a horrid little studio apartment in the far reaches of the London suburbs-all these pathetic elements seem to pale in the chiseled face of his newest tormentor: the Twelfth Sexiest Man in the World, Josh Harper.Josh is the star of Mad, Bad, and Dangerous to Know, a biographical play about Lord Byron-and Stephen is his understudy. Not only is Josh fantastically, infuriatingly good-looking, internationally renowned, and remarkably talented, he's also frustratingly healthy. No matter how many all-night booze-and-coke benders Josh goes on, he always shows up at the stage door for his call like clockwork. Stephen doubts he'll ever get his chance to slip on the puffy shirt and tight breeches of Byron and tread the boards in the role that would certainly be the break he's always waited for.And just when Stephen's sure he couldn't resent Josh more, he meets Josh's witty, restless American wife, Nora . . . and discovers he likes her a little too much. Another man might curse his luck at finding that his potential dream woman is a rival's wife, but at this point, Stephen would expect nothing else. Caught between his stirring feelings for Nora, the demands of an insistent and secretive Josh, and his lifelong desire for a real career in show business, Stephen must make a terrible decision: Will it be the girl or the fame?A hapless, bumbling bloke in love, an arrogant megastar with a potpourri of addictions, a sexy married woman out of her element in the fast lane-David Nicholls brings them all together in this knockout romantic comedy.From the Hardcover edition.