to the fifth century A.D. Containing a fresh translation of the Greek papyri, as well as Coptic and Demotic texts, this new translation has been brought up to date and is now the most comprehensive collection of this literature, and the first ever in English.The Greek Magical Papyri in Transition is an invaluable resource for scholars in a wide variety of fields, from the history of religions to the classical languages and literatures, and it will fascinate those with a general interest in the occult and the history of magic."One of the major achievements of classical and related scholarship over the last decade."—Ioan P. Culianu, Journal for the Study of Judaism"The enormous value of this new volume lies in the fact that these texts will now be available to a much wider audience of readers, including historians or religion, anthropologists, and psychologists."—John G. Gager, Journal of Religion"[This book] shows care, skill and zest. . . . Any worker in the field will welcome this sterling performance."—Peter Parsons, Times Literary Supplement

    A highly readable and beautifully illustrated re-telling of the most famous stories from Greek mythology.

    Peterson. It features expanded introductions to each book of the Bible that explain the purpose of the book, who wrote it, and for whom it was written. The introductions help set the stage for the book and help you understand each book's unique message. A reading Bible in contemporary language, The Message//REMIX also has a unique verse-numbering system, charts and maps, and a topical guide for students. Trim size: 5 3/16 x 7 1/8

    They are a selection from a group known as the Apostolic Fathers, so-called because several of the authors were most likely disciples of the Apostles themselves. Like much of the New Testament, their writings take the form of letters, and for the most part deal with practical problems of the life of the early Church, as it struggled in the face of persecution to establish itself in the Roman world. They give us a picture of Christianity still drawing on the theology and traditions of its parent religion, Judaism.

    The Bible According to Mark Twain is vintage Twain and is sure to surprise, delight, and perhaps shock modern readers.Description from back cover

    Kreeft Taking his cue from the new literary genre invented by C. S. Lewis in Screwtape Letters, Peter Kreeft has gathered together fifteen spicy letters from Satan's agents below that allow the reader to spy into Hell's inter-office communication. Now that it is becoming more and more obvious that we are at war--not only cultural but spiritual war--it is also more necessary to understand our diabolical enemy and his strategy. Combining satire, humor and devilish insights, these fifteen letters from Snakebite to his trainee, Braintwister, provide a complete Satanic strategy for corrupting American society, public and private morality, and the Church. Focusing especially on the critical areas of sex, media, liturgy, theology and religious education, these letters reveal the inroads that Screwtape's satanic American counterparts of the 90s have made into subverting our modern culture. The Koran says: "Before shooting the arrow of truth, dip it in honey." This genre of devilish correspondence allows serious this-worldly social criticism to take the form of witty other-worldly letters. Table of Contents: Introduction On Spiritual Warfare On the Primacy of the Mind Sex and the Media How to Shoot Chastity in the Head On Abortion Is Going to Church Really Important? What Has the Lowerarchy Done to the Liturgy? On Liturgical Music On Liturgical Language How to Sabotage Worship On Catholic Education On Elitism and Egalitarianism in Catholic Education On What They Learn in Theology Class On Disintegration and Integration in Theology Appendix: Rethinking 199-: A Revisionist View Acknowledgement

    Unable to find deep satisfaction in the usual pleasures of social life, politics or business (or in riches, fame, or sensual pleasure), Spinoza sought a more stable source of contentment. And he found this contentment in God, though not the God of Moses or the Christian Trinity.Spinoza wrote in the rationalist style of a geometric proof to develop his idea that God is a permanent, indwelling cause of all things. He sees God as a single, unified, all-inclusive causal system that is virtually synonymous with nature. Spinoza believed that the Biblical account of creation is demonstrably false; that there is no such thing as a free will, either for God or man; all things are necessary and inevitable; and all objects, including humans are part of God's active self-expression. Spinoza saw the presence of God in the constant and orderly working of nature.Spinoza's sophisticated moral psychology sees evil in the "unruly passions," and says they can be overcome by stronger, positive passions. Our minds can participate in the eternity of God by focusing on natural laws and the way all things follow from God or nature.

    He eviscerates the major arguments for religion, and demonstrates the supreme improbability of a supreme being. He shows how religion fuels war, foments bigotry, and abuses children, buttressing his points with historical and contemporary evidence.The God Delusion makes a compelling case that belief in God is not just wrong, but potentially deadly. It also offers exhilarating insight into the advantages of atheism to the individual and society, not the least of which is a clearer, truer appreciation of the universe's wonders than any faith could ever muster.

    He lays out extensive research on the evidence for Jesus and the origins of Christianity and poses the key questions that must now be answered if the historicity of Jesus is to survive as a dominant paradigm.Carrier contrasts the most credible reconstruction of a historical Jesus with the most credible theory of Christian origins if a historical Jesus did not exist. Such a theory would posit that the Jesus figure was originally conceived of as a celestial being known only through private revelations and hidden messages in scripture; then stories placing this being in earth history were crafted to communicate the claims of the gospel allegorically; such stories eventually came to be believed or promoted in the struggle for control of the Christian churches that survived the tribulations of the first century.Carrier finds the latter theory more credible than has been previously imagined. He explains why it offers a better explanation for all the disparate evidence surviving from the first two centuries of the Christian era. He argues that we need a more careful and robust theory of cultural syncretism between Jewish theology and politics of the second-temple period and the most popular features of pagan religion and philosophy of the time.For anyone intent on defending a historical Jesus, this is the book to challenge.

    Presents historical, religious and philosophical explanations for the existence of evil.

    The early Christians’ sometimes raw, astonished, and halting prose challenges the idea that the New Testament affirms the kind of people we are. Hart reminds us that they were a company of extremists, radical in their rejection of the values and priorities of society not only at its most degenerate, but often at its most reasonable and decent. “To live as the New Testament language requires,” he writes, “Christians would have to become strangers and sojourners on the earth, to have here no enduring city, to belong to a Kingdom truly not of this world. And we surely cannot do that, can we?”

    But it's not cheap—true grace compels us to change. That’s where holiness comes in.Beloved writer, speaker, and bestselling coauthor of Wild and Free Jess Connolly will be the first to admit that not long ago, like many women, she grasped grace but she had forgotten holiness. Dance, Stand, Run charts her discovery that holiness was never meant to be a shaming reminder of what we “should” be doing, but rather a profound privilege of becoming more like Christ. That’s when we start to change the world, rather than being changed by it.Dance, Stand, Run is an invitation to the daughters of God to step into the movements of abundant life: dancing in grace, standing firm in holiness, and running on mission. Through story and study, Jess casts a fresh vision for how to live into your identity as a holy daughter of God, how to break free of cheap grace and empty rule-keeping, and finally, how to live out your holy influence with confidence before a watching world. Spoiler alert: it’s a beautiful thing.For anyone longing to take their place in what God is doing in the world, Dance, Stand, Run will rally your strength, refresh your purpose, and energize your faith in a God who calls us to be like Him.

    First published on the eve of war in 1939, the essay has often been read as a pacifist manifesto. Rachel Bespaloff was a French contemporary of Weil’s whose work similarly explored the complex relations between literature, religion, and philosophy. She composed her own distinctive discussion of the Iliad in the midst of World War II—calling it “her method of facing the war”—and, as Christopher Benfey argues in his introduction, the essay was very probably written in response to Weil. Bespaloff’s account of the Iliad brings out Homer’s novelistic approach to character and the existential drama of his characters’ choices; it is marked, too, by a tragic awareness of how the Iliad speaks to times and places where there is no hope apart from war.This edition brings together these two influential essays for the first time, accompanied by Benfey’s scholarly introduction and an afterword by the great Austrian novelist Hermann Broch.

    Pastor Hagee reveals who they are, where they come from, and what they signify. Learn why Hagee believes that we are in the beginning stages of World War III, and how this will eventually take us to the Battle of Armageddon. Pastor Hagee vividly describes the key players that signify the King is coming!

    He convincingly conveys the unique appeal and gifts of each of the traditions and reveals their hold on the human heart and imagination.