That will paint itself. Do the obvious thing before you do the superhuman thing. It may have been accidental, but you knew enough to let this alone. The good painter is always making use of accidents. Never try to repeat a success. Swing a bigger brush — you don’t know what fun you are missing. For 31 years, Charles Hawthorne spoke in this manner to students of his famous Cape Cod School of Art. The essence of that instruction has been collected from students’ notes and captured in this book, retaining the personal feeling and the sense of on-the-spot inspiration of the original classroom. Even though Hawthorne is addressing himself to specific problems in specific paintings, his comments are so revealing that they will be found applicable a hundred times to your own work.The book is divided into sections on the outdoor model, still life, landscape, the indoor model, and watercolor. Each section begins with a concise essay and continues with comments on basic elements: general character, color, form, seeing, posture, etc. It is in the matter of color that students will especially feel themselves in the presence of a master guide and critic. Hawthorne’s ability to see color and, more important, to make the student see color, is a lesson that will aid student painters and anyone else interested in any phase of art.Although it does not pretend to be a comprehensive or closely ordered course, this book does have much to offer. It also represents the artistic insight of one of the finest painter-teachers of the twentieth century."An excellent introduction for laymen and students alike." — Time"To read these notes and comments … is in itself an education. One cannot help but gain great help." — School Arts

    BIG everywhere and in every way. A young and inexperienced college student, assigned to interview him for the university newspaper. Sparks fly when all-star Stone Jacobs meets his sweet Olivia. Stone… “I know I should leave her alone. It’s best to just walk away. I have a hundred and sixty-eight games to play all over the country. I’m under contract. I can’t get distracted by some little college girl. But Olivia isn’t just any girl. She’s the prettiest, sweetest, most innocent and submissive girl I’ve ever met. Something about her awakens all of my daddy instincts. I can’t resist. She shreds all my defenses. I have to be careful, though. She needs to focus on school. She’s worked hard to get where she’s at. She doesn’t need some athlete to derail her plans. Besides, I’m not sure she can handle me. She’s never been with a man. If I’m her first…well, poor girl. I can’t just decimate her and then leave her. I have to stay strong. I must resist.” Olivia… “Stone is the most gorgeous man I’ve ever seen. The way he looks in that baseball uniform. The way those muscles ripple just beneath the fabric. Yes, please. Yummy. Surely he doesn’t want me, though. I’m the poor girl from the wrong-side-of-the-tracks. A Plain Jane that all the guys overlook. But there seems to be something to this. He’s protective toward me. Almost paternal. If I didn’t know any better, I’d say loving! One thing I know—Stone is the man of my dreams. I want him to be my first. Even if he has to leave me afterward and we go on with our separate lives, I need Stone Jacobs to take me, to break me in. I need to experience him.” Spring Training is a fast moving, Insta-love romance. It is a standalone story with a guaranteed HEA and a hot, caring yet stern Alpha Daddy and a sweet, inexperienced, never-been-touched young woman. It features consenting adults and contains DDlg themes and light spanking (but is NOT an Age Play, ABDL tale). With plenty of steamy scenes, this one is strictly for ADULTS ONLY.

    Blinded in the accident, she hires a "seeing-eye guy" as her assistant. On her first day back she gets emails from "Dad," asking her to find and upload computer files. But the emailer isn't the only one who wants whatever's in those files, and suddenly people around her start dying violently. Tess wonders how much her Uncle Travis, a former assassin for the Army Special Forces, knows about the files. He returned from a mission a year earlier to guard the family from a potential threat. And since he was on watch at the time, she also wonders what he knows about the accident that took both her sight and her parents' lives. In a race against time, Tess and her companion Oliver must learn the secret of the mysterious computer files before the killers stalking her get their hands on technology that could change the balance of world power.

    Yet all she wants is to get into Yale, far away from everyone, the incidents, the heartbreaker and the bullies. Four popular boys, suspicious about Lana, reignite an old bet that her 'true' self will be exposed as time goes on.One night in Lana's life changes everything. The only people to help her are her tormentors. This causes the boys to have more questions, fights, and arguments more frequently. The more people involved, the more questions arise, secrets reveal themselves, trust is shattered, feelings become blurred and friendship is ripped apart. While Lana sees, the good and forgives easily, others search for the bad to try and defeat it. People cross our path for a reason but for a second chance, it does not always mean to have a happy ending.

    "New Art City "takes us from the solitude of the artist's studio to the uproarious bars where artists gathered, from the ramshackle bohemian neighborhoods of downtown Manhattan to the Midtown streets where steel-and-glass skyscrapers were rising and art galleries were proliferating. We encounter a kaleidoscopic range of artists. There are legendary figures-Jackson Pollock, David Smith, Willem de Kooning, Joseph Cornell, Andy Warhol, and Donald Judd-as well as still undervalued ones, such as the galvanic teacher Hans Hofmann, the lyric expressionist Joan Mitchell, the adventuresome realist Fairfield Porter, and the eccentric thinker John Graham. We encounter, too, the writers, critics, patrons, and hangers-on who rounded out the artists' world. Jed Perl helps us see what the artists were creating and understand how they confronted an exploding art audience. And he makes clear how the economic boom of the late 1950s and the increasingly enthusiastic response to Abstract Expressionism ushered in the rapacious art world of the 1960s and the theatricality of Pop Art. Artists drew strength from the dizzying onslaught of Manhattan, and produced a tidal wave of new forms. These included Hofmann's brazen flourishes of color; Pollock's quicksilver skeins of paint unfurling panoramic arabesques; and the crushed, jagged, turning-back-on-itself calligraphy of de Kooning's gnomic alphabets. And there was much more: Burgoyne Diller's levitating rectangles; Nell Blaine's explosive renderings of quotidian scenes; Ellsworth Kelly's extraordinary simplifications, suggesting sails or semaphores. A brilliant tapestry of social history, biographical portraiture, and criticism, "New Art City" illuminates a revolutionary, unprecedented time and place in American culture.

     Having bullied her since their first year in high school, April never thought she would ever see Aaron Cole's dark hazel eyes staring into hers, taunting her. However, fate has other plans... “You wouldn’t dare,” she whispered, in a deathly tone. Aaron watched her shamelessly, with a glint in his eyes. “I would,” he mouthed to her. “This isn’t going to go away just because you want it to, April,” he hissed. “Well, I’ll have a great time trying, you piece of shit. Don’t even think of coming near me,” she said. “Well, that’s going to be a tad difficult,” he said, sniffing slightly as he released his hand and placed both hands on the table. If he was attempting to intimidate her, she wasn’t giving him the satisfaction. Both of these former enemies have started the same college together, stuck on the same campus. April is determined to ignore him, Aaron won't let her. Will their relationship progress from hate to love? Will Aaron ever let April go? Can't Let You Go - S.J. Black

    Hanging out with her best friend Jenn, going to clubs, painting, and counting down the days until her escape. But when must-have scholarship money doesn't materialize, and she has a falling out with Jenn that can only be described as majorly awkward, and Zero's parents relationship goes from tense to relentless fighting, her prospects start looking as bleak and surreal as a painting by her idol Salvador Dali. Will life truly imitate art? Will her new, unexpected relationship with a punk skater boy who seems too good to be real and support from the unlikeliest of sources show Zero that she's so much more than a name.

    Aided by a number of stunning illustrations, David Billington discusses leading structural engineer-artists, such as John A. Roebling, Gustave Eiffel, Fazlur Khan, and Robert Maillart.

    Volume 2 of the Selected Writings is now available in paperback in two parts.In Part 1, Benjamin is represented by two of his greatest literary essays, "Surrealism" and "On the Image of Proust," as well as by a long article on Goethe and a generous selection of his wide-ranging commentary for Weimar Germany's newspapers.Part 2 contains, in addition to the important longer essays, "Franz Kafka," "Karl Kraus," and "The Author as Producer," the extended autobiographical meditation "A Berlin Chronicle," and extended discussions of the history of photography and the social situation of the French writer, previously untranslated shorter pieces on such subjects as language and memory, theological criticism and literary history, astrology and the newspaper, and on such influential figures as Paul Valery, Stefan George, Hitler, and Mickey Mouse.

    A nationally prominent, politically oriented artist offers an unsparingly critical view of the meat industry in scores of illustrations, documenting the skewing, flaying, dismembering, castrating, debeaking, electrocuting, and decapitating of animals.

    Factor in nearly as many years of teaching experience, and that adds up to a whole lot of know-how to share. In Pastel Pointers, he lays it all out: information on tools, materials, color, composition, landscape elements, finishes and more. Compiles the best of McKinley's popular Pastel Pointers blog and Pastel Journal columns Covers frequently asked questions ("How do I achieve natural-looking greens?") and simple solutions to common problems, such as excess pigment buildup Includes a chapter on "The Business of Pastels"—tips for framing, shipping, preparing for gallery shows, and otherwise representing your work in a professional manner This book covers everything from the fundamentals to get you going (how to lay out your palette, create an underpainting, evoke luminous effects) to inspirations that will keep you growing (plein air painting, working in a series, keeping a painting journal). Whether you're a beginner or an experienced painter anxious to explore the expressive possibilities of pastel, this is your guide to making the most of the medium.

    Debt sucks. Period. And that includes student loan debt. No matter what you believed—or were told—when you took out your loans, you need to get serious about getting rid of your debt fast, because it’s costing you more than you know. That’s why bestselling author Anthony ONeal wrote this motivating 64-page Quick Read—to show you why you need to dump your debt fast and how to do it.If you have student loan debt and have never heard of Ramsey Solutions or the 7 Baby Steps, this 64-page Quick Read is for you. Anthony will walk you step-by-step through Baby Steps 1 and 2 to show you how to dump your debt forever. You’ll learn:The ugly truth about how debt hurts youThe importance of an emergency fund and how to budget (Baby Step 1)The power of the debt snowball (Baby Step 2)Exactly what to do to pay off your student loans fasterHow to control your money so it doesn’t control youYou’ll also hear stories from real people about how they paid off their debt fastYou don’t need relief from your debt, you need to get mad at it. Because the truth is, when you get mad enough, you can pay off your loans faster than you ever thought possible—and take control of your money, and your life, for good! Don’t let anything stand in the way of your future. This plan has helped millions get out of debt and you’re next. You can do this!(Ramsey Press)

    After losing both her mother and her home, Sabine longs for a place where she belongs.But the cutthroat world of visual arts is nothing like what Sabine had imagined. Colin Krell, the renowned faculty member whom she had hoped would mentor her, seems to take merciless delight in tearing down her best work—and warns her that she’ll lose the merit-based award if she doesn’t improve.Desperate and humiliated, Sabine doesn’t know where to turn. Then she meets Adam, a grad student who understands better than anyone the pressures of art school. He even helps Sabine get insight on Krell by showing her the modern master’s work in progress, a portrait that’s sold for a million dollars sight unseen.Sabine is enthralled by the portrait; within those swirling, colorful layers of paint is the key to winning her inscrutable teacher’s approval. Krell did advise her to improve her craft by copying a painting she connects with . . . but what would he think of Sabine secretly painting her own version of his masterpiece? And what should she do when she accidentally becomes party to a crime so well -plotted that no one knows about it but her?Complex and utterly original, What I Want You to See is a gripping tale of deception, attraction, and moral ambiguity.

    Laugh as Dilbert, a thirty-something electrical engineer and poster boy for the "corporately disenfranchised", battles his blockhead boss, pinhead coworkers, and his cynical, cunning pet, Dogbert. You'll also meet the Boss, every employee's worst nightmare; coworker Wally, who is forever trying to avoid work; Alice, the solo female engineer in Dilbert's department who has been known to rip people's hearts out; and Catbert, the Human Resources Director who likes to tease employees before downsizing them. Dilbert's Guide to the Rest of Your Life contains the best of seven years worth of Dilbert comics, organized around familiar workday themes. It's a great gift for graduates who are new to corporate culture, as well as diehard fans who read Dilbert to survive.

    This classic textbook examines the artistic movements and achievements of that time.