Kya was the youngest and the others were considerably older than her. The brother nearest to her, Jodie, was seven years older than her. They saw Ma leave with a blue case, wearing her gator shoes. Kya was worried that Ma had left them but Jodie assured her that Ma would be back. It was a scorching hot August morning and Kya was just six at the time. She waited for Ma but did not come back. Ma had tolerated Pa's rages and physical abuse for a long time but it seemed that she had had enough. Scroll up and buy now! *This is an unofficial summary designed to enhance your reading experience and it is not the full book nor is it affiliated with the original book. "

     Rowdy Talbot isn't the world's greatest bull rider. Not even close. But he lives by the cowboy code, and he never forgets to take off his cowboy hat during the national anthem. When Rowdy wins the rodeo in Crockett County, Colorado, he celebrates his triumph with two young Frenchwomen he meets in a local bar. The next morning, when he discovers that the two have left for Paris with the championship belt buckle he won, Rowdy does what any true cowboy would: he hops on a plane to the City of Light to retrieve it. What follows is a comic collision of cultures and personalities. In Rowdy in Paris, Tim Sandlin has concocted an unlikely but engaging mélange of characters: disaffected French revolutionaries, a turquoise-peddling CIA operative, and a middle-aged courtesan, all caught in a plot to destroy an American fast-food chain. At the center of the chaos is Rowdy himself, who finds as he searches for the belt buckle that there's another world beyond the back of a bull. By turns smart and satirical, biting and engaging, Rowdy in Paris is a surprisingly moving story about what it means to broaden one's horizons by opening one's heart.

    In Bakhtin's view, the spirit of laughter and irreverence prevailing at carnival time is the dominant quality of Rabelais's art. The work of both Rabelais and Bakhtin springs from an age of revolution, and each reflects a particularly open sense of the literary text. For both, carnival, with its emphasis on the earthly and the grotesque, signified the symbolic destruction of authority and official culture and the assertion of popular renewal. Bakhtin evokes carnival as a special, creative life form, with its own space and time.Written in the Soviet Union in the 1930s at the height of the Stalin era but published there for the first time only in 1965, Bakhtin's book is both a major contribution to the poetics of the novel and a subtle condemnation of the degeneration of the Russian revolution into Stalinist orthodoxy. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.

    Indeed, this relatively small group of twenty-seven works, written during the height of the Roman Empire, not only helped create and sustain a vast world religion, but also have been integral to the larger cultural dynamics of the West, above and beyond particular religious expressions. Looking at the New Testament through the lens of literary study, Kyle Keefer offers an engrossing exploration of this revered religious text as a work of literature, but also keeps in focus its theological ramifications. Unique among books that examine the Bible as literature, this brilliantly compact introduction offers an intriguing double-edged look at this universal text—a religiously informed literary analysis. The book first explores the major sections of the New Testament—the gospels, Paul's letters, and Revelation—as individual literary documents. Keefer shows how, in such familiar stories as the parable of the Good Samaritan, a literary analysis can uncover an unexpected complexity to what seems a simple, straightforward tale. At the conclusion of the book, Keefer steps back and asks questions about the New Testament as a whole. He reveals that whether read as a single document or as a collection of works, the New Testament presents readers with a wide variety of forms and viewpoints, and a literary exploration helps bring this richness to light. A fascinating investigation of the New Testament as a classic literary work, this Very Short Introduction uses a literary framework—plot, character, narrative arc, genre—to illuminate the language, structure, and the crafting of this venerable text.

    Soseki Natsume is widely considered the foremost novelist of the Meiji period in Japan.

    Passionate and opinionated, often funny, and using ample material from daily life to underline their ideas and observations, Tatyana Tolstaya’s essays range across a variety of subjects. They move in one unique voice from Soviet women, classical Russian cooking, and the bliss of snow to the effect of Pushkin and freedom on Russia writers; from the death of the czar and the Great Terror to the changes brought by Gorbachev, Yeltsin, and Putin in the last decade. Throughout this engaging volume, the Russian temperament comes into high relief. Whether addressing literature or reporting on politics, Tolstaya’s writing conveys a deep knowledge of her country and countrymen. Pushkin’s Children is a book for anyone interested in the Russian soul.

    Ong offers fascinating insights into oral genres across the globe and through time, and examines the rise of abstract philosophical and scientific thinking. He considers the impact of orality-literacy studies not only on literary criticism and theory but on our very understanding of what it is to be a human being, conscious of self and other.This is a book no reader, writer or speaker should be without.

    She suddenly gets a job offer in Oslo and decides to move to Norway despite her limited knowledge of the country and its customs. Her friends think she has lost her mind. "Do you know what Norwegians do to have fun? They go on skiing trips in the middle of the night!". During one year she will try to understand Norwegians, learn their language and adopt their traditions. She will try adapting to Norwegian working culture from Norwegian meeting habits at work to the famous Julebord or Christmas party. From Easter holidays at the cabin, to 17th of May celebrations with bunad, and adapting to making things koselig and eating traditional Norwegian food like sheep heads from Voss (smalahove), Lorelou sails through this journey with candour, trying to make Norwegian friends, dating a Scandinavian and cycling all over the country to discover this wonderful land. She falls slowly in love with this country nothing destined her to love. A Frog in the Fjord was a national bestseller in Norway in 2017 and is now available in English, edited for an international audience.

    It engages directly with the difficulty many students find intimidating, asking 'What is ''Literary Theory''?' and offering a clear, concise, accessible guide to the major theories and theorists, including: humanism; structuralism; poststructuralism; psychoanalytic approaches; feminist approaches; queer theory; ideology and discourse; new historicism; race and postcolonialism; postmodernism. The final chapter points to new directions in literary and cultural theory.

    It is an outrageously funny, often touching, and continuously shocking tale of a modern sea gypsy. Cap'n Fatty's story is too bizarre to be fiction. Father wears floral skirts; mother is a tad vague. Sister Carole isn't interested in her millionaire suitor; she's too busy smooching with the kid in the cesspool truck. Their strange live-aboard boat caravan includes Mort the Mortician, Backwards Bernie, Ruby Red the Conman, Barefoot Benny, Geeper Creeper, Para the Paranoid, Lusty Laura, Xlax, Shark Boy, the Pawtucket Pirate, Bait Broad, Colonel Crispy, Scupper Lips, Bob the Broker, the Pirate Queen, Otto the Owner, the Twin Slaves of Green Slime-and even a terribly long-winded fellow named (Hurricane) Hugo. All seem hell-bent on avoiding the cops, the creeps, each other, and especially the Dreaded Dream Crushers. Dive in!

    Abrams has given us a remarkable study, admirably conceived and executed, a book of quite exceptional and no doubt lasting significance for a number of fields - for the history of ideas and comparative literature as well as for English literary history, criticism and aesthetics.

    In what was widely considered a witch hunt, three older boys were convicted of the killings. Ten years later, Henry Rollins used his considerable cultural chops to raise money for their defense fund and for DNA testing, which could help clear them. His vehicle? The acclaimed CD “Rise Above” and a world tour. Broken Summers details the rehearsing of Black Flag songs he hadn’t played in years, dealing with an arrogant manager or two, a diverse group of musicians, recording the CD, and the arduous trek from Tucson to Tokyo that included grilling by heartland shock jocks unsympathetic to his cause. The book covers 14 months of desperate lows and dramatic highs, all rendered in Rollins’s trademark combative style. Included are black-and-white photos of the rehearsals, recording sessions, and tour.

     With their incurable curiosity and desire for adventure, they sold all their belongings and flew to America in search of a boat. The pull of the ocean was too strong to ignore any longer. Four years prior, they circumnavigated the globe on their thirty-three foot boat, Mariah. Now they wanted a new challenge. From the perils at Pitcairn to the grand statues of Easter Island, Jackie and Noel set sail south to the remotest inhabited island in the world. Along the way, they lose a friend and come nail-bitingly close to losing their new boat, but they gained so much more: a voyage that left them breathless from fear and a journey of not only travel but of two truly nomadic gypsies. This is a story of storms of emotions and oceans, travel, love and relationships, and two people figuring out life and fulfilling their need to move and be challenged.

    "Jans's writing is a pleasure, " said the "Fairbanks Daily News-Miner."

    Over his long career, he studiously avoided joining any one school of poetry, preferring instead to freewheel from French surrealism to the avant-garde and back again—experimenting relentlessly and refusing to embrace straightforward dialectics. Whether drawing from musings on romantic love or propaganda from the Vietnam War, Knott’s quintessential poems are alive with sensory activity, abiding by the pulse and impulse of a pure, restless emotion. This provocative, playful sensibility has ensured that his poems have a rare and unmistakable immediacy, effortlessly crystalizing thought in all its moods and tenses.An essential contribution to American letters, I am Flying into Myself gathers a selection of Knott’s previous volumes of poetry, published between 1960 and 2004, as well as verse circulated online from 2005 until a few days before his death in 2014. His work—ranging from surrealistic wordplay to the anti-poem, sonnets, sestinas, and haikus—all convenes in this inventive and brilliant book, arranged by his friend the poet Thomas Lux, to showcase our American Rimbaud, one of the true poetic innovators of the last century.I Am Flying into Myself: Selected Poems, 1960-2014 celebrates one of poetry’s most determined outsiders, a vitally important American poet richly deserving of a wider audience.