This was the beginning of two years of persecution, punishment and imprisonment for Tchernavin and his family. Although a penniless scientist who was aiding the U.S.S.R. with research in fishing he was persecuted by the state because his family were Russian nobility, which to the Soviet Government meant that he was a class enemy. Tchernavin’s fascinating story takes the reader into the heart of the Soviet Union of the 1930s as it was desperately trying to industrialise, no matter what the cost was in human lives. Accused of counter-revolutionary activities and not assisting in the industrial drive that Stalin had implemented he was imprisoned in 1931 and sentenced to five years in the Gulags. Tchernavin’s account vividly depicts the persecution that he and his fellow prisoners suffered at the hands of the U.S.S.R., how many buckled under the torturous conditions, confessing to crimes they had never committed and even indicting others in the process. Along with his wife and son Tchernavin was one of the lucky ones who was able to escape across the border to Finland and later live in England. “Professor Tchernavin has an important story to tell and tells it well and convincingly.” William Henry Chamberlain, Pacific Affairs “The story reveals the life and organization of the prisons, the treatment meted out to those dealing with the Communists.” Kirkus Reviews Vladimir Tchernavin was a Russian scientist, who specialized in studying fish. He was one of the first and very few prisoners of the Gulag system to escape. His work I Speak for the Silent Prisoners of the Soviets was first published in 1934 and he died in 1949. This work was translated by Nicholas Oushakoff who had left the U.S.S.R. in the 1920s to settle in Massachusetts. He died in 1973.

    A contemporary of Anna Akhmatova, Marina Tsvetayeva, and Boris Pasternak, a touchstone for later masters such as Paul Celan and Robert Lowell, Mandelstam was a crucial instigator of the "revolution of the word" that took place in St. Petersburg, only to be crushed by the Bolshevik Revolution. Mandelstam's last poems, written in the interval between his exile to the provinces by Stalin and his death in the Gulag, are an extraordinary testament to the endurance of art in the presence of terror.This book represents a collaboration between the scholar Clarence Brown and W. S. Merwin, one of contemporary America's finest poets and translators. It also includes Mandelstam's "Conversation on Dante," an uncategorizable work of genius containing the poet's deepest reflections on the nature of the poetic process.

    K. Tolstoy was above all poet; but he also wrote a historical novel from the time of Ivan The Terrible, Prince Serebryani, which had a great success, partly because in it for the first time censorship had permitted fiction to deal with the half-mad Tsar who played the part of Louis XI. of the Russian Monarchy, but especially on account of its qualities as a historical novel.

    Which may be why Definitely Maybe has never before been available in an uncensored edition, let alone in English. It tells the story of astrophysicist Dmitri Malianov, who has sent his wife and son off to her mother’s house in Odessa so that he can work, free from distractions, on the project he’s sure will win him the Nobel Prize.But he’d have an easier time making progress if he wasn’t being interrupted all the time: First, it’s the unexpected delivery of a crate of vodka and caviar. Then a beautiful young woman in an unnervingly short skirt shows up at his door. Then several of his friends—also scientists—drop by, saying they all felt they were on the verge of a major discovery when they got . . . distracted . . .Is there an ominous force that doesn’t want knowledge to progress? Or could it be something more . . . natural?In this nail-bitingly suspenseful book, the Strugatsky brothers bravely and brilliantly question authority: an authority that starts with crates of vodka, but has lightning bolts in store for humans who refuse to be cowed.

    But then, Leah Graves, the victim, was a very rare woman. She was the town everything: beauty, athlete, scholar, Cotton Bowl queen, spoiled brat, and royal bitch. Even her daddy, the richest, most powerful man in town couldn't control her. Leah knew at a young age how she affected men. She certainly had her father wrapped around her little finger and only laughed when he tried to warn her that someone as pretty as she was would cause members of the opposite sex to want to do things... sinful things.

    They built it outside the Suffolk town so it would not infect the healthy with its horrors. But the town itself is long gone, washed away by the North Sea. Only the Leper House remains, a shelter for the unwanted. A bereaved man strays there on a stormy night when the bell tolls once again beneath the waves. In a nearby house, a woman waits for history to repeat itself. When time isn’t what it seems, nor is love and nor are ghosts. And nor are we. The Leper House is a 19,000-word novella, written for Kindle Singles and available here for the first time. Andrew Taylor is a British crime and historical novelist whose books include the international bestseller, The American Boy (a Richard-and-Judy selection), and the Roth Trilogy (filmed for TV as Fallen Angel). Among his many awards are the Cartier Diamond Dagger for Lifetime Excellence in crime writing. His latest novel is The Scent of Death, winner of the 2013 Historical Dagger.

    The stories in this book have their roots in the Indian culture but express universal emotions that are experienced across the boundaries of regions, caste, and creed. Varied emotions of love, heartbreak, aloofness, anxiety, fear, and longing are expressed in this book.There is one story in which movie star Dilip Kumar breaks the heart of a young girl. There is another where a man pushes off another from a moving train. Raavi Paar also tells the story of a Muslim man whose wish is to be cremated after death and not be buried. There is also a story about a married woman who realises that the only reason for her husband to marry her was to use her as cheap labour.The title of this book is an incident from the author’s own life. During the India-Pakistan partition, the author was mistakenly claimed as their own child by another family. Raavi Paar consists of stories which will touch the reader’s hearts due to the simplicity and intricacy of emotions portrayed by the author.

    

    For Chernyshevsky's novel, far more than Marx's Capital, supplied the emotional dynamic that eventually went to make the Russian Revolution."--Joseph Frank, The Southern ReviewAlmost from the moment of its publication in 1863, Nikolai Chernyshevsky's novel, What Is to Be Done?, had a profound impact on the course of Russian literature and politics. The idealized image it offered of dedicated and self-sacrificing intellectuals transforming society by means of scientific knowledge served as a model of inspiration for Russia's revolutionary intelligentsia. On the one hand, the novel's condemnation of moderate reform helped to bring about the irrevocable break between radical intellectuals and liberal reformers; on the other, Chernyshevsky's socialist vision polarized conservatives' opposition to institutional reform. Lenin himself called Chernyshevsky "the greatest and most talented representative of socialism before Marx"; and the controversy surrounding What Is to Be Done? exacerbated the conflicts that eventually led to the Russian Revolution.Michael R. Katz's readable and compelling translation is now the definitive unabridged English-language version, brilliantly capturing the extraordinary qualities of the original. William G. Wagner has provided full annotations to Chernyshevsky's allusions and references and to the, sources of his ideas, and has appended a critical bibliography. An introduction by Katz and Wagner places the novel in the context of nineteenth-century Russian social, political, and intellectual history and literature, and explores its importance for several generations of Russian radicals.

    Some praised the novel far more than it deserved, others complained bitterly that it was a defamation of youth. I may, however, without exaggeration assert that no one in Russia took the trouble to fathom the ideas of the novel. The eulogies and condemnations are equally one-sided. Thus did Mikhail Artsybashev (1878-1927), whose novels and short stories are suffused with themes of sex, suicide, and murder, describe the reaction to publication in 1907 of Sanin, his second novel. The work provoked heated debates among the Russian reading public, and the journal in which it was published serially was soon closed down by the authorities.The hero of Artsybashev's novel exhibits a set of new values to be contrasted with the morality of the older Russian intelligentsia. Sanin is an attractive, clever, powerful, life-loving man who is, at the same time, an amoral and carnal animal, bored both by politics and by religion. During the novel he lusts after his own sister, but defends her when she is betrayed by an arrogant officer; he deflowers an innocent-but-willing virgin; and encourages a Jewish friend to end his self-doubts by committing suicide. Sanin's extreme individualism greatly appealed to young people in Russia during the twilight years of the Romanov regime. Saninism was marked by sensualism, self-gratification, and self-destruction--and gained in credibility in an atmosphere of moral and spiritual despondency. Artybashev drew upon a wide range of sources for his inspiration - Sanin owes debts to Dostoevsky's Notes from Underground, Nietzsche's notion of the superman, and the work of the individualist anarchist philosopher Johann Kaspar Schmidt. Michael R. Katz's translation of this controversial novel is the first into English in almost seventy years.Russian pornography is not plain pornography such as the French and Germans produce, but pornography with ideas.-Kornei ChukovskyThose who saw in the much discussed novel only suggestive scenes, shocking their morality or titillating their senses, were mistaken; it was, as usual in Russia, a book with a message, and Sanin slept with all his mistresses to prove a thesis rather than to obey a natural urge.-Marc Slonim

     "El Rayo de Luna" is one of his short stories.

    

    Shalamov himself spent seventeen years there, and in these stories he vividly captures the lives of ordinary people caught up in terrible circumstances, whose hopes and plans extended to further than a few hours. This new enlarged edition combines two collections previously published in the United States as Kolyma Tales and Graphite.

    Poems and stories, set in India, introduce a tree-climbing grandmother, bullies buttered on toast, and a very naughty hornbill.

    Henry’s “The Gift of the Magi,” William Faulkner’s “A Rose for Emily,” Charlotte Perkins Gilman’s “The Yellow Wallpaper,” and James Thurber’s “The Secret Life of Walter Mitty,” have been long regarded as literary classics, while others, such as Frank Stockton’s “The Lady or the Tiger?” and Ellis Parker Butler’s “Pigs Is Pigs,” are lesser known but well worth discovering.The carefully selected stories, each preceded by an illuminating headnote, powerfully illustrate the varied richness of our national literature and history. This beautifully packaged volume, containing the unforgettable classic short stories that evoke our shared American tradition and national identity, makes the perfect gift for the short story aficionado and novice alike.