Danny Black is a lone wolf on an unofficial mission.He is in the deserts of East Africa looking for his old comrade in arms Spud, wounded in their last mission and now missing.A wounded British solder is a commodity in these parts...Danny recruits a grizzled ex-Blade to help him, encounters an ex-Mossad mercenary, who is part of the supply chain, and heads for a showdown with a small Somali army, led by most-wanted Islamist militant Abu Bakr.In the heat of battle Danny discovers, he is not the lone wolf he thought he was.He begins to wonder, as so many soldiers have before him, is he just a pawn in a greater game?

    Following the classic events of the original Fathom series, the second thrilling volume finds underwater biologist Aspen Matthews struggling to accept the startling reality of her true identity. All in the midst of an all-out war between the humans and the Blue! Collecting for the first time the sold out Fathom: Beginnings and Zero issue, as well as issues #1 though #11.

    Harrow made headlines when he apprehended a would-be presidential assassin - only to come home that night and find his wife and son brutally murdered. This tragic twist of fate launched his career as the host of reality TV's smash-hit, Crime Seen!

    Although she's little more than a child the events of her past have forged a driving determination to rise above her beginnings. But when she applies for a job as a nurse Connie's turned down: her mother was forced by poverty to work the streets and the Bell name is tainted. Bitterly hurt but undaunted, Connie's soon assistant housekeeper at the Grand Hotel and saving hard for her own business. When her path crosses Dan Stewart's, though, everything Connie's ever dreamed of is threatened. There's a dark and terrible history between the Bells and the Stewarts, and Dan's mother Edith will do anything to keep Dan and Connie apart.

    MARTINRead the first seven chapters of Joe Abercrombie’s fantastic new book!Prince Yarvi has vowed to regain a throne he never wanted. But first he must survive cruelty, chains and the bitter waters of the Shattered Sea itself. And he must do it all with only one good hand.Born a weakling in the eyes of his father, Yarvi is alone in a world where a strong arm and a cold heart rule. He cannot grip a shield or swing an axe, so he must sharpen his mind to a deadly edge.Gathering a strange fellowship of the outcast and the lost, he finds they can do more to help him become the man he needs to be than any court of nobles could.But even with loyal friends at his side, Yarvi’s path may end as it began – in twists, and traps and tragedy…

    On the contrary, all the symbols used in biblical religion drive inescapably toward the philosophical quest for being. An important statement of a great theologian's position, this book presents an eloquent plea for the essential function of philosophy in religious thought.

    On that afternoon, her husband of ten years crash-landed his malfunctioning single-engine plane in Murfreesboro, Tennessee. Dr. Darrell Swank suffered multiple fractures, and third degree burns over sixty percent of his body when the gas tank exploded as he crawled away from the wreckage. Over the next five weeks, she struggled to be a mother to their children while she kept a near round-the-clock vigil at the hospital. Darrell’s survival was questionable from one day to the next, and even if he survived, would he be the same man he was before the crash? Did his fate depend on this test of her faith?The Death of Me is the true story of a wife and mother living day to day through a fog of shock and unimaginable agony. And, alone in the aftermath, fumbling for some way to not only survive, but to thrive. It is a story of pain, of release, of forgiveness. And of healing, resilience, and rebirth. It is a story of a writer finding her voice.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    It's bad for society, especially now. . . . Call me crotchety, but I can't help asking, whatever happened to the social contract?'The get-rich-quick exuberance of the late nineties may have temporarily blinded us to how dependent we are on one another. Subsequent events serve as reminders that the strength of our economy and the security of our society rest on the bonds that connect us. But what, specifically, are these bonds? What do we owe one another as members of the same society?With his characteristic humor, humanity, and candor, one of the nation's most distinguished public leaders and thinkers delivers a fresh vision of politics by returning to basic American values: workers should share in the success of their companies; those who work should not have to live in poverty; and everyone should have access to an education that will better their chances in life.An insider who knows how the economy and government really work, Reich combines realistic solutions with democratic ideals. Businesses do have civic responsibilities, and government must stem a widening income gap that threatens to stratify our nation. And everyone must get involved to help return us to a society that works for everyone.

    Selected by Derrida from the prints and drawings department of the Louvre, the works depict blindness—fictional, historical, and biblical. From Old and New Testament scenes to the myth of Perseus and the Gorgon and the blinding of Polyphemus, Derrida uncovers in these images rich, provocative layers of interpretation. For Derrida drawing is itself blind; as an act rooted in memory and anticipation, drawing necessarily replaces one kind of seeing (direct) with another (mediated). Ultimately, he explains, the very lines which compose any drawing are themselves never fully visible to the viewer since they exist only in a tenuous state of multiple identities: as marks on a page, as indicators of a contour. Lacking a "pure" identity, the lines of a drawing summon the supplement of the word, of verbal discourse, and, in doing so, obscure the visual experience. Consequently, Derrida demonstrates, the very act of depicting a blind person undertakes multiple enactments and statements of blindness and sight. Memoirs of the Blind is both a sophisticated philosophical argument and a series of detailed readings. Derrida provides compelling insights into famous and lesser known works, interweaving analyses of texts—including Diderot's Lettres sur les aveugles, the notion of mnemonic art in Baudelaire's The Painter of Modern Life, and Merleau-Ponty's The Visible and the Invisible. Along with engaging meditations on the history and philosophy of art, Derrida reveals the ways viewers approach philosophical ideas through art, and the ways art enriches philosophical reflection. An exploration of sight, representation, and art, Memoirs of the Blind extends and deepens the meditation on vision and painting presented in Truth and Painting. Readers of Derrida, both new and familiar, will profit from this powerful contribution to the study of the visual arts.

    The book is intended to be used in a one-semester course covering modern physics for students who have already had basic physics and calculus courses. The balance of the book leans more toward ideas than toward experimental methods and practical applications because the beginning student is better served by a conceptual framework than by a mass of details. The sequence of topics follows a logical, rather than strictly historical, order. Relativity and quantum ideas are considered first to provide a framework for understanding the physics of atoms and nuclei. The theory of the atom is then developed, and followed by a discussion of the properties of aggregates of atoms, which includes a look at statistical mechanics. Finally atomic nuclei and elementary particles are examined.

    Original.

    But now he's wide-awake, and a citified woman is glaring down at him. His goal? Get rid of her ASAP. The obstacle? Fighting the attraction he feels toward the blond-haired filly with the big, vulnerable eyes.When out-of-work wedding planner Mariah Callahan learns that her estranged father has left her a rundown ranch in Jubilee, she has no choice but to accept it. Her goal? Redeem her career by planning local weddings. The obstacle? One emotionally wounded, hard-living cowboy who stirs her guilt, her heartstrings, and her long-burned cowgirl roots...

    Sato''s efforts earn him a one-way trip to a tropical getaway, courtesy of the Tokyo criminal underworld. The exotic locale? MONSTER ISLAND! Alone and facing death at the hands of both gangsters and goliaths, Sato must use his wits to survive -- and enlist the aid of some most unusual friends. Join superstar creators John Layman (Chew) and Alberto Ponticelli (Unknown Soldier) for this unusual and exciting mini-series of monster mayhem!