She found him when she was a young adult mired in spiritual busyness and when she was a new bride with doubts about whether her fledgling marriage would survive. She found him alone in the night as she cradled her longing for babies who did not come. She found him as she kissed the faces of children on another continent who had lived years without a mommy’s touch.In Every Bitter Thing Is Sweet, Hagerty masterfully draws from the narrative of her life to craft a mosaic of a God who leans into broken stories. Here readers see a God who is present in every changing circumstance. Most significantly, they see a God who is present in every unchanging circumstance as well.Whatever lost expectations readers are facing—in family, career, singleness, or marriage—Every Bitter Thing Is Sweet will bring them closer to a God who longs for them to know him more. What does it look like to know God’s nearness when life breaks? What does it mean to receive his life when earthly life remains barren? How can God turn the bitterness of unmet desire into new flavors of joy?With exquisite storytelling and reflection, Hagerty brings readers back to hope, back to healing, back to a place that God is holding for them alone—a place where the unseen is more real than what the eye can perceive. A place where every bitter thing is sweet.

    He spoke to movie directors and ship captains, brain surgeons and stabbing victims, lottery winners and museum curators, politicians, judges, compulsive shoppers, mothers-in-law, magicians, Yoko Ono and a dominatrix, until what began as a lark quickly grew into something larger. Blending a charming father-son journey with the surprising, sometimes hilarious questions and answers it spawned, Father Knows Less offers a heartwarming exploration of the childlike curiosity that lives within us all.

    Wade In this deeply moving work, Ann Fessler brings to light the lives of hundreds of thousands of young single American women forced to give up their newborn children in the years following World War II and before Roe v. Wade. The Girls Who Went Away tells a story not of wild and carefree sexual liberation, but rather of a devastating double standard that has had punishing long-term effects on these women and on the children they gave up for adoption. Based on Fessler's groundbreaking interviews, it brings to brilliant life these women's voices and the spirit of the time, allowing each to share her own experience in gripping and intimate detail. Today, when the future of the Roe decision and women's reproductive rights stand squarely at the front of a divisive national debate, Fessler brings to the fore a long-overlooked history of single women in the fifties, sixties, and early seventies. In 2002, Fessler, an adoptee herself, traveled the country interviewing women willing to speak publicly about why they relinquished their children. Researching archival records and the political and social climate of the time, she uncovered a story of three decades of women who, under enormous social and family pressure, were coerced or outright forced to give their babies up for adoption. Fessler deftly describes the impossible position in which these women found themselves: as a sexual revolution heated up in the postwar years, birth control was tightly restricted, and abortion proved prohibitively expensive or life endangering. At the same time, a postwar economic boom brought millions of American families into the middle class, exerting its own pressures to conform to a model of family perfection. Caught in the middle, single pregnant women were shunned by family and friends, evicted from schools, sent away to maternity homes to have their children alone, and often treated with cold contempt by doctors, nurses, and clergy. The majority of the women Fessler interviewed have never spoken of their experiences, and most have been haunted by grief and shame their entire adult lives. A searing and important look into a long-overlooked social history, The Girls Who Went Away is their story.

    But eight-year-old Dennis turned out to be more than he expected—a lot more. Dennis suffered from fetal alcohol syndrome, the son of a substance abuser and alcoholic who abandoned him in a seedy motel at the age of one-and-a-half. His father died of an overdose. Seized by the state, Dennis was shuffled between eight different foster homes in less than eight years. He was abused and beaten severely in at least tow of his placements. Dennis was diagnosed with attention-deficit hyperactivity disorder, and put on Ritalin and then Disipramine. He was prone to violent emotional outbursts. His case history identified him as "hard to place" —a euphemism for "unadoptable." But for David Gerrold it was love at first sight…

    Yet, lurking beneath this boy genius's amazing, albeit useless, gifts for facts were an extraordinary fear of change and social aloofness. Unknown to his mother, Barbara, until much later, Ben suffered from Asperger's syndrome--the "little grown-up" disorder--a neurobiological disease similar to autism. Frank, honest, and beautifully written, Finding Ben is a remarkably moving account of Barbara LaSalle's struggles to understand--and overcome--the guilt she feels for not fully loving her son.Burdened with the belief that the world would look at her son and somehow see her own failure, Finding Ben is a powerfully honest narrative account of how a mother's love can turn over time into resentment for having to raise a special-needs child.It is through LaSalle's special friendship with Jack, a man full of wisdom despite his debilitating brain aneurysm, that LaSalle is finally able to love her son--and herself--again. With two stories to tell, Finding Ben is both a fascinating look at a mercurial disease and a powerful story of one mother's personal journey from frustration and resentment to love and acceptance.

    Stunned to learn that her son, Sam, is about to become a father at nineteen, Lamott begins a journal about the first year of her grandson Jax's life. In careful and often hilarious detail, Lamott and Sam-about whom she first wrote so movingly in Operating Instructions-struggle to balance their changing roles with the demands of college and work, as they both forge new relationships with Jax's mother, who has her own ideas about how to raise a child. Lamott writes about the complex feelings that Jax fosters in her, recalling her own experiences with Sam when she was a single mother. Over the course of the year, the rhythms of life, death, family, and friends unfold in surprising and joyful ways. By turns poignant and funny, honest and touching, Some Assembly Required is the true story of how the birth of a baby changes a family-as this book will change everyone who reads it.

    She learns that her mother has passed on a genetic illness as a parting shot, and she must adjust to growing up with Bipolar Disorder.As she approaches her 30th year, she works hard to pick up the loose threads of her life and tie them into a lifeline for her future. It is a tale of survival, endurance, and acceptance through understanding.

    At 38, Carolyn Nash had a good job, no apparent struggles and few conscious regrets—save, perhaps, her weight and her childlessness. She remedies the latter by fostering and then adopting 3-year-old Abel, a victim of unspeakable parental abuse, most of it sexual. The consequences are predictable and agonizing. Abel is charmingly innocent yet uncontrollably violent, and as he grows, so do his PTSD symptoms. He refuses to bathe, he fails in school. Thrown toys become thrown punches, then smashed windshields. Psychiatrists are consulted, police called. Special education, home-schooling, hospitalizations, meds—all resources are tried and exhausted. Yet Nash remains indefatigable, wrestling with her son (literally) and with her inner demons and repressed memories, haltingly revealed in sessions with her therapist. Through the lens of Abel's trauma, Nash peers into her own nightmares—she too feels deformed and unlovable—and learns their sick source. The book is structured almost entirely in short, dramatic episodes, a technique Nash uses skillfully, though the dialogue at times grows repetitive and similar scenes tend to pile up. A bit of condensing and narrative summarizing would have propelled events more quickly and provided perspective on this 18-year saga. And although Nash faithfully records Abel's words and behavior, for much of the book he remains a cipher. Only late in the story, when the troubled teen turns violently on Nash herself, do we get a penetrating glimpse into Abel's beating heart, where his triggers, his alienation and his lifelong struggle come into searing focus. Here Nash gives us Abel in full, and we see with our own eyes how the measure of this young man is also the measure of the woman who raised him—with pure, dogged, unrelenting, overwhelming, at times selfish, often desperate, boundless, evergreen love. This was her treatment and her cure. We know it by its common term—mothering.A sobering but uplifting tale of love that never gives up; dramatically told, ultimately rewarding.

    Her 3-year-old daughter Maya, whom she and her husband adopted months earlier from an orphanage in China, had transformed from a frightened, sickly little girl to a joyous being thriving in an environment where she knew she was loved. Watching her daughter play, Jenny was overcome with the desire to help the orphaned girls she couldn’t bring home. And that’s when Half the Sky was born.Wish You Happy Forever tells the story of China’s momentous progress in its treatment of orphaned and abandoned children. When Jenny began Half the Sky in 1998, determined to bring a caring adult into the life of every orphaned child, it seemed impossible that China would allow a foreigner to work inside government orphanages, let alone try to bring change. But gradually, after witnessing Half the Sky’s quiet perseverance and miraculous success, the Chinese government now not only trusts, but partners with Half the Sky to make life better for the children in its care.

    We imagine what it would be like to belong to such a family. No fights over the holidays. No getting on one another’s nerves. Respect for individual identity. Mutual support, without being intrusive. So many people believe they are disqualified from having a better family experience, primarily because they compare their own family with the mythic ideal, and their reality falls short. Is that a fair standard to judge against?” In the pages of Why Do I Love These People? , Po Bronson takes us on an extraordinary journey. It begins on a river in Texas, where a mother gets trapped underwater and has to bargain for her own life and that of her kids. Then, a father and his daughter return to their tiny rice-growing village in China, hoping to rekindle their love for each other inside the walls of his childhood home. Next, a son puts forth a riddle, asking us to understand what his first experience of God has to do with his Mexican American mother.Every step–and every family–on this journey is real. Calling upon his gift for powerful nonfiction narrative and philosophical insight, Bronson explores the incredibly complicated feelings that we have for our families. Each chapter introduces us to two people–a father and his son, a daughter and her mother, a wife and her husband–and we come to know them as intimately as characters in a novel, following the story of their relationship as they struggle resiliently through the kinds of hardships all families endure. Some of the people manage to save their relationship, while others find a better life only after letting the relationship go. From their efforts, the wisdom in this book emerges. We are left feeling emotionally raw but grounded–and better prepared to love, through both hard times and good time.In these twenty mesmerizing stories, we discover what is essential and elemental to all families and, in doing so, slowly abolish the fantasies and fictions we have about those we fight to stay connected to.In Why Do I Love These People? , Bronson shows us that we are united by our yearnings and aspirations: Family is not our dividing line, but our common ground.From the Hardcover edition.

    Maloney's debut chronicles her son, Sammy, and the illness that, almost overnight, transformed him from a sunny, bright boy into an antisocial stranger 'so dominated by obsessions, compulsions, and rules that daily life becomes impossible.'

    No matter what a woman achieves in her life, no matter how old she gets or whether or not she herself becomes a mother, she is always and forever a daughter. The Women Whose Stories Are Included . . .Patti Davis                    Anne RiceCarolyn See                  Marg HelgenbergerMelissa Gilbert              Carnie WilsonRosanna Arquette         Mariel HemingwayAnna Quindlen              Angelica HustonMary Kay Place            Ruby DeeFaye Wattleton              Julianne MarguliesLily Tomlin                    Diahann CarrollCandice Bergen             Marianne WilliamsonLorna Luft                    Whoopie GoldbergAlice Hoffman              Cokie RobertsKathy SmithLinda Bloodworth Thomason

    Among them:Greed: Gamblers reveal secrets behind outrageous fortune.Lust: "We're swingers!"-you won't believe who's doing it.Anger: Texans shoot off some rounds and then listen to Dan fire off on his own about guns, gun control, and the Second Amendment.Combine a unique history of the Seven Deadly Sins, a new interpretation of the biblical stories of Sodom and Gomorrah, and enough Bill Bennett, Robert Bork, Pat Buchanan, Dr. Laura, and Bill O'Reilly bashing to more than make up for their incessant carping, and you've got the most provocative book of the fall.

    But it will also challenge you to take stock of your own family connections, to create a media ecology that encourages kids - and parents - to thrive.When journalist and commentator Susan Maushart first decided to pull the plug on all electronic media at home, she realised her children would have sooner volunteered to go without food, water or hair products. At ages 14, 15 and 18, her daughters and son didn’t use media. They inhabited media. Just exactly as fish inhabit a pond. Gracefully. Unblinkingly. And utterly without consciousness or curiosity as to how they got there. Susan’s experiment with her family was a major success and she found that having less to communicate with, her family is communicating more.At the simplest level, The Winter of Our Disconnect is the story of how one family survived six months of wandering through the desert, digitally speaking, and the lessons learned about themselves and technology along the way. At the same time, their story is a channel to a wider view - into the impact of new media on the lives of families, into the very heart of the meaning of home.

    I thought of us going all over the world doing interviews—we’ve signed for three interviews a day for six weeks.”—Al Pacino, in an interview with Lawrence GrobelHighly respected in journalist circles and hailed as “the Interviewer’s Interviewer,” Lawrence Grobel is the author of well-received biographies of Truman Capote, Marlon Brando, James Michener, and the Huston family, with bylines from Rolling Stone and Playboy to the New York Times. He has spent his thirty-year career getting tough subjects to truly open up and talk. Now, in The Art of the Interview, he offers step-by-step instruction on all aspects of nailing an effective interview and provides an inside look on how he elicted such colorful responses as:“I don’t like Shakespeare. I’d rather be in Malibu.” —Anthony Hopkins“Feminists don’t like me, and I don’t like them.”—Mel Gibson“I hope to God my friends steal my body out of a morgue and throw a party when I’m dead.”—Drew Barrymore“I want you out of here. And I want those goddamn tapes!”—Bob Knight“I smoked pot with my father when I was eleven in 1973. . . . He thought he was giving me a mind-extending experience just like he used to give me Hemingway novels and Woody Allen films.”—Anthony KiedisIn The Art of the Interview, Grobel reveals the most memorable stories from his career, along with examples of the most candid moments from his long list of famous interviewees, from Oscar-winning actors and Nobel laureates to Pulitzer Prizewinning writers and sports figures. Taking us step by step through the interview process, from research and question writing to final editing, The Art of the Interview is a treat for journalists and culture vultures alike.