Among his possessions: women, imprisoned and fated to serve. The strong-minded Althea Lambros controls her own fate and lives to honor her dying mother’s plea to protect her two sisters at all costs. Althea’s journey toward crushing the tyranny has begun. It is a destiny foretold by the Fates. And she is following their visions.On the southern isle of Crete, hidden among mortal women who have fled the Titans, is the Boy God, son of Cronus and believed dead. He shares Althea’s destiny to vanquish the Almighty—fate willing. Because Cronus has caught wind of the plot. He’s amassing his own forces against Althea’s righteous rebellion and all those who will no longer surrender or run. There will be war. If she’s to survive to write their history, the indomitable Althea must soar higher than any god.

    Such age-old stories as the tragic love of Orpheus and Eurydice or Demeter’s loss of her daughter, Persephone, resonate strongly with readers even today. In this book the rousing adventures of the heroes Herakles, Theseus, and Perseus are intertwined with the tragedies of immortal Prometheus and mortal Oedipus, the amorous escapades of Zeus, the trickery of Hermes, and the ecstasy of Dionysus. In-depth introductions to each section deepen your understanding of the myths—and heighten your reading pleasure.Presented in simple yet elegant prose, these tales emerge in brilliant new life. From the creation battle of the gods and Titans to Odysseus’ return home from the Trojan War, this indispensable volume contains fifty-six legendary stories—handed down from generations past—that will continue to captivate readers for generations to come.

    This book presents the great stories of the heroic age - "Dionysus", "Heracles", "Theseus", "The Quest for the Golden Fleece", and many more.

    The story’s focus is not on drama but on a bitter truth: both armies want nothing more than to stop fighting and go home. Achilles—the electrifying hero who is Homer’s brilliant creation—quarrels with his commander, Agamemnon, but eventually returns to the field to avenge a comrade’s death. Few warriors, in life or literature, have challenged their commanding officer and the rationale of the war they fought as fiercely as did Homer’s Achilles.Homer’s Iliad addresses the central questions defining the war experience of every age. Is a warrior ever justified in challenging his commander? Must he sacrifice his life for someone else’s cause? Giving his life for his country, does a man betray his family? Can death ever be compensated by glory? How is a catastrophic war ever allowed to start—and why, if all parties wish it over, can it not be ended?As she did in The Endurance and The Bounty, Caroline Alexander has taken apart a story we think we know and put it back together in a way that reveals what Homer really meant us to glean from his masterpiece. Written with the authority of a scholar and the vigor of a bestselling narrative historian, The War That Killed Achilles is a superb and utterly timely presentation of one of the timeless stories of our civilization.

    For thousands of years they have inspired plays, operas, and paintings; today they live on in movies and video games. Oh My Gods is a contemporary retelling of some of the most popular myths by Philip Freeman, a noted classicist. These tales of errant gods, fantastic creatures, and human heroes are brought to life in fresh and modern versions. Powerful Zeus; his perpetually aggrieved wife, Hera; talented Apollo; beautiful Aphrodite; fierce Athena; the dauntless heroes Theseus and Hercules; and the doomed lovers Orpheus and Eurydice still inspire awe, give us courage, and break our hearts. From the astonishing tales of the Argonauts to the immortal narrative of the Battle of Troy, these ancient tales have inspired writers from Shakespeare to J. K. Rowling. In Philip Freeman’s vibrant retelling they will doubtless inspire a new generation of readers.

    Under Olivia Coolidge’s skillful pen, the landscape of early Greece and its famous legends bloom with vigor and are perfectly suited to the adventure-seeking reader.

    Written with ideas on The White Goddess as a cultural/anthropological backdrop to the ancient Greek tale. What the Golden Fleece really was—a cloak tossed to earth by a drunken Zeus, a sheepskin book of alchemic secrets or the gilded epidermis of a young human sacrifice named Mr. Ram—nobody knows. But Graves is quite sure that, whatever the Golden Fleece was, the voyage of Jason & his Argonauts really happened. His story shows the legendary cruise as one of the bawdiest, bloodiest, most boisterous expeditions of all time. In I, Claudius & its Claudius the God sequel, Graves brought the teeming life of Claudian Rome so vividly alive that they became bestsellers. In the not-so-successful Wife to Mr. Milton, his blend of imagination & scholarship projected his readers into 17th-Century England & the bedchamber temper tantrums of the blind poet-politician. With Hercules & shipmates, Graves becomes an ancient Greek, moving among demigods & goddesses, myths & monsters with an easy familiarity & a wealth of erudite detail. Both sometimes seem too much of a good thing. Atomic-age readers, ill-attuned to the leisurely, formal talk of myth-age Greeks, may find themselves skipping some of the longer speeches. Most of the Argo's 50-oar crew were princes, each with a special talent & gift of the gods. The only woman aboard was a princess: Atalanta of Calydon, a virgin huntress who could outrun any man in Greece. Argus, who built the Argo, was the world's finest shipwright. Castor & Pollux, sons of Leda & Zeus-as-swan, were champion prizefighters. Nauplius, Poseidon's son, was an unrivaled navigator. Orpheus could make sticks & stones dance to his lyre. Hercules of Tiryns was the world's strongest man. He would've captained the Argonauts were it not that in moments of insanity he murdered friend & foe alike. Captaincy devolved on Jason of lolcos—a man nobody liked or trusted, but who had a power denied to all the others: women instantly fell in love with him. Even surly Hercules agreed it a quality worth all the rest. Backed by divine blessings & equinoctal winds, the Argonauts set sail. On the Island of Lemnos, peopled solely by women, they generously stopped off to help out with spring sowing. Nine months later, 200 children were born, of whom no less than 60 were said to be the spitting image of Hercules. On Samothrace, they were initiated into the sacred mysteries. The Goddess of All Being mated with the Serpent Priapus to be delivered of a bull. Then the sacred nymphs leapt on them & scratched & bit until even Hercules passed out. Thereafter, the Argonauts glowed with "a faint nimbus of light." The Argonauts boldly pushed on thru the dread Hellespont & entered the Black Sea. To their dismay, Hercules deserted, summoned home to perform another of his mighty labors. "Holy Serpents!" he growled. "Tell me what this time?" The job—cleaning the Augean Stables—didn't take long. He stayed around afterwards with the Lydian high priestess—who in due time bore male triplets. In gratitude, she taught him to spin, tying up his hair in blue braids. He was crazy about it, admitting confidentially he'd always wanted to be a woman. The Argonauts went on without Hercules. Reaching Colchis, Aphrodite won the Fleece for them. She made her son Eros wait behind a pillar with his bow until handsome Jason strode into the King of Colchis' palace. Eros shot Medea thru the heart, & the smitten princess helped to get the Fleece from her father's temple. Mythology's most famous voyage had reached its goal, but Graves takes 150 more pages to wind things up.

    Under the direction of Bryan Doerries, they have been performed for tens of thousands of combat veterans, as well as prison and medical personnel around the world. Striking for their immediacy and emotional impact, Doerries brings to life these ancient plays, like no other translations have before.

    From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed their themes, their relevance to Greek religion and society, and their relationship to the landscape."Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater."Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities."The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities."Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes."Family sagas" explores the dramas and catastrophes that befall heroes and heroines."A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld."Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

    They could change day to night, turn people into animals, and punish men with eternal torture. Their whims and desires changed the course of human destiny. No legends are more fabulous than those of the Greek gods. This classic collection tells their stories.

    Into his story comes a cast of fascinating characters—among them Hector, Helen, Penthiselaia the Amazon Queen, and the centaur Chiron; and finally John Keats, whose writings form the basis of a meditation on the nature of identity and shared experience. Achilles is an affirmation of the story's enduring power to reach across centuries and cultures to the core of our imagination.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    When after a chance meeting, he learns that he is of noble heritage, the pendant takes on new meaning as the link to his father's life and death. Suddenly Lysander is thrust into the life of a Spartan warrior and must struggle to prove himself worthy. But when the pendant is stolen, he must fight to retrieve it, and fulfill its powerful destiny before it is too late.This action packed tale of honor, glory and epic battles in Ancient Greece will appeal to even the most reluctant readers, and Lysander's rise from slave to Spartan warrior will leave them thirsting for more.

    Taking center stage in this debut novel is Alcestis, the fabled ‘good wife’ who sacrificed herself in order to save her much loved husband, King Admetus. In this reworking of the classic legend, a decidedly more complex and restless Alcestis is provided with an intriguing backstory involving her childhood and the untimely death of her favorite sister, Hippothoe. When Admetus is too cowardly to face his own death, Alcestis, hopeful of reuniting with Hippothoe, agrees to take his place in the Underworld. It is here in death that Alcestis wrestles with the true nature of love and loss, as she falls under the seductive spell of Persephone...” --Margaret Fuller, Booklist

    Lusty, lightning-tempered, polyamorous Zeus was the most powerful and charismatic of the Greek gods, and the progenitor of some of the most enduring stories of world mythology. In Zeus, author Tom Stone takes readers on a 4,000-year journey through the god’s tumultuous life, from his origins as a sky god in the Russian steppes and his scandalous reign on Mt. Olympus to his approaching end in a palace storeroom in Christian Constantinople. Crossing the length and breadth of Greece, Stone and his Iranian wife explore the most significant sites in Greek myth, from mountaintops to subterranean caves, Olympus to Crete, and Mycenae to Macedonia. Along the way, he reveals how Zeus’s story grew from the soil of Greece and changed along with the country’s history, all with a brilliant mix of erudition and bravura storytelling. Combining mythology, history, and travel, this is an indispensable book for anyone who loves Greece or its great stories of myth and legend.