In a sweeping tour through Mexico, England, Ireland, Scotland, and beyond, she takes readers to dark glens and abandoned forests, ancient sacred sites, and local pubs, seeking people who might still believe in the elusive beings we call faeries. As Pike attempts to connect with the spirit world-and reconnect with her sense of wonder and purpose-she comes to view both herself and the world around her in a profoundly new light. Captivating, full of heart, and unabashedly whimsical, "Faery Tale" is more than a memoir-it's the story of rekindling that spark of belief that makes even the most skeptical among us feel like a child again.

    For to save something precious, she must give up something precious, be it a song, a memory, or her freedom itself . . .Beautifully illustrated by Bonnie Helen Hawkins, this is a stunning and original modern fairytale.

    First published in Australia in 1995, where it was an instant bestseller, the book is both a first novel and the beginning of The Wanderers trilogy with The Song of the Earth and The Water of Life following. The multi-talented Caiseal Mór also creates his own Celtic-inspired art and has composed and performed successful albums of harp music as the "soundtracks" to each book! Mór certainly can tell a rattling adventure with the voice of a born storyteller, "Hear the wind wailing down a chimney on the darkest night of winter. Sit at the fire warming flesh that has blued in icy air. Rest eyes that ache, feet that are weary..." even if at times, writing Celtic fantasy from down-under, his vision does seem contrived and just a little too self-consciously poetic. While Mór strives for balance with sympathetic individual Christian characters, his heart lies with the pagans, whom he romanticises enthusiastically. Beginning with Taliesin, Stephen Lawhead's Pendragon Cycle covers similar material with greater maturity and more excitement from a Christian perspective, while Melvin Bragg's Credo is an epic of love and religious war in 7th century Britain and is simply one of the most brilliant novels written in years.--Gary S Dalkin

    But before he can achieve his dream, he must first tackle enemies nearer home. All three of his brothers hamper his efforts to create an independent state. The best-loved of the three, David, brought up throughout his childhood at the English court, restless, charming, torn between loyalties, is fated to be his brother's undoing. Despite the support of his beloved wife Eleanor, Llewelyn finds himself trapped in a situation where the only solution is his own downfall and tragic death...The four novels in the BROTHERS OF GWYNEDD quartet in one volume, including:SUNRISE IN THE WESTTHE DRAGON AT NOONDAYTHE HOUNDS OF SUNSETAFTERGLOW AND NIGHTFALL

    Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, " The Original Folk and Fairy Tales of the Brothers Grimm" makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezso.From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.A delight to read, "The Original Folk and Fairy Tales of the Brothers Grimm" presents these peerless stories to a whole new generation of readers."

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: Social Science / Folklore

    Favourites such as Jack the Giant-killer, Jack and the Beanstalk, Dick Whittington, The Three Little Pigs and The Babes in the Wood are all here among many others, but stories from different traditions also make their appearance, including The Three Bears and Little Red Hiding Hood.

    Warrior. Lover.Brian Boru was stronger, braver, and wiser than all other men—the greatest king Ireland has ever known. Out of the mists of the country's most violent age, he merged to lead his people to the peak of their golden era.Set against the barbaric splendor of the tenth century, this is a story rich in truth and legend, in which friends become deadly enemies, bedrooms turn into battlefields, and dreams of glory transform into reality.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    Book provides a coherent context in which to understand Avalon's many mysteries, including the * Isle * Tor * Glastonbury Zodiac, * Abbey * Tor Labyrinth * St. Michael ley line The author invokes the magical, spiritual power of the English landscape with a wealth of detailed information encompassing other belief systems and scared sites. He discusses * Physical and sacred topography * Symbols * Architecture * History

    Featuring folklore, mythology, and poetry from around the world, this lovely collection reveals these ethereal spirits' extraordinary powers and the history behind their existence. From the case of the Cottingley fairies in the early twentieth century, whose photographs fooled thousands (including Arthur Conan Doyle), to the mischievous fairies found in Shakespeare's A Midsummer Night's Dream, the fascinating stories surrounding these magical sprites are sure to captivate anyone who has ever dreamed of catching one hiding deep within her flowerbed. Whether you're interested in exploring the history and culture or just want to learn more about fairies' powers and trickery, you'll love plunging into the enchanting tales that bring these whimsical creatures to life.Complete with hundreds of lovely illustrations, Fairies reveals the magnificent beauty of these mesmerizing sprites as well as their knack for causing mischief.

    Sharon Blackie offers a set of practical and grounded tools for enchanting our lives and the places we live, so leading to a greater sense of meaning and of belonging to the world. Enchantment. By Dr. Blackie’s definition, a vivid sense of belongingness to a rich and many-layered world, a profound and whole-hearted participation in the adventure of life. Enchantment is a natural, spontaneous human tendency — one we possess as children, but lose, through social and cultural pressures, as we grow older. It is an attitude of mind which can be cultivated: the enchanted life is possible for anyone. It is intuitive, embraces wonder, and fully engages the mythic imagination — but it is also deeply embodied in ecology, grounded in place and community.To live this way is to be challenged, to be awakened, to be gripped and shaken to the core by the extraordinary which lies at the heart of the ordinary.

    Included are popular myths and legends from all six Celtic cultures of Western Europe-Irish, Scots, Manx, Welsh, Cornish, and Breton. Here for the modern reader are the rediscovered tales of cattle raids, tribal invasions, druids, duels, and doomed love that have been incorporated into, and sometimes distorted by, European mythology and even Christian figures. For example, there is the story of Lugh of the Long Hand, one of the greatest gods in the Celtic pantheon, who was later transformed into the faerie craftsman Lugh-Chromain, and finally demoted to the lowly Leprechaun. Celtic Myths and Legends also retells the story of the classic tragic love story of Tristan and Iseult (probably of Cornish origin-there was a real King Mark and a real Tristan in Cornwall) and the original tale of King Arthur, a Welsh leader who fought against the invading Anglo-Saxons. In the hands of Peter Berresford Ellis, the myths sung by long-dead Celtic bards come alive to enchant the modern reader. "The casual reader will be best entertained by ... the legends themselves ...colored with plenty of swordplay, ... quests, shape-shiftings, and druidic sorcery."-Publishers Weekly

    His Ozark corpus is "the best known single body of regional folklore in the United States," according to Richard Dorson, director of the Folklore Institute at Indiana University. And Gershon Legman, the world's leading scholar of sexual and scatological humor, has called Randolph "the greatest and most successful field collector and regional folklorist that America ever had." In Legman's estimation, "We have no one else like him. He is a national treasure, like Mark Twain. Randolph's reputation rests on the massive accumulation of folksong, folktale, and ballad materials he collected during forty years of living and working in the Ozarks. Unfortunately, in the 1950s when Randolph published several collection of Ozark tales, the material in this volume was considered unprintable.Pissing in the Snow departs from the academic prudery that until recently has restricted the amount of bawdy folklore available for study. It presents a body of material that for twenty years has circulated only in manuscript or microfilm under its present title. When placed in their rightful context alongside Randolph's other collections of folk material, the bawdy tales help provide evidence of what Ozark hill people think about their own lives and language. As Rayna Green writes in her introduction, "The entire body of material . . . offers a picture of expressive behavior unparalleled by any other American region's or group's study." Hoffmann's annotations draw parallels between the erotic narrative tradition of the Ozarks and that in other parts of the country and the world, especially Europe.