Disco and salsa. The loft jazz scene and the downtown composers known as Minimalists. In the mid-1970s, New York City was a laboratory where all the major styles of modern music were reinvented--all at once, from one block to the next, by musicians who knew, admired, and borrowed from one another. Crime was everywhere, the government was broke, and the city's infrastructure was collapsing. But rent was cheap, and the possibilities for musical exploration were limitless.Love Goes to Buildings on Fire is the first book to tell the full story of the era's music scenes and the phenomenal and surprising ways they intersected. From New Year's Day 1973 to New Year's Eve 1977, the book moves panoramically from post-Dylan Greenwich Village, to the arson-scarred South Bronx barrios where salsa and hip-hop were created, to the Lower Manhattan lofts where jazz and classical music were reimagined, to ramshackle clubs like CBGBs and The Gallery, where rock and dance music were hot-wired for a new generation. As they remade the music, the musicians at the center of the book invented themselves: Willie Colón and the Fania All-Stars renting Yankee Stadium to take salsa to the masses, New Jersey locals Bruce Springsteen and Patti Smith claiming the jungleland of Manhattan as their own, Grandmaster Flash transforming the turntable into a musical instrument, David Byrne and Talking Heads proving that rock music "ain't no foolin' around." Will Hermes was there--venturing from his native Queens to the small dark rooms where the revolution was taking place--and in Love Goes to Buildings on Fire he captures the creativity, drive, and full-out lust for life of the great New York musicians of those years, who knew that the music they were making would change the world.

    Brilliant and self-taught, he haunted California's waterside bars, brawling with drunken sailors and learning about love from prostitutes. His lust for adventure took him from the beaches of Hawaii to the gold fields of Alaska, where he experienced firsthand the struggles for survival he would later immortalize in classics like White Fang and The Call of the Wild.A hard-drinking womanizer with children to support, Jack London was no stranger to passion when he met and married Charmian Kittredge, the love of his life. Despite his adventurous past, London had never before met a woman like Charmian; she adored fornication and boxing, and willingly risked life and limb to sail and explore. She typed his manuscripts while he churned out novels, serving as his inspiration and his critic.Lover, fighter, and onetime hobo, Jack London lived large and died before he was forty. This is a rare biography, from bestselling historian Alex Kershaw, that proves the truth can be more fascinating--and a far greater adventure--than a fiction.

    At 5' 11' (8 stone, 32 inch chest, 27 inch waist), in trademark suit jacket, skin-tight drainpipes and dark glasses, with jet-black back-combed hair and mouth full of gold teeth, John Cooper Clarke is instantly recognisable. As a writer his voice is equally unmistakable.This memoir covers an extraordinary life, filled with remarkable personalities: from Nico to Chuck Berry, from all the great punks to Bernard Manning, and on to more recent fans and collaborators Alex Turner and Plan B. John also reveals his boggling encyclopaedic knowledge of 20th-century popular culture, from Baudelaire to Coronation Street. Inimitable and iconic, his book will be a joy for lifelong fans and for a whole new generation.

    More than perhaps any other act, Sonic Youth has brought “fringe” art to the mainstream, helping spawn an alternative arts scene that prospers to this day: a world of punk rock, underground films and comics, experimental music, conceptual art, contemporary classical compositions, and even fashion. In Goodbye 20th Century, David Browne tells the full glorious story of “the Velvet Underground of their generation,” an account based on extensive research, fresh interviews with the band and those who have worked with them (from Glenn Branca and Lydia Lunch to Sofia Coppola and Spike Jonze), and unprecedented access to unreleased recordings and documents. This is a richly detailed portrait of an iconic band and the times they helped create.

    Iggy Pop, Danny Fields, Dee Dee and Joey Ramone, Malcom McLaren, Jim Carroll, and scores of other famous and infamous punk figures lend their voices to this definitive account of that outrageous, explosive era. From its origins in the twilight years of Andy Warhol's New York reign to its last gasps as eighties corporate rock, the phenomenon known as punk is scrutinized, eulogized, and idealized by the people who were there and who made it happen.

    Yngwie Malmsteen's revolutionary guitar style—combining elements of classical music with the speed and volume of heavy metal—made him a staple of the 80s rock scene. Decades later, he's still a legend among guitarists, having sold 11 million albums and influenced generations of rockers since. In Relentless, Malmsteen shares his personal story, from the moment he burst onto the scene seemingly out of nowhere in the early 80s to become a household name in the annals of heavy metal. Along the way, he talks about his first bands, going solo, his songwriting and recording process, and the seedy side of the rock business.

    Marcus Gray furnishes thumbnail sketches of each member, as well as chapters on the band's recording history, politics, album packaging, and regional accent. The author is also fearless enough to venture into the black hole of Michael Stipe's lyrics. He doesn't, to be sure, make sense of Stipe's associative rambles, and the singer himself lets Gray off the hook by confessing that "three-quarters of my lyrics probably come from overheard conversations. I steal a lot, basically. Someone will say something really interesting, and I'll write it down." Okay. But we'd still like to know what a moral kiosk is.

    The event was surrounded by enigma and intrigue, allegations of poisoning and sexual scandal.

    Now, in her memoir, Cash writes compellingly about her upbringing in Southern California as the child of country legend Johnny Cash, and of her relationships with her mother and her famous stepmother, June Carter Cash. In her account of her development as an artist she shares memories of a hilarious stint as a twenty-year-old working for Columbia Records in London, recording her own first album on a German label, working her way to success, her marriage to Rodney Crowell, a union that made them Nashville's premier couple, her relationship with the country music establishment, taking a new direction in her music and leaving Nashville to move to New York. As well as motherhood, dealing with the deaths of her parents, in part through music, the process of songwriting, and the fulfillment she has found with her current husband and musical collaborator, John Leventhal. Cash has written an unconventional and compelling memoir that, in the tradition of M. F. K. Fisher's The Gastronomical Me and Frank Conroy's Stop-Time, is a series of linked pieces that combine to form a luminous and brilliant whole.

    But when she saw him perform in front of thousands of screaming fans for the first time, she knew that rock stardom was meant to be for her son. And as Virginia watched her son's star rise, she often wondered about the other mothers who raised sons and daughters who became rock stars. Were they as surprised as she was about their children's fame? Did they worry about their children's livelihood and wellbeing in an industry fraught with drugs and other dangers? Did they encourage their children's passions despite the odds against success, or attempt to dissuade them from their grandiose dreams? Do they remind their kids to pack a warm coat when they go on tour?Virginia decided to seek out other rock star mothers to ask these questions, and so began a two-year odyssey in which she interviewed such women as Verna Griffin, Dr. Dre's mother; Marianne Stipe, Michael Stipe of REM's mother; Janis Winehouse, Amy Winehouse's mother; Patsy Noah, Adam Levine's mother; Donna Haim, mother of the Haim sisters; Hester Diamond, Mike D of The Beastie Boys' mother.With exclusive family photographs and a foreword by Dave Grohl, From Cradle to Stage will appeal to mothers and rock fans everywhere.

    A biography of Townes Van Zandt which traces his background as the scion of a prominent Texas family; his troubled early years and his transformation from promising pre-law student to wandering folk singer; his life on the road and the demons that pursued and were pursued by him; and the women who loved and inspired him.

    The story of the rise and fall of The Smiths, the lives of singer Steven Morrissey and guitarist Johnny Marr and the differences that tore them apart.

    Fans around the world are drawn to Her Grace’s voice, her wit, her life-affirming love for all humanity, and the fun and friendship of the community that’s sprung up around her.

    The fabled blues guitarist chronicles his youth on a Mississippi cotton farm, years as a disc jockey, experiences with racism and the civil rights movement, romantic relationships, and forty-five years on the road.

    Growing up in Yorkshire and then CountyDurham, the boy who would be Reeves somehow managed to escape the attentions of 'Randy Mandy' and get a crash course in pig castration, before having encounters with Jimi Hendrix and the Yorkshire Ripper.Peopled with weird and wonderful characters, Vic Reeves' memoir is authentic, witty and inventive, and as unique as you'd expect from one of Britain's most exceptional comedy talents.