In a myriad of commonplace activities, he finds the presence of the divine, and he elegantly describes these persons, events, and observations, nimbly transporting readers into these realities. With his masterly crafted prose, Buechner edifies, inspires, and offers a timeless model for approaching our human experience.

    In a sweeping tour through Mexico, England, Ireland, Scotland, and beyond, she takes readers to dark glens and abandoned forests, ancient sacred sites, and local pubs, seeking people who might still believe in the elusive beings we call faeries. As Pike attempts to connect with the spirit world-and reconnect with her sense of wonder and purpose-she comes to view both herself and the world around her in a profoundly new light. Captivating, full of heart, and unabashedly whimsical, "Faery Tale" is more than a memoir-it's the story of rekindling that spark of belief that makes even the most skeptical among us feel like a child again.

    Edited by his son Patrick, who accompanied his father on the safari, True at First Light offers rare insights into the legendary American writer in the year of the hundredth anniversary of his birth.A blend of autobiography and fiction, the book opens on the day his close friend Pop, a celebrated hunter, leaves Ernest in charge of the safari camp and news arrives of a potential attack from a hostile tribe. Drama continues to build as his wife, Mary, pursues the great black-maned lion that has become her obsession. Spicing his depictions of human longings with sharp humor, Hemingway captures the excitement of big-game hunting and the unparalleled beauty of the scenery -- the green plains covered with gray mist, zebra and gazelle traversing the horizon, cool dark nights broken by the sounds of the hyena's cry. As the group at camp help Mary track her prize, she and Ernest suffer the "incalculable casualties of marriage," and their attempts to love each other well are marred by cruelty, competition and infidelity. Ernest has become involved with Debba, an African girl whom he supposedly plans to take as a second bride. Increasingly enchanted by the local African community, he struggles between the attraction of these two women and the wildly different cultures they represent. In True at First Light, Hemingway also chronicles his exploits -- sometimes hilarious and sometimes poignant -- among the African men with whom he has become very close, reminisces about encounters with other writers and his days in Paris and Spain and satirizes, among other things, the role of organized religion in Africa. He also muses on the act of writing itself and the author's role in determining the truth. What is fact and what is fiction? This is a question that was posed by Hemingway's readers throughout his career and is one of his principal subjects here. Equally adept at evoking the singular textures of the landscape, the thrill of the hunt and the complexities of married life, Hemingway weaves a tale that is rich in laughter, beauty and profound insight. True at First Light is an extraordinary publishing event -- a breathtaking final work from one of America's most beloved and important writers.

    Standing on the engine of a train as it rushes past fields of prickly cactus; witnessing his first bullfight in Mexico while high on opium; catching up with the beat night life in New York; burying himself in the snow-capped mountains of north-west America; meditating on a sunlit roof in Tangiers; or falling in love with Montmartre and the huge white basilica of Sacré-Coeur – Kerouac reveals the endless diversity of human life and his own high-spirited philosophy of self-fulfilment.

    Not every man really lives.” —William Wallace, BraveheartMore than twenty years ago Braveheart captured the hearts of moviegoers around the world. The film was nominated for ten Academy Awards, winning five. Now, for the first time, author and screenwriter Randall Wallace shares the journey that led him to the famous Scottish warrior and how telling the story of William Wallace changed the direction of his life and career—from that surprising first moment in Edinburgh, Scotland, to selling the script to a major Hollywood studio.Part autobiography, part master class, Living the Braveheart Life invites us to explore five major archetypes in Braveheart that resonate not only in Randall’s life but in the modern-day lives of both men and women: the Father, Teacher, Warrior, Sage, and Outlaw. Join blockbuster film director Randall Wallace on the journey of his creative and personal life. Discover why thousands of moviegoers continue to say Braveheart is their all-time favorite film and how its creator and architect came to believe that he must write as if his life depended on it. Living the Braveheart Life is a challenge to all of us to engage in the greatest battle of all—the one inside the human heart.“I don’t think I’ve ever read anything like it . . . a prescription for what ails the contemporary soul.”—Steven Pressfield, screenwriter & author of ­The War of ArtFront FlapDuring his prolific Hollywood career, Randall Wallace has amassed an enviable body of work. Films such as The Man in the Iron Mask, We Were Soldiers, and Secretariat have become box office standards. Yet no film defines his life and career more than Braveheart, written from a well of deep personal passion, steeped in years of reflection.With roots in small-town Tennessee, Randall’s hunger for adventure and unlimited horizons leads him to Duke University. ­There he sits under the tutelage of Thomas A. Langford, whose infectious love and learning and faith light up a classroom and a young man’s vision of life’s possibilities.A decade later, while on a trip to Scotland, Randall is introduced to an unfamiliar statue with an inscription that bears his last name. After hearing the first fragments of the Scottish hero’s tale, Randall recognizes the seeds of a truly great story.His William Wallace and his band of warriors forever changed the way we view love, war, and freedom. Living the Braveheart Life is a personal narrative of how an epic feature film came to life and breathed life into its author. It is the kind of book that will change the way we approach our internal battles, creative or personal.Welcome to a master class in storytelling from the consummate storyteller.

    Admitted to Kerry Hospital and initially given little hope of survival, Lanegan's illness has him slipping in and out of a coma, unable to walk or function for several months and fearing for his life.As his situation becomes more intolerable over the course of that bleakest of springs he is assaulted by nightmares, visions and regrets about a life lived on the edge of chaos and disorder. He is prompted to consider his predicament and how, in his sixth decade, his lifelong battle with mortality has led to this final banal encounter with a disease that has undone millions, when he has apparently been cheating death for his whole existence.Written in vignettes of prose and poetry, Devil In A Coma is a terrifying account of illness and the remorse that comes with it by an artist and writer with singular vision.

    For Jhumpa Lahiri, that love was for Italian, which first captivated and capsized her during a trip to Florence after college. And although Lahiri studied Italian for many years afterward, true mastery had always eluded her. So in 2012, seeking full immersion, she decided to move to Rome with her family, for “a trial by fire, a sort of baptism” into a new language and world. In Rome, Lahiri began to read, and to write—initially in her journal—solely in Italian. In Other Words, an autobiographical work written in Italian, investigates the process of learning to express oneself in another language, and describes the journey of a writer seeking a new voice. Presented in a dual-language format, it is a book about exile, linguistic and otherwise, written with an intensity and clarity not seen since Nabokov. A startling act of self-reflection and a provocative exploration of belonging and reinvention.

    Wurlitzer—novelist, screenwriter, and Buddhist practitioner—travels with his wife, photographer Lynn Davis, on a photo assignment to the sacred sites of Thailand, Burma, and Cambodia. Heavy Westernization, sex clubs, aging hippies and expatriates, and political dissidents provide a vivid contrast to the peace that Wurlitzer and Davis seek, still reeling from the death of their son in a car accident. As Davis with her camera searches for a thread of meaning among the artifacts and relics of a more enlightened age, Wurlitzer grasps at the wisdom of the Buddhist teachings in an effort to assuage his grief. His journal chronicles the survival of age-old truths in a world gone mad.

    In "Around the World in Knitted Socks," you'll travel through world cultures by foot and try your hand at new patterns and techniques.Using stitch motifs and colors, knitting techniques and construction details, the socks blend regional knitting traditions with Stephanie's unique design flair. Drawing inspiration from signature local textiles such as Turkish kilim carpets, Japanese sashiko embroidery, Belgian lace, American quilts, and Scottish argyle tartan, each pattern is distinctly tied to both country and culture. You'll also learn traditional knitting techniques including Estonian and Latvian braids, Norwegian stranded knitting, and Austrian twisted-stitch designs.Though each pattern in "Around the World in Knitted Socks" draws on a different global inspiration, the thoughtful construction and attention to detail are signature elements of Stephanie's work and are showcased in both detailed photography and an illustrated glossary.

    Yet the biggest and most transformative adventure of her life might be one she never anticipated: at 31, she moves into a tiny 19th-century cabin on her family's Ohio farm, and begins the journey into motherhood.In eight vivid and boldly questioning essays, Menkedick explores the luminous, disorienting time just before and after becoming a mother. As she reacquaints herself with the subtle landscapes of the Midwest, and adjusts to the often surprising physicality of pregnancy, she ruminates on what this new stage of life means for her long-held concepts of self, settling, and creative fulfillment. In "Millie, Mildred, Grandma Menkedick," she considers the nature of story through the life of her tough German grandmother, who raised two boys as a single mother in the 1950s and then spent her seventies traveling the world with her best friend Marge; in "Motherland," on a trip back to Oaxaca, Mexico to visit her husband's family, she finally embraces her Midwestern roots; in "The Milk Cave," she discovers in breastfeeding a new appreciation for the spiritual and artistic potential of boredom; and in "The Lake," she revisits her childhood with her father, whose relentless optimism and mystical streak she sees anew once she has a child of her own.A story of a traveler come home to the farm; of becoming a mother in spite of reservations and doubt; and of learning to appreciate the power and beauty of the quotidian, Homing Instincts speaks to the deepest concerns and hopes of a generation.

    Ellen Rosenberger grapples with the real problems, needs, and emotions that missionaries experience. She brings to light the struggles that are not talked about but are very real. She writes openly about depression and burnout, exploring the difficulties of transitions and overcoming conflict. Ellen addresses abuse, struggles with faith, and grief. By talking about these normally overlooked issues, Missionaries Are Real People aims to bring clarity and healing to silent hurts. Maybe you are a missionary who longs for someone to understand your struggles and name your issues. You think, I can’t let anyone know I am struggling with this, especially because I’m a missionary! Perhaps you feel debilitated by the stereotype that “missionaries are perfect” as you are living in the reality of your own brokenness and imperfection. You might feel as though you cannot express the under-the-surface issues that you are facing on the mission field. Having grown up on the mission field and having spent most of her adult life there, Ellen knows what it’s like to have struggled to live under the pressure to be perfect. She’s felt the pain of hidden struggles and masked-over issues. And she’s experienced freedom and healing in being vulnerable about her imperfections as a missionary. This book is not about methodology or theory, but about real life stories and experiences. It’s about the multi-faceted dynamics of missionary relationships with all their joys and struggles. Missionaries Are Real People unveils the unspoken realities of missionary life. Not for the sake of shaming but for the purpose of restoring. The time is now to break down stereotypes, to speak up for what is really going on, and to seek solutions. Let’s not delay another day. There might be a missionary’s life that depends on it.

    When Victor Villasenor turned sixteen, his father's gift of a brand-new, turquoise pick-up truck was accompanied by another gift: words of wisdom that would guide him on his path to manhood. You are a man now, he said, and to be an hombre, a man must not only know right from wrong, he must also know who he is and who he isn't. In the weeks to come, however, Victor disregards his father's advice. Swayed by his friends' ridicule, he has his new truck painted white to cover the vibrant turquoise, once his favorite color. Soon, he realizes his mistake. I'd done exactly what my dad had told me not to. I'd listened to other people's opinions instead of listening to what I'd felt inside. So begins this poignant and moving account of Villasenor's coming of age. Growing up on his parents' ranch in North San Diego County, Victor Villasenor's teenage years were marked by a painful quest to find a place for himself in a world he didn't fit into. During his search, Victor wrangles with the usual questions of adolescence: Is it normal to think about sex all the time? Do good girls like sex? Is sex before marriage a sin? But Victor struggles with more than just his burgeoning sexual awareness. The son of a self-made, successful man, he is different from his peers because of his Mexican heritage, and the experiences both subtle and outright discrimination because of this. Raised in a tight-knit, Catholic family, he questions the tenets of his Catholic faith and the restrictions it places on his own developing spirituality. After high school, Victor's quest for whohe is and who he isn't takes him to Mexico, where he is shocked to learn that Mexicans--aside from his father--are successful. They are architects, professors, and artists. This incredible revelation allows him to appreciate his own potential and realize his dreams of making a difference in the world through writing. A powerful portrait of a young boy on the path to manhood in the shadow of his influential father, Crazy Loco Love adds a new chapter to the grand tradition of coming-of-age books. Destined to become a classic, this new installment in Villasenor's body of work confirms his place as a leading American writer. Crazy Loco Love will enthrall his many fans and surely win him new ones.

    This is a true account of his hike from Georgia to Maine, bringing to the reader the life of the towns and the people he meets along the way.

    They are strangers to her. When Xiaolu is born her parents hand her over to a childless peasant couple in the mountains. Aged two, and suffering from malnutrition on a diet of yam leaves, they leave Xiaolu with her illiterate grandparents in a fishing village on the East China Sea. It’s a strange beginning.Like a Wild Swans for a new generation, Once Upon a Time in the East takes Xiaolu from a run-down shack to film school in a rapidly changing Beijing, navigating the everyday peculiarity of modern China: censorship, underground art, Western boyfriends. In 2002 she leaves Beijing on a scholarship to study in a picturesque British village. Now, after a decade in Europe, her tale of East to West resonates with the insight that can only come from someone who is both an outsider and at home.Xiaolu Guo’s extraordinary memoir is a handbook of life lessons. How to be an artist when censorship kills creativity and the only job you can get is writing bad telenovela scripts. How to be a woman when female babies are regularly drowned at birth and sexual abuse is commonplace. Most poignantly of all: how to love when you’ve never been shown how.

    There is so much that I have never said, so many incidents I have never spoken of and so many feelings I have never expressed: great love on one hand; pain, torment, and humiliation on the other. Only I know what really happened between us, why we stayed together, why we parted, and the price I have paid for being John’s wife. —From the Introduction