The furthest thing from Yatta’s mind is love and relationships. He’s focused on providing for his family, hitting licks with his day one niggas, Alaric and Zamir, and staying out of the way of the law. But, as fate has it, he meets the alluring Erin Hughes and his perception of love shifts in a new direction. Erin is a born and raised Detroit city girl with dreams as big as her heart. Her love for drawing and painting made her a bit of an out cast. But with the support of her cousin Dreka, her best friend Cassidy and her father, she has never known the feeling of not being loved, despite the lack of it it she received from her distant mother. Erin doesn’t let anything discourage her from living life and being happy. Lately, the one thing that would truly make her happy is being with Yatta. But its easier said than done as many things get on the way of them being together. One of them being Yatta’s baby mama, Cleo. Things slowly unravel and before you know it love, secrets, and deadly decisions causes great turmoil in their lives. Will Erin regret the day she gave her heart to a bad boy? Or will Yatta sweep her off her feet, showing her that bad boys fall in love, too?

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ]+++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Sacrifice: And Other Plays Rabindranath Tagore The Macmillan company, 1917 Drama

    Playing a clever trick of her own, Williams left her heroine on the brink of death at the end of the novel. Now the second installment of the chronicles reveals what Williams’s readers are dying to know: Is the Bitch Dead, or What?The drive-by shooting that brought her down forces Ritz to look back on her climb to the top and the people she loved, lost, used, and abused along the way. There’s the brief dalliance with Tracee, her best friend, and the romance with a man with some secrets of his own; the loss of her beloved Aunt M; and the recent appearance of the father who abandoned her and is now demanding a financial payoff and fifteen minutes of fame. At the heart of it all is Ritz’s need to figure out where the real-life Ritz ends and the radio bitch begins.For the huge audience hooked on The Wendy Williams Experience and readers itching to find out what happens to the over-the-top star of Drama Is Her Middle Name, Is the Bitch Dead, or What? is packed with all the irresistible shocks and insider dish that make Williams the hottest voice in America today.

    Maria teaches him how to make fast money by just flipping a few numbers. EJ quickly goes from a regular joe to a man of power. But he's forced to learn the hard way that with more money comes more problems and with more problem EJ is forced to keep flipping numbers.Step into EJ's world where money rules and one bad flip can end your life.

    Her characters suffer and survive against the enormous weight of the times with a dignity that inspires. Her work challenges the audience and reader to reexamine the conflicts and meaning of our everyday lives through her singular, poetic imagery and language.Includes: One Flea SpareIn the Heart of AmericaSlaughter CityThe War BoysThe Trestle at Pope's Creek

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    The first play, Tughlaq, is a historical play in the manner of nineteenth-century Parsee theater. The second, Hayavadana was one of the first modern Indian plays to employ traditional theatrical techniques. In Naga-Mandala, the third play, Karnad turns to oral tales, usually narrated by women. This selected work of one of India's best known playwrights should attract the attention of students and scholars of comparative literature, or any reader interested in South Asian literature.

    Scenery: A bare stageThe six teenage characters communicate only via the internet. Conversations range in subject from Britney Spears to Willy Wonka to - suicide: Jim is depressed and talks of ending his life and Eva and William decide to do their utmost to persuade him to carry out his threat. From this chilling premise is forged a funny, compelling and uplifting play that tackles the issues of teenage life head-on and with great understanding.

    Her fears are confirmed when a youth fires a gun at the administrator, but that isn't the only shooting!

    They sailed far out to sea. The blue one returned to the harbor. The red one sailed home too. But the yellow boat sailed up to the sun." Benjamin always concluded his bedtime ritual by saying, "Mom, you can be the red boat or the blue boat, but I am the yellow boat." This remarkable voyage of Benjamin was extensively developed and widely produced in America for several years, always to ovations. Cast of 4 men and 3 women.THE YELLOW BOAT is based on the true story of David and Sonja Saar's son, Benjamin, who was born with congenital hemophilia, and died in 1987 at the age of 8 of AIDS related complications. A uniquely gifted visual artist, Benjamin's buoyant imagination transformed his physical and emotional pain into a blaze of colors and shapes in his fanciful drawings and paintings. The story of THE YELLOW BOAT Is a glorious affirmation of a child's life, and the strength and courage of all children. Recommended for children of age 8 and older, parents, families and adults.

    The first published play by an African American writer, The Escape explored the complexities of American culture at a time when tensions between North and South were about to explode into the Civil War. This new volume presents the first-edition text of Brown’s play and features an extensive introduction that establishes the work’s continuing significance.The Escape centers on the attempted sexual violation of a slave and involves many characters of mixed race, through which Brown commented on such themes as moral decay, white racism, and black self-determination. Rich in action and faithful in dialect, it raises issues relating not only to race but also to gender by including concepts of black and white masculinity and the culture of southern white and enslaved women. It portrays a world in which slavery provided a convenient means of distinguishing between the white North and the white South, allowing northerners to express moral sentiments without recognizing or addressing the racial prejudice pervasive among whites in both regions.John Ernest’s introductory essay balances the play's historical and literary contexts, including information on Brown and his career, as well as on slavery, abolitionism, and sectional politics. It also discusses the legends and realities of the Underground Railroad, examines the role of antebellum performance art—including blackface minstrelsy and stage versions of Uncle Tom's Cabin—in the construction of race and national identity, and provides an introduction to theories of identity as performance.A century and a half after its initial appearance, The Escape remains essential reading for students of African American literature. Ernest's keen analysis of this classic play will enrich readers’ appreciation of both the drama itself and the era in which it appeared.The Editor: John Ernest is an associate professor of English at the University of New Hampshire and author of Resistance and Reformation in Nineteenth-Century African-American Literature: Brown, Wilson, Jacobs, Delany, Douglass, and Harper.

    Hope Springs is filled with rough and ready men. Can a family of damaged women bring true Hope to this desperate town?A carriage accident killed Lily’s parents and left her and her sisters disfigured or disabled. Now they are to be thrown from their home and their hopes of becoming mail order brides were dashed when the men turned them down because of their disabilities.Book 1 – The Scarred and Rejected Bride Lily knows this calls for desperate measures so she writes to one last man and does not mention her scars. Kit McFarlan wants a wife to control his three rowdy children. Lily will do. That is until he sees her scars. The wedding is off, but Lily and her sisters are a feisty bunch and Kit did not bargain for what comes next. Will Lily get her man or will the sisters be left out in the old? Book 2 – The Crippled Bride and the Orphaned Baby Maye was crippled in the carriage accident that killed her parents. How can she ever find love? What man could love a woman who is not even whole?A new man in town is struggling with his brother’s baby. The child’s parents were killed but Craig needs to work if he is to feed baby Constantine. How can he work and look after a baby? A chance meeting tells him he needs a bride and he asks Maye to marry him.“That was the most unromantic proposal ever,” Maye said but still she accepts.As Maye falls for the handsome cowboy she wonders how she can go on. Is this all there is to life?Danger and heartache threaten to tear the couple apart. Can they survive and find love?The books are sweet, clean, historical, western, romances.