The British and the French, who operated the canal, joined with Israel in a plan to retake it by force. Despite the special relationship between England and America, Dwight Eisenhower intervened to stop the invasion.In Ike’s Gamble, “a disturbing history that clearly reveals the dangerous ‘collective American delusion’ about the Middle East” (Kirkus Reviews), Michael Doran shows how Nasser manipulated the US, invoking America’s opposition to European colonialism to drive a wedge between Eisenhower and two British Prime Ministers, Winston Churchill and Anthony Eden. Meanwhile, Nasser was making weapons deals with the USSR and destabilizing other Arab countries that the US had been courting. The Suez Crisis was his crowning triumph. In time, Eisenhower would conclude that Nasser had duped him, that the Arab countries were too fractious to anchor America’s interests in the Middle East, and that the US should turn instead to Israel.“This is a story that has been told many times, but seldom with the depth and stylistic elegance of Ike’s Gamble. Michael Doran does not just challenge the prevailing historiography, he turns it on its head” (The Weekly Standard). Affording deep insight into Eisenhower and his foreign policy, this fascinating and provocative history provides a rich new understanding of how the US became the power broker in the Middle East.

    . . absorbing. This finely written book gives us a whole new sense of Iran."--The Washington Post Book WorldWhile doing research in the Iranian village of Deh Koh, Erika Friedl was able to quietly observe and record the cloistered lives of women in one of the strictest of all Muslim societies. In this fascinating book, Friedl recounts these women's personal stories as they relate the strain of their daily activities, their intricate relationships with men, and their hopes, dreams, and fears. Women of Deh Koh is a rare and vivid look at what life is really like for the women of Iran."Her intimate understanding of the life and customs of the village has made her confident about conveying her view from the inside. To share this view with us, and to comment quietly and wisely on the scene, is the striking and illuminating achievement of Women of Deh Koh."--The New York Times Book Review

    on September 5, 1972, a band of Palestinian terrorists took eleven Israeli athletes and coaches hostage at the Summer Olympics in Munich. More than 900 million viewers followed the chilling, twenty-hour event on television, as German authorities desperately negotiated with the terrorists. Finally, late in the evening, two helicopters bore the terrorists and their surviving hostages to Munichs little-used Fürstenfeldbruck airfield, where events went tragically awry. Within minutes all of the Israeli athletes, five of the terrorists, and one German policeman were dead. Why did the rescue mission fail so miserably? And why were the reports compiled by the German authorities concealed from the public for more than two decades? Reeves takes on a catastrophe that permanently shifted the political spectrum with a fast-paced narrative that covers the events detail by detail. Based on years of exhaustive research, One Day in September is the definitive account of one of the most devastating and politically explosive tragedies of the late twentieth century, one that set the tone for nearly thirty years of renewed conflict in the Middle East.

    Deeply enmeshed in the 2011 uprising in Tahrir Square, Mariam and Khalil move through Cairo’s surging streets and roiling political underground, their lives burning with purpose, their city alive in open revolt, the world watching, listening, as they chart a course into an unknown future. They are―they believe―fighting a new kind of revolution; they are players in a new epic in the making.From the communal highs of night battles against the police to the solitary lows of postrevolutionary exile, Omar Robert Hamilton’s bold debut cuts to the psychological heart of one the key chapters in the twenty-first century. Arrestingly visual, intensely lyrical, uncompromisingly political, and brutal in its poetry, The City Always Wins is a novel not just about Egypt’s revolution, but about a global generation that tried to change the world.

    When it did, the independence movement grew in strength until protest and rebellion eventually erupted into war. But despite the charismatic leadership of the independence movement, more than half the colonists remained loyal to England. Benson Bobrick casts light on such important, often overlooked aspects of the American Revolution, and offers compelling portraits of the major figures, as well as some illuminating observations by some of their lesser-known contemporaries. He thrillingly describes the major battles, from Lexington and Concord to Bunker Hill, Trenton, Saratoga, Camden, and Kings Mountain, and then the climactic siege of Yorktown when the British flag of empire was finally lowered before patriots guns. At the same time, "Angel in the Whirlwind" weaves together the social and political as well as the military history of the struggle into one epic tale. A variety of voices is represented: English and American, patriot and loyalist, soldier and civilian, foreign adventurer having come to aid the Revolution and German mercenary hired to serve in the army of the king. Their vivid presence brings life to every page.

    Political and business leaders such as former UK prime minister Tony Blair and WME chairman Ari Emanuel flew out to meet with the crown prince and came away convinced that his desire to reform the kingdom was sincere. He spoke passionately about bringing women into the workforce and toning down Saudi Arabia's restrictive Islamic law. He lifted the ban on women driving and explored investments in Silicon Valley.But MBS began to betray an erratic interior beneath the polish laid on by scores of consultants and public relations experts like McKinsey & Company. The allegations of his extreme brutality and excess began to slip out, including that he ordered the assassination of journalist Jamal Khashoggi. While stamping out dissent by holding 300 people, including prominent members of the Saudi royal family, in the Ritz-Carlton hotel and elsewhere for months, he continued to exhibit his extreme wealth, including buying a $70 million chateau in Europe and one of the world's most expensive yachts. It seemed that he did not understand nor care about how the outside world would react to his displays of autocratic muscle—what mattered was the flex.Blood and Oil is a gripping work of investigative journalism about one of the world's most decisive and dangerous new leaders. Hope and Scheck show how MBS' precipitous rise coincided with the fraying of the simple bargain that had been at the head of US-Saudi relations for more than 80 years: oil, for military protection. Caught in his net are well-known US bankers, Hollywood figures, and politicians, all eager to help the charming and crafty crown prince.The Middle East is already a volatile region. Add to the mix an ambitious prince with extraordinary powers, hunger for lucre, a tight relationship with the White House through President Trump's son in law Jared Kushner, and an apparent willingness to break anything—and anyone—that gets in the way of his vision, and the stakes of his rise are bracing. If his bid fails, Saudi Arabia has the potential to become an unstable failed state and a magnet for Islamic extremists. And if his bid to transform his country succeeds, even in part, it will have reverberations around the world.Longlisted for the Financial Times & McKinsey Business Book of the Year Award

     Today, that's changed. Exploiting the missteps of the West's wars in Afghanistan, Iraq and Libya, as well as its misjudgments in relation to Syria and the uprisings of the Arab Spring, jihadist organizations, of which ISIS is the most important, are swiftly expanding. They now control a geographical territory greater in size than Britain or Michigan, stretching from the Sunni heartlands in the north and west of Iraq through a broad swath of north-east Syria. On the back of their capture of Mosul and much of northern Iraq in June 2014, the leader of ISIS, Abu Bakr al-Baghdadi, has been declared the head of a new caliphate that demands the allegiance of all Muslims. The secular, democratic politics that were supposedly at the fore of the Arab Spring have been buried by the return of the jihadis. Writing with customary calmness and clarity, and drawing on unrivaled experience as a reporter in the region, Cockburn analyzes the unfolding of one of the West's greatest foreign policy debacles and the rise of the new jihadis. About the Author Patrick Cockburn is currently a Middle East correspondent for the Independent. His book on Iraq's recent history, The Occupation: War and Resistance in Iraq, was a finalist for the National Book Critics' Circle Awards. He won the Martha Gellhorn Prize in 2005, the James Cameron Prize in 2006, and the Orwell Prize for Journalism in 2009. He was named Foreign Commentator of the Year by the Comment Awards in 2013.

    A best-selling author in her native country and widely anthologized in the United States and around the world, Taraghi's work is now made fully accessible to an English-speaking audience in this standout and long-awaited volume of selected stories.Drawing on childhood experiences in Tehran during the reign of the Shah, her exile in Paris, and her subsequent visits to Tehran after the revolution, Taraghi develops characters and tales that linger in one's mind. In the title story, a woman traveling from Tehran to Paris is obliged to help an old woman--the Pomegranate Lady--find her way to her fugitive sons in Sweden. In "The Gentleman Thief," a new kind of polite, apologetic thief emerges from the wreckage of the revolution. In "Encounter," a woman's world is upended when her former maid becomes her jailer. And in "The Flowers of Shiraz," a group of teenagers finally manages to coax a shy schoolmate out of her shell--only to once again encounter tragedy.Reminiscent of the work of Nadine Gordimer and Eudora Welty, Taraghi's stories capture universal experiences of love, loss, alienation, and belonging--all with an irresistible sense of life's absurdities.

    Though Neda grew up far from Iran and the revolution, she felt its undertow, suffering from PTSD and longing for her missing father. Eventually, she realized that in order to move forward, she needed to face the past head-on.

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”

    Faced with the dissolution of familial ties and the prospective collapse of her marriage, alongside a looming nervous breakdown, Dunya's consequent actions exemplify both the strength and frailty of the human spirit. When the Haboob Sings paints a poignant picture of a woman whose unshakeable resolve to preserve her authenticity costs her more than she ever imagined.Winner Indie Discovery Awards, 2020Gold Winner Reader's Favorite Award in Fiction: Religious Theme

    Daria and her friends call themselves the Authentics, because they pride themselves on always keeping it real.But in the course of researching a school project, Daria learns something shocking about her past, which launches her on a journey of self-discovery. It seems everyone is keeping secrets. And it’s getting harder to know who she even is any longer.With infighting among the Authentics, her mother planning an over-the-top sweet sixteen party, and a romance that should be totally off limits, Daria doesn’t have time for this identity crisis. As everything in her life is spinning out of control—can she figure out how to stay true to herself?

    He warned of the perils ahead, ending his note, "in the name of God, let Palestine be left alone." Thus Rashid Khalidi, al-Khalidi's great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective.Drawing on a wealth of untapped archival materials and the reports of generations of family members - mayors, judges, scholars, diplomats, and journalists - The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel's 1982 invasion of Lebanon to the endless and futile peace process.Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.Cover photograph Amnon Bar Or—Tal Gazit Architects LTD

    Sovereignty has become a trap for Palestinians and getting out is a matter of political vision and will. The law does not determine any particular outcome, it only promises the contest over one. While Jewish and Palestinian sovereignty are incommensurable, their belonging is not. The law is not just and justice is not rule-based.

    Then I realized I’d woken because the key was turning in the lock. I didn’t think it was possible to get colder, but a chill shook my already-frozen skin. The dim light coming through the high window shone on the door creeping open. Should I wake the others? I thought of the stories we’d heard of boys taken away and never seen again.It’s 1982, and twelve-year-old Reza has no interest in joining Iran’s war effort. But in the wake of a tragedy and at his mother’s urging, he decides to enlist, assured by the authorities that he will achieve paradise should he die in service to his country. War does not bring the glory the boys of Iran have been promised, and Reza soon finds himself held in a prisoner-of-war camp in Iraq, where the guards not only threaten violence—they act upon it.Will Reza make it out alive? And if he does, will he even have a home to return to?