Citizen 13660, Okubo's illustrated memoir of life in relocation centers in California and Utah, illuminates this experience with poignant drawings and witty, candid text.This classic in Asian American literature and American history, with a new introduction by Christine Hong, is available for the first time in both a traditional paperback format and an artist's edition, oversize and in hardcover to better illustrate the innovative artwork as originally envisioned by Okubo."[Mine Okubo] took her months of life in the concentration camp and made it the material for this amusing, heartbreaking book. . . . The moral is never expressed, but the wry pictures and the scanty words make the reader laugh - and if he is an American too - blush." - Pearl Buck"A remarkably objective and vivid and even humorous account. . . . In dramatic and detailed drawings and brief text, [Okubo] documents the whole episode . . . all that she saw, objectively, yet with a warmth of understanding." " - New York Times Book Review"

     When her wagon train was 8 miles from Fort Laramie, Wyoming, a Sioux Oglalas war party, in war-paint, suddenly appeared and began to encircle their wagons, pretending to be most friendly and asking for presents. The Indians urged the emigrants on, and offered to accompany them, so that they pushed on in company for a short time, until it was saw that they were approaching a ravine where his party would be at a disadvantage, and he insisted on camping outside of it. The Indians, after some hesitation, agreed, and the travellers began to make preparations for supper, when suddenly the Indians fired a volley at them. Some of those who escaped the attack succeeded in hiding in the brushwood, but Mrs. Kelly and her adopted daughter, Mary, as well as Mrs. Larimer and her children, became the prisoners of the Indians. After the second night of capture, Larimer and her son Frank managed to escape and were later reunited with her husband at Camp Collins, Colorado Territory. Larimer wrote of her harrowing captivity and escape in her 1871 book "The Capture and Escape: Life Among the Sioux." In describing dangers encountered during their escape from the Indians, Larimer noted: "The horrors of our situation were harassing to contemplate. The wolves seemed congregated upon the highlands, and, awaking from their night’s repose, their wailing cries echoed back from the distant hills with terrific clearness. These prowling creatures abound in that country, where some species attain a great size. Even the buffalo, which does not fear them in the herd, knows his danger when overtaken alone; and the solitary bull, secreted from its hunter, succumbs before the united force of a gang of wolves." Sarah Luse Larimer (1836-1913) was born in Pennsylvania, headed west in 1859 with her husband, living for a while in Allen County, Kansas, where she operated a photographic gallery. In 1864, along with her husband and son the family set out for the mines of Idaho Territory, when their plans were disrupted by Oglalas on the warpath. John Bratt in his 1921 book "Trails of Yesterday" writes of Larimer: "At Sherman Station I became well acquainted with Mrs. Larimer and her son, who kept a general store there, bought and sold ties and cord wood, while her husband had a star route mail contract from Point of Rocks north. There was also a Mrs. Kelly living near the station. These two women and Mrs. Larimer's son had been captured by the Sioux Indians near Fort Laramie. Mrs. Larimer and her son, after two weeks' captivity in the lodge of the chief, stole away one night and though the Indians hunted them day and night, they succeeded in eluding them and got back to the fort, after suffering unmentionable cruelties. Mrs. Kelly, not so fortunate, was taken by the Indians up on the Missouri River and kept with the band over six months." In describing the moment of rescue by a passing wagon train, Larimer writes that "as we sat in this shelter, which proved to be the last, a most joyful and welcome sound greeted our ears —one in which there was no mistake—our own language, spoken by some boys who passed, driving cattle."

    The four Crawford siblings might know all there is to know about their chosen careers, but they have no idea how relationships work. Growing up in a small town full of nosy neighbors, hilarious antics, and family that never butts out, you'd think they'd figure it out.Between the axe throwing, the apology chickens and competitive Scrabble, our heroes just might find true love. Eventually.This complete series features four full-length romantic comedies that will have you snorting with laughter as you follow Hunter, Diana, Archer and Fletcher Crawford up the creek with broken paddles.Can the Crawfords get their act together and figure out how to love? Dive into this steamy series (try to avoid the mating skunks) and escape with feel-good fiction.This set includes:The Nerd and the NeighborThe Botanist and the BillionaireThe Midwife and the MoneyThe Planner and the Player

     As an adult, she is armed with skills that most would covet, yet she lives in a boarding house, works as a waitress and struggles financially. Most single women in the area didn’t stay single long. Most, but not her. The one man she had said yes to was dragging his feet. The townspeople all agree she is in need of a husband. Even the young girls in her Sunday School Class have taken action and writing an ad for the paper. Wanted: Husband for Rebecca Mueller. **Must be handsome, nice, like children, and live within walking distance of Carrie Town School. Will her circumstances change and allow her to hold out for true love?

    The bears.Canis. The wolves.Draconis. The dragons.Fifteen books filled with stories of love won and lost, tragedies over come and bonds forged in the darkest of times that will stand all tests. Because once these shifters find their true mates, they bite down and won’t let go.Once united against an old foe, the days since victory have seen the three great houses beset by traitors, civil wars, and retreating from the world entirely. The only thing that will help them come together again? The love of a good mate.But finding that love won’t come easy to these shifters. They will have to contend with all sorts of obstacles in their way, including one another! The women of Plymouth Falls aren’t easily swayed, and it will take more than just bulging muscles and chiseled jaw-lines to get these women to help out. They will have to fight for what they believe in, and put paw, claw and wing on the line.But will they be able to show their mates they’re genuine before it’s too late? There's only one way to find out...This box set has all fifteen full-length novels from the world of Plymouth Falls.High House Ursa:Bearing SecretsFurever LoyalMated to the EnemyShifting AlliancesBlood BearonHigh House Canis:Savage LoveBlood MateMidnight BrideShadows HowlRoyal AlphaHigh House DraconisFire Dragon’s BrideMated to the Water DragonIce Dragon’s CaressEarth Dragon’s KissClaimed by the Dragon King

    We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society. Art is free of politics and ideology. Paradoxically, that is what makes it a force of liberation wherever it breaks through the trance of humdrum existence. Like the act of dreaming, artistic creation is fundamentally mysterious. It is a gift from beyond the field of the human, and it connects us with realities that, though normally unseen, are crucial components of a living world.While holding this to be true of authentic art, the author acknowledges the presence--overwhelming in our media-saturated age--of a false art that seeks not to liberate but to manipulate and control. Against this anti-artistic aesthetic force, which finds some of its most virulent manifestations in modern advertising, propaganda, and pornography, true art represents an effective line of defense. Martel argues that preserving artistic expression in the face of our contemporary hyper-aestheticism is essential to our own survival.Art is more than mere ornament or entertainment; it is a way, one leading to what is most profound in us. Reclaiming Art in the Age of Artifice places art alongside languages and the biosphere as a thing endangered by the onslaught of predatory capitalism, spectacle culture, and myopic technological progress. The book is essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, and poets. It will also interest anyone who has ever been deeply moved by a work of art, and for all who seek a way out of the web of deception and vampiric diversion that the current world order has woven around us.

    She saw a queen—one with dynamic self-assurance, regality, beauty, and truth who captured this young girl’s imagination. When a nearby museum-goer snapped a photo of a mesmerized Parker, it became an internet sensation. Inspired by this visit, Parker, and her mother, Jessica Curry, tell the story of a young girl and her family, whose trip to a museum becomes an extraordinary moment, in a moving picture book. Parker Looks Up follows Parker, along with her baby sister and her mother, and her best friend Gia and Gia’s mother, as they walk the halls of a museum, seeing paintings of everyone and everything from George Washington Carver to Frida Kahlo, exotic flowers to graceful ballerinas. Then, Parker walks by Sherald’s portrait of Michelle Obama…and almost passes it. But she stops...and looks up! Parker saw the possibility and promise, the hopes and dreams of herself in this powerful painting of Michelle Obama. An everyday moment became an extraordinary one…that continues to resonate its power, inspiration, and indelible impact. Because, as Jessica Curry said, “anything is possible regardless of race, class, or gender.” **FOREWORD BY ARTIST AMY SHERALD**

    From Sprite commercials to The Source magazine to Soho art galleries, the elements and vernacular of the graffiti aesthetic are apparent in today's society. This book examines graffiti's influence from its earliest days to its undeniable ubiquity now. Written by an insider, it includes a general history, in-depth interviews with both the progenitors of the form and current artists, and full-color illustrations of the most important works over the last 30 years. Unlike other subcultures that have been corrupted by the media and the mainstream, graffiti has maintained its sense of the underground and its clandestine feel. The purity and integrity that have defined the graffiti writer's mission have never faltered. The Art of Getting Over offers an unprecedented glimpse into this deeply affecting urban art form.

    The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. The text is richly illustrated throughout with thirty-seven paintings and photographs. The argument that this book presents is that narrative and visual representations of death can be read as symptoms of our culture and because the feminine body is culturally constructed as the superlative site of "other" and "not me," culture uses art to dream the deaths of beautiful women.

    A meticulous testimony, this book at last records the rare vitality of these gifted and ambitious women. Delivering them from a century of masculine misrepresentation, Pre-Raphaelite Sisterhood is a fascinating tribute to their spirit of independence in circumsaatnces which conspired to suppress it. It includes an intriguing set of photographs as well as reproductions of the paintings and studies they inspired.

    Heart Steps is certain to ignite the creative spark, drawing readers inward toward the fire of their own creativity. Whether read in one sitting or savored over time, Heart Steps is a book no creative being will want to be without. Index.

    In her circle, drugs are cheap, ubiquitous, and sometimes feel like the only way out, and Road’s street psychopharmacology results in experiences that are both revelatory and tragic. Writing in a tradition of some of the finest transgressive authors, such as Jean Genet, William S. Burroughs, and Kathy Acker, Road depicts the damaged soul and psyche of her young protagonist with language as violent as the street and sex as raw as the language. Somewhere along this hyperreal tour, our heroine learns to leave her bad habits behind and emerge stronger and more independent, clean and open to love.

    As the sleepy little town comes to life, a new romance unfolds with every story. Building Colorado Dreams includes Books 4-6 in the Colorado Crazy Series. Although each book can be read alone, read them in sequence for a better reader experience.Twilights in ColoradoRiley is looking for a new start. Sky is running from a life she didn’t choose. When they meet they’re as different as Cowboy Boots and Manolo Blahnik’s. Can the magic of White Horse Creek help them find love?Autumn in ColoradoLacy’s never been a gambler. Andrew has never shied away from a bet. She was a cheerleader, he was the jock. She was sweet, he was arrogant. Bought together years later, the sparks are hard to ignore. Will Lacy’s gamble pay off, or are the stakes just too high?Winter in ColoradoStacy’s a rancher in a man’s world. Griffin escaped the city to work through his past. As a small town sheriff he expected a sleepy little town, but he soon learns that only the unexpected can be expected in White Horse Creek.The Colorado Crazy series are ranch romances guaranteed to tease your senses and make you dream of cowboys again.

    What makes this work of fiction different from other books that highlight the plight of women is its unique approach. There are quite a few days in the calendar that are devoted to women. The aim of remembering and commemorating such days is simple enough: they serve the purpose of spreading awareness thereby attempting to protect the rights of women.

    They save lives. They challenge each other. And they protect the strong women they fall for. The men and women of the INVINCIBLES get the job done.In this four-book boxed set, Slade will take you on a global journey of espionage, passion, danger, and desire. As these fearless operatives conquer perilous obstacles, one thing is crystal clear: they’re INVINCIBLE.