But Brendan and Sherilyn look happier that ever, so nothing is wrong. Is it? For the Gutteridges, Samantha was just a thing that threatened to worm its way into their perfect love. For everyone else, her story is the stuff of tabloid headlines. But this time it's not in a newspaper, it's happening right next door . . .

    Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives--all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories-- these two women-- something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Here Maggie O'Farrell brings us a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed The Vanishing Act of Esme Lennox, it is a "breathtaking, heart-breaking creation." (The Washington Post Book World) and it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

    She also acquires a new family: mother-in-law Audrey, disapproving and suspicious of Skyla’s nomadic past; father-in-law Walt, gruff but kind; and Thomas’s brothers, sofa-bound Jeffrey, and Dennis, who moved across the country seemingly to avoid the family. Skyla settles into marriage and motherhood, but quiet life in small-town Wisconsin can’t quell feelings of restlessness. Then into her life comes Madame Picard, the local psychic from the disreputable bookstore, Mystic Books, and new neighbor, Roxanne, whose goal in life is to have twelve kids even though she can’t manage the five she has. Despite her family’s objections, Skyla befriends Roxanne and gets a job at the bookstore, and life gets fuller and more complicated than she ever imagined. Exceptionally heartwarming and inevitably bittersweet, A Scattered Life is a story that will stay with the reader long after the last page is read.

    Taking off in their Plymouth Valiant they hit the road on a journey through the changing cultural landscape of America - civil rights marches, the assasinations of Martin Luther King and Bobby Kennedy. Frannie longs to return to the safety of her former reclusive life, but Doris just wants to raise hell and get laid. A touching, lyrical, and superbly crafted mid-life coming-of-age tale that was short-listed for the 1996 Orange Prize.

    It reveals the purpose of the moon, explains the difference between criminals and outlaws, examines the conflict between social activism and romantic individualism, and paints a portrait of contemporary society that includes powerful Arabs, exiled royalty, and pregnant cheerleaders. It also deals with the problem of redheads.

    Perpetually anxious, she’s also accumulated a list of semi-reasonable fears: falling air conditioners, the IRS, identity theft, skydiving, and airbag recalls. But never once did Maggie worry that her husband of nearly thirty years would leave her.On the day Adam walks out the door, everything that makes Maggie secure goes with him. Only then does she realize that while she’s been busy caring for everyone else, she’s become invisible to the world—and to herself.Maggie cautiously begins to rebuild her life with a trip to Rome, a new career, and even a rebound romance. But when a fresh crisis strikes and an uncertain future looms, she must decide: How much will she risk to remain the woman she’s just become?

    Because in the end, music can save us all ...1988. Frank owns a music shop. It is jam-packed with records of every speed, size and genre. Classical, jazz, punk – as long as it’s vinyl he sells it. Day after day Frank finds his customers the music they need.Then into his life walks Ilse Brauchmann.Ilse asks Frank to teach her about music. His instinct is to turn and run. And yet he is drawn to this strangely still, mysterious woman with her pea-green coat and her eyes as black as vinyl. But Ilse is not what she seems. And Frank has old wounds that threaten to re-open and a past he will never leave behind ...

    AND HE NEVER ONCE THOUGHT HE'D BE ON HIS OWN. Harry had it all: a beautiful wife, an adorable four-year-old son, and a high-paying media job. But on the eve of his thirtieth birthday, with one irresponsible act, he threw it all away. Suddenly he finds himself an unemployed single father trying to figure out how to wash his son's hair the way Mommy did and whether green spaghetti is proper breakfast food. This brilliantly engaging novel will tug at your heart as Harry learns to become a father to his son and a son to his aging father, takes stabs at finding new love, and makes the hardest decision of his life.

    I was born part precious metal, part pirate."), an orphaned girl who is taken in by blind Mr. Pew, the mysterious and miraculously old keeper of a lighthouse on the Scottish coast. Pew tells Silver stories of Babel Dark, a nineteenth-century clergyman. Dark lived two lives: a public one mired in darkness and deceit and a private one bathed in the light of passionate love. For Silver, Dark's life becomes a map through her own darkness, into her own story, and, finally, into love.One of the most original and extraordinary writers of her generation, Jeanette Winterson has created a modern fable about the transformative power of storytelling.

    She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going.Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it.By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.

    Take me, for example. I shook the Georgia dust from my feet fifteen years ago,vowing never to leave Manhattan. I traded sweet tea for Chardonnay, fried chicken for nouvelle cuisine, lazy days on my aunt's front porch for ad campaigns and board meetings, and the guy who broke my heart for my handsome boss, who soon became my fiance. Perfect, right? Until my sister called. We haven't spoken since I left home--because she married the guy who broke my heart. What's more, she called to say my father is dying--but he refuses to finish until I show up. So I'm back in the hottest, dinkiest small town in Georgia, facing my sister and my old boyfriend over the heads of their--count them--five children. It couldn't get weirder, right? Unless you count Sam Parker--a long-forgotten classmate, now the town doctor--and how good he's beginning to look to me. I'm falling apart, I think, wondering why resentment and wounded pride seem silly here in Walton, where forgiveness and acceptance go hand-in-hand with homecoming. And I'm beginning to suspect that I'm falling in love for real this time, with a man whose touch is so right, I feel like I'm... Falling Home.

    Mingled with the voices of Stalin's desolate young wife and that of Trotsky himself are the tales of the lesser known who have also created history--the Mexican artist who foretells Trotsky's death; a Bolshevik engineer surviving the chill of the Stalinist regime; the bodyguard who is unable to prevent the assassination. Together, the stories reveal the panorama of Russian history, revolution, and upheaval in the twentieth century.

    It's in this quiet place of wind and trees, birds and water that Richard is to fall passionately in love - but he cannot find fulfilment, for his lover is Susannah Beddoes, the wife of the vicar of his new parish. As Richard's feelings challenge him to his core, he develops a strange relationship with another woman, the solitary and eccentric Edith Clare. Against the backdrop of immense social and industrial change, the consequences of Richard and Susannah's affair are dramatic as they - as well as Oliver Beddoes - grapple with doubt and what it means to lose faith when the great certainties are in question. And throughout it all, the crossing-keeper's daughter Alice Birley - an observer of incidents and events she does not fully understand - has her own part to play...

    Short-listed twice for the Booker Prize and the winner of a record four Miles Franklin Awards for Best Australian Novel, he has a gift for language virtually unrivaled among English-language novelists. His work is both tough and tender, primordial and new - always revealing the raw, instinctual drives that lure us together and rend us apart. In Eyrie, Winton crafts the story of Tom Keely, a man struggling to accomplish good in an utterly fallen world. Once an ambitious, altruistic environmentalist, Keely now finds himself broke, embroiled in scandal, and struggling to piece together some semblance of a life. From the heights of his urban high-rise apartment, he surveys the wreckage of his life and the world he's tumbled out of love with. Just before he descends completely into pills and sorrow, a woman from his past and her preternatural child appear, perched on the edge of disaster, desperate for help. When you're fighting to keep your head above water, how can you save someone else from drowning? As Keely slips into a nightmarish world of con artists, drug dealers, petty violence, and extortion, Winton confronts the cost of benevolence and creates a landscape of uncertainty. Eyrie is a thrilling and vertigo-inducing morality tale, at once brutal and lyrical, from one of our finest storytellers.

    But as the confetti flutters away on the June breeze of yet another successful wedding season she finds herself agreeing to organize two more events, on the same day, and only two months away. And while her celebrity bride is all sweetness and light, the other bride, Sarah’s own sister, quickly starts driving her crazy with her high expectations and very limited budget. Luckily, Sarah is aided in her seemingly impossible task by two best friends, Elsa, an accomplished dress designer, and Bron, a multi-talented hairdresser. All three are very good at their jobs, but romance doesn’t feature very prominently in any of their lives. As the big day draws near, every moment is spent preparing for the weddings, and they certainly haven’t got any time to even think about love; or have they?