Now Dean needs to repair his broken engagement to a wealthy heiress…and Rob is the only one who can identify the man who set him up, proving to Dean's fiancée that things weren't as they appeared.The trip from Worcester to Bath turns into a journey of self-discovery, as Dean finds himself becoming increasingly attracted to Rob. His charming companion stirs feelings Dean has long kept repressed, but acting on them would make true the accusations that destroyed his engagement. Torn between duty and desire, Dean's destiny lies in the hands of a Discreet Young Gentleman.

    Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality the dangers experienced in skin and body and blood and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, some of us all at once. Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

    Born into a stern farming family on the island of Keos, Simonides escapes his harsh childhood through a lucky apprenticeship with a renowned Ionian singer. As they travel through 5th century B.C. Greece, Simonides learns not only how to play the kithara and compose poetry, but also how to navigate the shifting alliances surrounding his rich patrons. He is witness to the Persian invasion of Ionia, to the decadent reign of the Samian pirate king Polykrates, and to the fall of the Pisistratids in the Athenian court. Along the way, he encounters artists, statesmen, athletes, thinkers, and lovers, including the likes of Pythagoras and Aischylos. Using the singer's unique perspective, Renault combines her vibrant imagination and her formidable knowledge of history to establish a sweeping, resilient vision of a golden century.

    The work draws on the author's own experiences with an all-male brothel in Cleveland Street (later shut down scandalously.) Originally subtitled: or, The Recollections of a Mary-Anne.

    An essential element of self-realization, it is the unabashed acceptance of one's "outlaw" standing in a predominantly heterosexual world.These accounts -- sometimes heart-wrenching, often exhilarating -- encompass a wide breadth of backgrounds and experiences. From a teenager institutionalized for her passion for women to the mother who must come out to her young sons at the risk of losing them -- from the cautious academic to the raucous liberated femme -- each woman represented here tells of forging a unique path toward the difficult but emancipating recognition of herself. Extending from the 1940s to the present day, these intensely personal stories in turn reflect a unique history of the changing social mores that affected each woman's ability to determine the shape of her own life. Together they form an ornate tapestry of lesbian and bisexual experience in the United States over the past half-century. This song is dedicated to the one I love / Bertha Harris --Widows / Judy Grahn --Mad for her / Jill Johnston --First love / Karla Jay --Novelties / Joan Nestle --The secret agent / Jane DeLynn --My debut / Blanche McCrary Boyd --Red light, green light / Beatrix Gates --A vision / Rebecca Brown --Richard Nixon and me / Heather Lewis --Cherry picker / Chrystos --Born queer / Judith Katz --What comes first / Holly Hughes --House of corals / Cheryl Boyce Taylor --Bride of Christ / Mary Beth Caschetta --The coming out of a gay pride child / Elizabeth Lorde-Rollins --Easter Weekend / Minnie Bruce Pratt --Pot luck / Cynthia Bond --A letter to some lesbians who've been out for a long time / Mariana Romo-Carmona --Waking up / Jacquie Bishop --Banditos / Eileen Myles --Coming out--or going more deeply in? / Margaret Randall --Sequins in the mud : a cover girl comes out! / Karin Cook --Mind and body / Wendy W. Fairey --Always coming / Letta Neely --This girl is different / Tristam Taormino --Picture this / Cecilia Tan --Layers of the onion, spokes of the wheel / Pat Calafia --Freedom rings / Kanani Kauka --Together alone / Eva Kollisch --Diary of a mad lesbian / Lesléa Newman.

    Since she never did find the story she was looking for all those years ago, she decided to write it.In Book I of the trilogy, Tamras arrives in Merin's house to begin her apprenticeship as a warrior, but her small stature causes many, including Tamras herself, to doubt that she will ever become a competent swordswoman. To make matters worse, the Lady Merin assigns her the position of companion, little more than a personal servant, to a woman who came to Merin's house, seemingly out of nowhere, the previous winter, and this stranger wants nothing to do with Tamras.

    Through his eyes we encounter the composer Robert Christian Gustafson, an Iowa preacher's son whose good looks constitute both a mythic draw and a major limitation, and Angelina "Alabama" Byrnes, a failed deb, five feet tall but bristling with outsized talent.  These friends shelter each other, promote each other's work, and compete erotically.  When tragedy strikes, this circle grows up fast, somehow finding, at the worst of times, the truest sort of family.Funny and heartbreaking, as eventful as Dickens and as atmospheric as one of Fitzgerald's parties, Plays Well with Others combines a fable's high-noon energy with an elegy's evening grace.  Allan Gurganus's celebrated new novel is a lovesong to imperishable friendship, a hymn to a brilliant and now-vanished world.

    With genuine caring and concern for her boys, Franny looks after the gay men of Provincetown with the ultimate goal of making a place in the world for those who don't belong and making the world better for all.

    Acclaimed author Davida Wills Hurwin creates a riveting narrative told in alternating perspectives of their lives before and after the violent hate crime that changed both their futures. This tragic but ultimately inspirational journey of two polarized teens, their violent first meeting, and their peaceful reunion years later is an unforgettable story of survival and forgiveness. This story is inspired by the real lives of Matthew Boger and Timothy Zaal, who have shared their story on The Oprah Winfrey Show and NPR.

    Anne’s College, Oxford. Her lectures took the shape of this set of discursive stories. Refusing to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted—literally—by a former lover, the writer of a series of lectures about art and literature.A hypnotic dialogue unfolds, a duet between and a meditation on art and storytelling, a book about love, grief, memory, and revitalization. Smith’s heady powers as a fiction writer harmonize with her keen perceptions as a reader and critic to form a living thing that reminds us that life and art are never separate.Artful is a book about the things art can do, the things art is full of, and the quicksilver nature of all artfulness. It glances off artists and writers from Michelangelo through Dickens, then all the way past postmodernity, exploring every form, from ancient cave painting to 1960s cinema musicals. This kaleidoscope opens up new, inventive, elastic insights—on the relation of aesthetic form to the human mind, the ways we build our minds from stories, the bridges art builds between us. Artful is a celebration of literature’s worth in and to the world and a meaningful contribution to that worth in itself. There has never been a book quite like it.

    Sometimes erotic and personal, sometimes historical and grand, sometimes witty and full of surprises, the poems here are all beautifully crafted works that are as varied in style as the poems in Duffy's earlier acclaimed volume The World's Wife. Together, they will challenge and entertain as they explore the fullness of the female condition through their author's unique poetic voice.

    While the plot of the book was wildly imaginative, it was also based on the author's own experience as a sex worker in the 1990s and early 2000s, and on her coming out as lesbian.How Poetry Saved My Life, Amber Dawn's sophomore book, reveals an even more poignant and personal landscape—the terrain of sex work, queer identity, and survivor pride. This memoir, told in prose and poetry, offers a frank, multifaceted portrait of the author's experiences hustling the streets of Vancouver, and the how those years took away her self-esteem and nearly destroyed her; at the crux of this autobiographical narrative is the tender celebration of poetry and literature, that—as the title suggests—acted as a lifeline during her most pivotal moments.

    When his father, a fundamentalist preacher, dropped dead at his son's eighth birthday party, Kevin already knew he wasn't supposed to cry.He also knew there was no salvation for homosexuals, who weren't "real men"—or Christians, for that matter. But Jennings found his salvation in school, inspired by his mother. Self-taught, from Appalachia, her formal education had ended in sixth grade, but she was determined that her son would be the first member of their extended family to go to college, even if it meant going North. Kevin, propelled by her dream, found a world beyond poverty. He earned a scholarship to Harvard and there learned not only about history and literature, but also that it was possible to live openly as a gay man.But when Jennings discovered his vocation as a teacher and returned to high school to teach, he was forced back into the closet. He saw countless teachers and students struggling with their sexual orientation and desperately trying to hide their identity. For Jennings, coming out the second time was more complicated and much more important than the first—because this time he was leading a movement for justice.Mama's Boy, Preacher's Son is that rare memoir that is both a riveting personal story and an inside account of a critical chapter in our recent history. Creating safe schools for teenagers is now a central part of the progressive agenda in American education. Like Paul Monette's landmark Becoming a Man, Dorothy Allison's Bastard Out of Carolina, and Rick Bragg's All Over but the Shoutin', Kevin Jennings's poignant, razor-sharp memoir will change the way we see our contemporary world.

    But even as he comes to terms with the missteps of his past, he questions whether his life will feel more genuine going forward.Decades earlier, in the New York of the 1960s, Anna is destined to be a grande dame of the international stage. As she steps into the spotlight, however, she realizes that the harsh glare of fame may be more than she bargained for.Maria is a tall, awkward, ostracized teenager desperate to break free from the doldrums of 1970s Pittsburgh. When the operatic power of her extraordinary voice leads Maria to Juilliard, New York seems to hold possibilities that are both exhilarating and uncertain.Lucien is a young Parisian at the birth of the modern era, racing through the streets of Europe in an exuberant bid to become a singer for the ages. When tragedy leads him to a magical discovery, Lucien embarks on a journey that will help him—and Martin, Maria, and Anna—learn that it’s not how many breaths you take, it’s what you do with those you’re given.This unlikely quartet is bound together across centuries and continents by the strange and spectacular history of Richard Wagner’s masterpiece opera Tristan and Isolde. Grandly operatic in scale, their story is one of music and magic, love and death, betrayal and fate. Matthew Gallaway’s riveting debut will have readers spellbound from the opening page to its breathtaking conclusion.

    But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape.Set in 1986, a year after Rock Hudson’s death shifted the public consciousness of the epidemic and brought the news of AIDS into living rooms and kitchens across America, it is a novel that speaks to the question of what home and family means when we try to forge a life for ourselves in a world that can be harsh and unpredictable. It is written at the far reaches of love and understanding, and zeroes in on the moments where those two forces reach for each other, and sometimes touch.