Firmly grounded by the hallmark strengths of all Norton anthologies—thorough and helpful introductory matter, judicious annotation, complete texts wherever possible—the Eighth Edition features a significantly expanded selection of literature (37 new authors and over 150 new pieces) as well as three new pedagogical features designed to enrich students' understanding of the historical and cultural context of the literary works.

    How can students with widely varied levels of literary experience learn to write poetry, fiction, creative nonfiction, and drama — over the course of only one semester? In Creative Writing: Four Genres in Brief, David Starkey offers some solutions to the challenges of teaching the introductory creative writing course: (1) concise, accessible instruction in literary basics; (2) short models of literature to analyze, admire and emulate; (3) inventive and imaginative assignments that inspire and motivate.

    Give yourself a Chinese name, see how to haggle in the shops and test yourself to see if you know the key characters.

    A must-have for all Twain collectors, The Quotable Mark Twain is filled with his opinions about the people he knew, the places he's been, and the books he wrote, as well as more far-ranging topics, such as writers, billiards, smoking, his family, and more. The book also includes 150 illustrations taken from the original editions of Twain's publications, source citations for each quotation, an annotated bibliography, and a complete index.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    It is been known for centuries as a superb story of adventure and love, honour and betrayal. Only literary critics have neglected it. It is a long and complex work, during the writing of which Malory perfected his art, and the earlier parts, excellent as they are, have not quite the dramatic power and pervasive deep tragic irony of the story of passion, war, and society the constitutes the last quarter of the book; critics have perhaps not appreciated the difference. Representing this last quarter, which has his own natural unity within the larger whole, the present edition focuses more sharply on the greatness of Malory's achievement, and allows the reader to see it and enjoy it more readily.

    Köstenberger, Benjamin L. Merkle, and Robert L. Plummer have produced an ideal resource enabling students to improve their skills so they may properly read, exegete, and apply the Greek New Testament. Designed for those with a basic knowledge of Greek, Going Deeper with New Testament Greek is a user-friendly textbook for intermediate Greek courses at the college or seminary level. In fifteen chapters, students learn Greek grammar and how to interpret the New Testament in a way that is accessible—and even fun. Also included are chapters on the Greek language and textual criticism, verbal aspect, sentence diagramming and discourse analysis, word studies, and continuing with Greek. Unique features include:Practical examples illustrating how knowing the content of a given chapter can guide proper interpretation of Scripture.Practice sentences and vocabulary lists, including all the words that occur fifteen times or more in the New Testament.Selected texts from every New Testament author for students to translate along with detailed reading notes to guide interpretation of each text.Summary charts to help students review material, serving as a handy study guide and quick reference tool.

    The anthology offers more poetry by women (40 new poets), with special attention to early women poets. The book also includes a greater diversity of American poetry, with double the number of poems by African American, Hispanic, native American and Asian American poets. There are 26 new poets representing the Commonwealth literature tradition: now included are more than 37 poets from Australia, New Zealand, Ireland, Scotland, Wales, the Caribbean, South Africa and India.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Standards of morality and social conventions changed dramatically during the 19th century – and most of the people engaged in recording and commenting upon Highland life and tradition were puritanical ministers and priests who left out the racy bits. So, while there are many useful books that provide a wide range of Scottish Gaelic vocabulary to express many aspects of daily life – for the most part, they leave out the naughty bits.

    Taking examples from the plays of Aeschylus, Sophocles and Euripides, The Poetics introduces into literary criticism such central concepts as mimesis (‘imitation’), hamartia (‘error’), and katharsis (‘purification’). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals, centring on characters of heroic stature, idealized yet true to life. One of the most powerful, perceptive and influential works of criticism in Western literary history, the Poetics has informed serious thinking about drama ever since.Malcolm Heath’s lucid English translation makes the Poetics fully accessible to the modern reader. It is accompanied by an extended introduction, which discusses the key concepts in detail and includes suggestions for further reading.

    One of the great literary figures of the twentieth century, he also distinguished himself in a vast outpouring of short stories, poetry, novels, and essays. The stories often provided the seeds for later novels and plays.The 11 tales included in this collection are among his best. Presented in the original Italian with excellent new English translations on facing pages, they offer students of Italian language and literature a unique learning aid and a treasury of superb fiction by a modern master.The stories range in time from the earliest known tale, "Little Hut," a study of rural passions written in 1884, to "Mrs. Frola and Mr. Ponza, Her Son-in-Law," a quintessential Pirandello story about the relativity of truth and the impossibility of penetrating other people's minds. Published in 1917, it formed the basis of Pirandello's first major play, Right You Are If You Think You Are. In addition to these narratives, the volume also includes "Citrons from Sicily," "With Other Eyes," "A Voice," "The Fly," "The Oil Jar," "It's Not to be Taken Seriously," "Think it Over, Giacomino!," "A Character's Tragedy," and "A Prancing Horse."Accompanying the stories are a biographical and critical introduction to Pirandello and his work, brief introductions to each of the stories and explanatory footnotes.

    Each book describes a classic novel and drama by explaining themes, elaborating on characters, and discussing each author's unique literary style, use of language, and point of view. Extensive illustrations and imaginative, enlightening use of graphics help to make each book in this series livelier, easier, and more fun to use than ordinary literature plot summaries. An unusual feature, "Mind Map" is a diagram that summarizes and interrelates the most important details that students need to understand about a given work. Appropriate for middle and high school students.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    It introduces the analysis of the key elements of language--sounds, words, structures and meanings, and provides a solid foundation in all of the essential topics. The third edition has been extensively revised to include new sections on important contemporary issues in language study, including language and culture, African American English, sign language, and slang. A comprehensive glossary provides useful explanations of technical terms, and each chapter contains a range of new study questions and research tasks, with suggested answers.