National television.

    Bush's presidential package and decide to blackmail the Republican Party. Before the crack-crazed thieves can follow through, however, gorgeous, whip-smart Nurse Tina, who's just offed her husband with a bowl of Drano-laced Lucky Charms, absconds with the goods. When Manny Rubert, a scarred ex-junkie turned codeine-popping detective, is called in to investigate the "foamer" hubby's untimely demise, love hits him like a wrench to the head.Soon Manny and Tina are making plans of their own for the presidential pie -- and for their future together. But the meddling police chiefs and motel room sex-change surgeons of the world just won't leave them alone. And then there are those killer crackheads, still out there and closing in....

    His drawings are famed for their striking use of pen and ink, their inimitable style, and most of all for their satire and tragic-comic vision. The 128 drawings in this charming portfolio are sweet and sentimental. They somehow manage to be gentle even when the topic is difficult. They probe the quirkiness of life in Paris and wordlessly pinpoint the quintessential features of the City of Light, creating a world peopled by lovers strolling along the Seine, culture mavens preening in the Louvre, and characters who are ready to see the comic and the light-hearted beyond life's problems. Anyone who has fallen in love with Paris will be sure to cherish this charming keepsake.

    These are the untold stories of 1949, the year China was decidedly cut in two.

    His failed plan, a mere footnote in Jewish-American history, is the starting point for Ben Katchor's brilliantly imagined epic that unfolds on the streets of New York a few years later.A disgraced kosher slaughterer, an importer of religious articles and women's hosiery, a pilgrim peddling soil from the Holy Land, a latter-day Kabbalist, a man with plans to carbonate Lake Erie--these are just some of the characters who move through Katchor's universe, their lives interwoven in a common struggle to settle into the New World even as it erupts into a financial frenzy that could as easily leave them bankrupt as carry them into the future.

    Don’t let her innocent appearance fool you; her hands grip a glistening scythe. Momo is the dark messenger of death tasked with releasing humans from their mortal bonds and delivering their souls to the great beyond. First encounters with Momo always end in farewells.

    

    He can be elegant as a slow blues." The Nick Tosches Reader is the author's own selection of his best work over the past thirty years, including fiction, poetry, interviews, rock writing, investigative journalism, and criticism. First published in major magazines, obscure underground periodicals, and his own best-selling books, many of these selections deal with rock 'n' roll and cultural icons—but there are also pieces on everything from William Faulkner to organized crime to heavyweight boxing, including the Vanity Fair feature that gave rise to Tosches's major new book on Sonny Liston, published by Little, Brown. Here is "a unique and darkly impressionistic cultural history" of the last three decades as only Nick Tosches could write it.

    Contents:Wise blood --The violent bear it away --A good man is hard to find --The life you save may be your own --A stroke of good fortune --A temple of the Holy Ghost --The artificial nigger --A circle in the fire --A late encounter with the enemy --Good country people --The displaced person.

    A thoroughly enjoyable parody of superhero comics, this book offers a complete re-telling of all The Tick's adventures in The City. Color illustrations throughout.

    A compliation of the first four books in the series:The Secret Diary of Adrian Mole;The Growing Pains of Adrian Mole;The True Confessions of Adrian Albert Mole;Adrian Mole: The Wilderness Years;As well as the bonus short story, "Adrian Mole and the Small Amphibians".

    They present a wide spectrum of comic and serious themes and a variety of techniques. (His short novels, available in another Norton volume, Seven Short Novels by Chekhov, have been omitted.) Two of the stories have been translated for this edition by Professor Matlaw; the other translations, by Constance Garnett, Ivy Litvinov, and Marian Fell, have been revised in accordance with contemporary usage. Footnotes have been supplied wherever necessary to explain peculiarities of Russian life and the historical era in which Chekhov lived and wrote."Backgrounds" includes a rich selection of Chekhov's letters, in new translations by Professor Matlaw, and Gorky's celebrated essay on Chekhov, translated by Ivy Litvinov. The critical essays offer general views of Chekhov's art and achievement and detailed analyses of particular stories. The critics are D. S. Mirsky, A. B. Derman (whose essay has been translated from the Russian especially for this edition), Renato Poggioli, Gleb Struve, Donald Rayfield, Karl Kramer, Virginia Llewellyn Smith, and Nils Ake Nilsson.A Selected Bibliography directs readers to resources for further study.Chameleon (1884) --Oysters (1884) --A living chronology (1885) --The huntsman (1885) --Misery (1886) --The requiem (1886) --Anyuta (1886) --Agatha (1886) --Grisha (1886) --A gentleman friend (1886) --The chorus girl (1886)--Dreams (1886) --Vanka (1886)--At home (1887) --The siren's song (1887) --Sleepy (1888) --The grasshopper (1892) --In exile --Rothschild's fiddle (1894) --The student (1894) --The teacher of literature (1889-94) --Whitebrow (1895) --Anna on the neck (1895) --The house with the mansard (1896) --The pecheneg (1898)--A journey by cart (1897) --The man in a case (1898) --Gooseberries (1898) --About love (1898) --A doctor's visit (1902) --The darling (1899) --The lady with the dog (1899) --The bishop (1902) --The betrothed (1903).

    The unlikely killer: Charles Jessold, composer, prodigy, and Shepherd's collaborator on the opera that was set to open the following night. The victims: Jessold's wife and her vocal coach, found poisoned in her marriage-bed. At the centre of the scandal is the opera itself, now postponed indefinitely - the tale of a betrayed husband who murders his wife and her lover, before taking his own life. Shepherd's own involvement stretches back to his first encounter with Jessold decades earlier, when he captivated the young musician with a sordid true-crime story of a cuckolded composer whose murderous revenge prefigured Jessold's crime. Throughout the book this marital theme - a husband, a wife and her lover - replays itself in endless variations as Shepherd wrestles with questions of guilt, justice and the responsibility of a muse to those she inspires.CHARLES JESSOLD, CONSIDERED AS A MURDERER brings centre stage ideas of fidelity and the complexities of love in all of its forms. Set amid growing anti-German sentiment, as English composers turned to folk song to create a truly national music, the novel also explores the relationship between critic and artist, in particular the distorting effects of the biographical approach to criticism. Wesley Stace conducts this symphony with a wit reminiscent of Wodehouse. The result is a dazzling, passionate novel that masterfully pairs rich, complex characters with feather-light dialogue in sparkling counterpoint to the seriousness of the book's themes.

    Offers a collection of some of the most memorable Peanuts comic strips from the past forty-five years.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends