And now, the man who loves Naomi must find her...and bring her back to the world of the living, a world where a New York brownstone holds a burial ground of those accused of witchcraft, where the secrets of the living may be found within the ancient diary of a witch, and where a creature known only as the Serpent has escaped its bounds at last.

    But while the thieves get caught, the art is never found. Forty years later, the last surviving thief gets out of jail and goes hunting for the loot, involving some innocent college students in his dangerous plan - and thirty years after that, in the present day, the former college kids, now all grown up, are drawn back into danger as the still-missing art tempts a deadly new generation of treasure hunters. A breathtakingly clever, twist-filled narrative that moves from 1946 to 1988 to 2014 and back again, CHARLESGATE CONFIDENTIAL establishes Scott Von Doviak as a storyteller of the first order, and will leave you guessing until the very last page.

    It soon becomes apparent that the specter of child abuse is merely the tip of a terrifying iceberg.

    Once Tari ruled in the land of Yarmar -- a mysterious race of visionaries and healers whose power has since faded to legend. Then the armies of Mir came to destroy and enslave. Now, in their relentless drive for domination, the despised Mirayan Prince Scarvan and his loyal duke, Wolf Madraga, have both claimed a prize beyond compare. She is called Elena Starchild, the bewitching wife of a newly slain woodlands leader. She is Tari, possessing a "fatal beauty" that confounds and obsesses her lustful captors. And she will not be abandoned.Drawn from their island sanctuary by a sister's plight, a warrior and a sorceress return to an oppressed land, carrying with them the magic of hope, spirit, and glorious rebellion. But there are shadows in their own hearts that first must be conquered before a prisoner is freed ... and a mighty destiny can come to pass.

    Edgar Pool is "The Horn," the hero, and the man who helps change the face of American music. He becomes the legend whose triumphant and tragic career is reconstructed through the memories of his friends and lovers.

    Writing in the Dark offers advice, guidance, and insights on how to compose horror stories and novels that are original, frightening, entertaining, and well-written.Waggoner covers a wide range of topics, among them why horror matters, building viable monsters, generating ideas and plotlines, how to stylize narratives in compelling ways, the physiology of fear, the art of suspense, avoiding clichés, marketing your horror writing, and much more. Each chapter includes tips from some of the best horror professionals working today, such as Joe Hill, Ellen Datlow, Joe R. Lansdale, Maurice Broaddus, Yvette Tan, Thomas Ligotti, Jonathan Maberry, Edward Lee, and John Shirley. There are also appendices with critical reflections, pointers on the writing process, ideas for characters and story arcs, and material for further research.Writing in the Dark derives from Waggoner’s longtime blog of the same name. Suitable for classroom use, intensive study, and bedside reading, this essential manual will appeal to new authors at the beginning of their career as well as veterans of the horror genre who want to brush up on their technique.

    There, Rachel is convinced her fate is sealed, but she has reckoned without the actions of handsome landowner Jared Lytton who comes to her rescue.Despite being vindicated, Rachel is forced to leave the village. Life is tough and she has to struggle to survive until she meets the widow Beulah Thomas and her son William. Working on their farm, she is treated with kindness and when William asks for her hand in marriage, she agrees - more out of gratitude than out of love. But Rachel cannot forget Jared Lytton, whose path seems destined to cross hers.

    Unfortunately for him he shows the preacher's underage daughter a little too much attention, and when their relationship is discovered by the corrupt local sheriff, Webb's easy life begins to fall apart.

     To rob the finest resort in fascist Spain, three Americans need to blend in among the Mediterranean elite. And to do so, they will each need a gorgeous girl as cover. They find a depraved millionaire, a drug-addled nymphomaniac, and an assistant hotel manager who enjoys mingling with her handsome guests after hours.   The would-be thieves have used an IBM supercomputer to plan the perfect heist. Their crime has been calculated to the last detail, with every possible contingency planned for, save one: the women. The Hotel Reina is crawling with femmes fatales, and these crooks will be lucky to escape with the shirts on their backs.This ebook features an illustrated biography of Michael Crichton including rare images from the author’s estate.

    Wild, but curiously childlike; wise and yet playful; existing outside the confines of conventional morality, and yet bringing hope and clarity to everyone whose lives they touch.” —Joanne Harris, author of Chocolat, from her introduction to this book. Charles de Lint’s readers have been asking him to put together story collections featuring their favourite Newford characters. The crow girls are among his best-loved characters, so de Lint obliged by gathering their stories all under one roof, so to speak. Some other members of the Newford repertory company show up here, but at the forefront of each story are these two little wild girls with their big personalities. This book features an introduction by Joanne Harris and an afterword by the de Lint. Cover art by Tara Larsen Chang (www.taralarsenchang.com). These stories have all been published before. “Crow Girls” is also available in The Very Best of Charles de Lint and in Moonlight and Vines; “Twa Corbies” in Moonlight and Vines; “The Buffalo Man” in Tapping the Dream Tree; and “A Crow Girls’ Christmas” in Muse and Reverie. “Make a Joyful Noise,” published in a limited edition by Subterranean Press, has not appeared in any of his previous collections. "Nobody does urban fantasy better than Charles de Lint. He has a gift for creating engaging, fully realized characters, totally believable dialogue, and a feeling that magic is just around the corner … He can make you believe 'as many as six impossible things before breakfast.' " —Amazon.com Editorial Review "De Lint's elegant prose and effective storytelling continue to transform the mundane into the magical at every turn. Highly recommended." —Library Journal, Copyright 1998 Reed Business Information, Inc. "In many hands, the urban fantasy plot involving strange beings just around the corner fails dismally. It does not in the hands of the reliable, the inimitable de Lint … —Booklist " de Lint…clearly has no equal as an urban fantasist and very few equals among fantasists as a folklorist." —Booklist Charles de Lint is the modern master of urban fantasy. Folktale, myth, fairy tale, dreams, urban legend—all of it adds up to pure magic in de Lint's vivid, original world. No one does it better. — Alice Hoffman Charles de Lint writes like a magician. He draws out the strange inside our own world, weaving stories that feel more real than we are when we read them. He is, simply put, the best. — Holly Black Unlike most fantasy writers who deal with battles between ultimate good and evil, de Lint concentrates on smaller, very personal conflicts. Perhaps this is what makes him accessible to the non-fantasy audience as well as the hard-core fans. Perhaps it’s just damned fine writing. —Quill & Quire

    I. PUDOVKIN Translated by IVOR MONTAGU Introduction by LEWIS JACOBS BONANZA BOOKS NEW YORK CONTENTS PAGE CONTENTS FILM TECHNIQUE A separate table of contents for FILM ACTING appears at the beginning of that volume. INTRODUCTION BY LEWIS JACOBS iii INTRODUCTION TO THE GERMAN EDITION . . xiii I. THE FILM SCENARIO AND ITS THEORY FOREWORD 1 PART I. THE SCENARIO .... 3 The meaning of the shooting-script The construction of the scenarioThe theme The action-treatment of the theme Conclusion. PART H. THE PLASTIC MATERIAL . . 26 The simplest specific methods of shooting-Method of treatment of the material struc tural-editing Editing of the scene Editing of the sequence Editing of the Scenario-Editing as an instrument of impression rela tional editing. II. FILM DIRECTOR AND FILM MATERIAL PART I. THE PECULIARITIES OF FILM MATERIAL 51 The film and the theatre The methods of the film Film and reality Filmic space and time The material of films Analysis Editing the logic of filmic analysis The necessity to interfere with movement Organisation of the material to be shot Arranging setups The organisation of chance material Filmic form The technique of directorial work. PART H. THE DIRECTOR AND THE SCENARIO 93 The director and the scenarist The environ ment of the film-The characters in the envir iv uUC aiY MO. 7158987 PAGE onment The establishment of the rhythm of the film. PABT III. THE DIRECTOR AND THE ACTOR 105 Two kinds of production The film actor and the film type Planning the acting of the film type The ensemble Expressive movement-Expressive objects The director as creator of the ensemble. PART IV. THE ACTOR IN THE FRAME . 118 The actor and the filmic image The actor and light. PART V. THE DIRECTOR AND THE CAMERA MAN 120 The cameraman and the camera The camera and its viewpoint The shooting of movement The camera compels the spectator to see as the director wishes The shaping of the com position-The laboratory-Collectivism the basis of film-work. III. TYPES INSTEAD OF ACTORS . 137 IV. CLOSE-UPS IN TIME 146 V. ASYNCHRONISM AS A PRINCIPLE OF SOUND FILM 155 VL RHYTHMIC PROBLEMS IN MY FIRST SOUND FILM 166 VII. NOTES AND APPENDICES A. GLOSSARIAL NOTES . 175 B. SPECIAL NOTES 180 C. ICONOGRAPHY OF PUDOVKINs WORKS . 192 D. INDEX OF NAMES .... 196 The numerals in the text refer to Appendix B. INTRODUCTION THERE are few experiences more important in the education of a newcomer to motion pic tures than the discovery of V. I. Pudovkins Film Technique and Film Acting. No more valuable manuals of the practice and theory of film making have been written than these two handbooks by the notable Soviet director. So sound are their points of view, so valid their tenets, so revelatory their analyses, that they remain today, twenty years after their initial appear ance, the foremost books of their kind. First published abroad in 1929 and 1933 respectively, Film Technique and Film Acting brought to the art of film making a code of principles and a rationale that marked the mediums analytic coming of age. Until their publication, the motion picture maker had to eke out on his own any intellectual or artistic considera tions of film craft. No explicit body of principles existed upon which the film maker could draw with confidence. Film technique was a more or less hit or miss affair that existed in a kind of fragmentary state which, in the main, leaned heavily upon theatrical methods. These pioneering books made clear at once that movie making need no longer flounder for a methodol ogy or for its own standards. They elucidated what iv FILM TECHNIQUE AND FILM ACTING were the fundamentals of film art and defined the singular process of expression that distinguished it from all other media. Now film theory and practice could be attacked with greater assurance and efficiency...

    Paradise is a small industrial city in Pennsylvania that’s about to become Ground Zero for the end of the world.  For far too long, we’ve been poisoning the planet with toxic waste.  Not any more.  This morning something finally woke up in Paradise.  It’s intelligent, virulent and ambitious.  It’s everywhere, in the water we drink, the air we breathe.  And it won’t be satisfied until we’re gone.

    Halpern enables the adult child to understand his or her parent and foster a positive, healthy adult relationship.

    But not everything is as it seems when ex-Spitfire pilot Captain Samantha Moxley is dragged into a fight against the shadowy US government agency she used to work for. Now, with former Nazis and otherworldly monsters on her trail, Captain Moxley is forced into protecting her archaeologist sister in a race to retrieve two ancient keys that will unlock the secrets of a long-lost empire - to ensure a civilisation-destroying weapon doesn't fall into the wrong hands. But what will she have to sacrifice to save the world?File Under: Fantasy [ Top Women Riff-RAF Pyramid Scheme Bash the Fash ]

    Within hours after the Lunar observatory picked up a strange new X-ray source in Cygnus, the disastrous picture was clear. An immense object was hurtling toward the Solar System at nearly the speed of light...and its intense radiation would surely wipe Earth free of all life within six months.There was nothing anyone could do.Then, incredibly, the rogue that had appeared out of nowhere suddenly changed its trajectory and stopped in the area of Jupiter.And that was flatly impossible!