Such a man was John Lathrop, a minister in the King's church, who, at the peril of his life, fought for religious freedom. This is the astounding biographical account of Lathrop's struggle and his ultimate exile to America. Winner of the National Freedom's Foundation Award

    “Every writer who writes anything in this country is made to feel he has committed a crime,” Georgi Vladimov said. Dissident, he said, is a word that “they force on you.” His mother, a victim of Stalin’s anti-Semitic policy, had been interred for two years in one of the camps from which Vladimov derived the wrenching detail of Faithful Ruslan. The novel circulated in samizdat for more than a decade, often attributed to Solzhenitsyn, before its publication in the West led to Vladimov’s harassment and exile. A starving stray, tortured and abandoned by the godlike “Master” whom he has unconditionally loved, Ruslan and his cadre of fellow guard dogs dutifully wait for the arrival of new prisoners—but the unexpected arrival of a work party provokes a climactic bloodletting. Fashioned from the perceptions of an uncomprehending animal, Vladimov’s insistently ironic indictment of the gulag spirals to encompass all of Man’s inexplicable cruelty.

    It is the tale of seventy days and nights in which a young Red Army officer seized and held three apartment houses in Stalingrad. It defines, as well, the subtle ways in which patriotism and a desire for happiness have taken first importance in the minds and hearts of many Russian men and women. It has been called by critics the best novel of the Red Army and its long war against the Germans. Days and Nights is the first novel by Russia's most successful young reporter and playwright. It is an attempt to describe, without propaganda stereotypes, the new sense of themselves Russians have acquired during the war. So far as the publishers know, this is the first serious non-political novel to come out of the Soviet Union. The characters are simple, believable human beings, whose souls belong neither to Dostoevsky nor Marx, but to themselves and their country.

    The more than 175 tales culled from a centuries-old Russian storytelling tradition by the outstanding Russian ethnographer Aleksandr Afanas’ev reveal a rich, robust world of the imagination that will fascinate readers both young and old.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    He took her back to his mother's home, and from that first moment their times together were filled with delight and discovery. Anna had an astonishing ability to ask - and to answer - life's largest questions, and nobody who met this intelligent, lively, precocious chatterbox could resist her total openness and honesty. For Anna had a special relationship with 'Mister God', and through her eyes life was black and white and more colourful than we dare imagine.This special 30th anniversary edition brings together Mister God, this is Anna, Anna's Book> and Anna and the Black Knight for the first time in one complete paperback. As millions of people have already discovered in more than 30 languages, Anna's story will move you, touch your heart, and show you the world as you've never seen it before...

    Set in the vast windswept Central Asian steppes and the infinite reaches of galactic space, this powerful novel offers a vivid view of the culture and values of the Soviet Union's Central Asian peoples.

    Barabbas is a man condemned to have no god. "Christos Iesus" is carved on the disk suspended from his neck, but he cannot affirm his faith. He cannot pray. He can only say, "I want to believe."Translated from Swedish by Alan Blair.

    But much about the real-life woman and her family was left untold.Here, Baroness Maria Augusta Trapp tells in her own beautiful, simple words the extraordinary story of her romance with the baron, their escape from Nazi-occupied Austria, and their life in America.Now with photographs from the original edition.

    Carefully reassembled with calm, steady hands, these shards tell the story of an ordinary family that somehow managed to survive the myriad persecutions and repressions of the last century. The family’s pursuit of a quiet, civilized, ordinary life—during such atrocious times—is itself a strange odyssey.In dialogue with thinkers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various genres—essay, fiction, memoir, travelogue, and history—Stepanova assembles a vast panorama of ideas and personalities and offers a bold exploration of cultural and personal memory.

    The novel is both a moving love story and a rare graphic portrait of Russian life after the October revolution in 1917. The heroine, Vasilia, struggles to come to terms with her passionate love for her husband and the new world that is coming into being around her. The two stories, "Three Generations" and "Sisters," provide more poignant and fascinating insights into the situation of women. The book includes an introduction by the translator with a biographical sketch of Alexandra Kollontai, an afterward by Sheila Rowbotham and a glossary.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    It describes a chivalric expedition undertaken in the late 12th century by a minor prince in the land of Rus’ to defeat, against overwhelming odds, a powerful alliance in a neighboring territory. The anonymous poet who chronicled this adventure packed unprecedented metaphorical agility, keenness of observation, and fascinating imagery into the lean and powerful tale of the doomed campaign. Discovered in the late 18th century and only narrowly distributed, the original manuscript was destroyed in a fire, leading to endless debate about the provenance and authenticity of the extant versions. It also served as the basis of Borodin’s opera Prince Igor. Translated by Vladimir Nabokov, the verses that constitute The Song of Igor’s Campaign are presented in their original rhyme and meter, and Nabokov’s extensive annotations provide illuminations on all the aspects of the text.

    K. Tolstoy was above all poet; but he also wrote a historical novel from the time of Ivan The Terrible, Prince Serebryani, which had a great success, partly because in it for the first time censorship had permitted fiction to deal with the half-mad Tsar who played the part of Louis XI. of the Russian Monarchy, but especially on account of its qualities as a historical novel.

    The PLAIN ENGLISH version you’ve been waiting for! Now a new, improved Kindle-friendly edition! Nothing else like it! Between-the-lines format! More choices! Easy navigation! Still hated by your teacher!

    For Chernyshevsky's novel, far more than Marx's Capital, supplied the emotional dynamic that eventually went to make the Russian Revolution."--Joseph Frank, The Southern ReviewAlmost from the moment of its publication in 1863, Nikolai Chernyshevsky's novel, What Is to Be Done?, had a profound impact on the course of Russian literature and politics. The idealized image it offered of dedicated and self-sacrificing intellectuals transforming society by means of scientific knowledge served as a model of inspiration for Russia's revolutionary intelligentsia. On the one hand, the novel's condemnation of moderate reform helped to bring about the irrevocable break between radical intellectuals and liberal reformers; on the other, Chernyshevsky's socialist vision polarized conservatives' opposition to institutional reform. Lenin himself called Chernyshevsky "the greatest and most talented representative of socialism before Marx"; and the controversy surrounding What Is to Be Done? exacerbated the conflicts that eventually led to the Russian Revolution.Michael R. Katz's readable and compelling translation is now the definitive unabridged English-language version, brilliantly capturing the extraordinary qualities of the original. William G. Wagner has provided full annotations to Chernyshevsky's allusions and references and to the, sources of his ideas, and has appended a critical bibliography. An introduction by Katz and Wagner places the novel in the context of nineteenth-century Russian social, political, and intellectual history and literature, and explores its importance for several generations of Russian radicals.