Their theft tragically unleashes a series of events, among them murder and suicide.

    But Johnny is more than tickled when he finds out Loraine is pregnant with his child. An almost-saved Christian, a not-quite-sober alcoholic and part-time lover of Loraine, Johnny is not sure where his wife Charlene fits into this complex love triangle of women, men, desires and truth. He's even less sure where Chris, Loraine's teenaged son, and Melody, Chris' pregnant girlfriend, belong in his life as a husband, lover, and volunteer coordinator of the town of Lesser's teen drop-in center.A feed supply salesman whose history extends only as far as he can remember, Johnny longs for a spiritual salvation, but finds beauty and truth in the soft, warm flesh of the women he loves. Charlene's final, fiery truth lies in her inability to come to terms with Johnny's earthly morality.An extraordinarily talented new author, Bergen achieves a finely tuned balance in his work: his tone is realistic, shot with ironic insight, replete with astonishing, but seemingly casually placed universal truths, seamlessly woven into an absorbing story of people struggling with their souls in a small prairie town.

    What if he hadn't been adopted by Jews, what if his brother, Jonathan, had been adopted by a different couple? He and Jonathan fantasize about being the secret sons of Sandy Koufax, of coming to earth in a spaceship. They make blood pacts and switch names. But while they imagine other identities, they search for ways to feel that they belong to each other, to their parents, to their home. As adolescents, even in the familiar and happy comfort of the Manhattan apartment where they live, their dreams of girls and rock stars are colored by these concerns. Now Ben Suskind is thirty years old, living in San Francisco with his girlfriend, Jenny, and her daughter. He still reflects on the questions of his youth; Jenny often has to pull his head out of the clouds. So when he receives a letter from a woman claiming to be his birth mother, he is unprepared, panicked, but curious. He tells his adoptive parents about the letter, and they fly him home to New York and reveal a secret about his past, one that turns Ben's whole world upside down. Without telling anyone, Ben embarks on a journey, risking his relationship with everyone - his girlfriend, his brother, his parents. He combs through the records of his family's past, trying to find the facts about who he and Jonathan really are, and in the process learns the price of the lies people tell in the name of truth and good intentions.

    He is the villain of five marriages and the father of a daughter so obsessed that she has been writing a book about him for years. Hamilton Stark is a boor, a misanthrope, a handsome man: funny, passionately honest, and a good dancer. The narrator, a middle-aged writer, decides to write about Stark as a hero whose anger and solitude represent passion and wisdom. At the same time that he tells Hamilton Stark's story, he describes the process of writing the novel and the complicated connections between truth and fiction. As Stark slips in and out of focus, maddeningly elusive and fascinatingly complex, this beguiling novel becomes at once a compelling meditation on identity and a thoroughly engaging story of life on the cold edge of New England.

    Among the books surrounding him, he began to dream...of a nameless boy, sitting on a dilapidated dock in the warm sun of a summer day, playing a game: He was trying to bring the soles of his bare feet as close as he could to the surface of the water, without touching it.That boy became Peter Leroy, and from Kraft's dream grew one of the most delightful, unusual projects in contemporary literature. Funny, touching, witty, mythic, and profound, Kraft's novels, featuring Peter, his friends and family, and the seaside town of Babbington create an alternate reality-a world in which we see ourselves, darkened and wavering, as reflected by deep water.Little Follies gathers nine Peter Leroy novellas into one volume: the perfect introduction to an irresistible cycle of books by an author sometimes compared to Cheever, Proust, Twain, Borges, Russel Baker, and Garrison Keillor, but who is uniquely Eric Kraft.

    Navigating the mysterious path from childhood to adulthood, Sarah encounters a naked, winged man, rivalrous ghosts, and gods disguised as beggars.

    His father has mysteriously disappeared, and Grant’s brother, Max, a lifelong rival, takes off on the day Grant returns, leaving him with a sickly flock and a pile of debt. When Max returns a year later with a young woman named Sophia, a contest of will begins between the brothers, reviving ghosts that Grant had hoped were banished from the homestead.

    The women are now in their seventies and time is rendering its Accounts Payable: arthritis, cataracts, forgetfulness, and departures.From the dawn of the new millennium - at which the anti-Christ unaccountably fails to appear, despite evangelist Gayle's predictions - Peggy soldiers on through new upheavals, including her ex-husband Vern's Alzheimer's diagnosis, and the death of one of her live-in friends. Then, on a clear blue day in September 2001, the US Air Force scrambles too late to save America from four hostile attacks, and for the first time Peggy wonders if being a USAF wife - the constant worry about your husband, the faraway postings in Alaska, Norfolk, Siberia, the lack of control over your own life - was worth it.You're getting very negative in your old age, Peggy Dewey, says Lois. Sure it was worthwhile. Leastways we're not speaking Russky. And besides, we had some fun. Didn't we have some fun?

    He and his wife, Ding, are the parents of an infant and enjoy a contented marriage; he develops a fond obsession with President Calvin Coolidge, the taciturn New Englander whose wry wit and wisdom delights Chai. One day, a chance discovery leads him astray: He learns that a lover from his youth is now in Boston, living with her husband and their son. The son is Chai's very image, and the staid banker is inflamed by the implications of the resemblance. Confused by his emotions, he becomes determined to revive the affair. How Ding schemes to win back her wayward husband--and teach him the necessary truths about love--forms the plot and beguiling conclusion to John Derbyshire's tale.

    Rare & Endangered Species demonstrates how a wife and mother's suicide reverberates in the small community where she lived, and affects the lives of people who don't even know her. Finally, Spirits is about the pain that men and women can -- and do -- inflict upon each other. These three very different works illuminate the unadorned core of love -- not the showy, more celebrated sort but what remains when lust, jealousy, and passion have been stripped away.

    In between, this vast, sprawling carnival of a book takes in Coney Island and the Lower East Side, midgets and gangsters, Bowery bars and opium dens, even Sigmund Freud and Carl Jung. It is, in short, a novel as big, lively, and ambitious as Gotham itself, and if you can stomach some of the more garish local color, it's every bit as much fun. Set at the turn of the century, in a New York as polyglot as any city on earth, Dreamland opens with an act of misplaced--and very stupid--compassion. Eastern European immigrant Kid Twist intervenes when villainous gangster Gyp the Blood is on the verge of murdering a young newsboy for sport. But surprise: that's no street urchin--that's Trick the Dwarf, self-proclaimed Mayor of Little City and a Coney Island tout, who dresses up as a boy, he says, as "a way I had of leaving myself behind." Trick hides Kid Twist in the hind parts of the Tin Elephant Hotel; Kid Twist meets Esther Abramowitz, impoverished seamstress and labor agitator, then falls in love; Trick woos Mad Carlotta, a three-foot beauty who thinks she's the Empress of Mexico; and Freud and Jung sail for America, where they squabble about psychoanalysis. There are also a few subplots involving police corruption, Tammany Hall, and the Triangle Shirtwaist Fire--but who's counting? Suffice to say that it all really does come together in the end, and you won't be bored for one step of the way. Baker served as chief historical researcher for Harold Evans's The American Century, and it's clear that he put his time there to good use; Dreamland is full of vivid historical detail, from Lower East Side slang to the lyrics of popular songs. If this is middlebrow entertainment, it's middlebrow in the same way as Dickens: extravagantly plotted, elegantly written, and compassionate to the core. --Mary Park

    These wry and sassy tales illustrate the vulnerable heartbeat beneath the brash style of the eighties. Behind their professional self-assurance, Elinor Lipman's characters question and fear, search and yearn for that most elusive of commodities--love.

    Pamela Emerson lives a lonely new widowhood outside of Baltimore, with only a house full of ticking clocks for company. Then she hires eccentric Elizabeth Abbott as a handyman and both discover that parts don't have to be a perfect match to work.

    From the author of "Face-Time" comes an engaging, hilarious, sexy romp of a book about a college professor's unorthodox take on the academic imperative to publish or perish.

    The Foot Soldier brings you to the hell of jungle combat. Close your eyes and this novella takes you there. It conveys the terror and brutality of jungle warfare and their effect on the American riflemen--those who bore the greatest burden. It's every bit as compelling as The Things They Carried.