This edition of the 1932 work includes the translator's introduction (by George Schwab) which highlights Schmitt's intellectual journey through the turbulent period of German history leading to the Hitlerian one-party state. It also includes Leo Strauss's analysis of Schmitt's thesis and a foreword by Tracy B. Strong placing Schmitt's work into contemporary context.

    Today’s concerns—internationalism, education, the future of labor, the status of art, and ecological theory and practice—frame and inform her carefully researched restaging of the words and actions of individual Communards. This original analysis of an event and its centrifugal effects brings to life the workers in Paris who became revolutionaries, the significance they attributed to their struggle, and the elaboration and continuation of their thought in the encounters that transpired between the insurrection’s survivors and supporters like Marx, Kropotkin, and William Morris.The Paris Commune was a laboratory of political invention, important simply and above all for, as Marx reminds us, its own “working existence.” Communal Luxury allows readers to revisit the intricate workings of an extraordinary experiment.

    They argue that from the middle of the 1970s onwards, capitalism abandoned the hierarchical Fordist work structure and developed a new network-based form of organization which was founded on employee initiative and autonomy in the workplace – a ‘freedom’ that came at the cost of material and psychological security.The authors connect this new spirit with the children of the libertarian and romantic currents of the late 1960s (as epitomised by dressed-down. cool capitalists such as Bill Gates and ‘Ben and Jerry’) arguing that they practice a more successful and subtle form of exploitation.In a work that is already a classic in Europe, Boltanski and Chiapello show how the new spirit triumphed thanks to a remarkable recuperation of the Left’s critique of the alienation of everyday life – a recuperation that simultaneously undermined the power of its social critique.

    For the political left, the cause lost was communism, and this trauma determined how leftists wrote the next chapter in their political struggle and how they have thought about their past since. Throughout the twentieth century, argues Left-Wing Melancholia, from classical Marxism to psychoanalysis to the advent of critical theory, a culture of defeat and its emotional overlay of melancholy have characterized the leftist understanding of the political in history and in theoretical critique.Drawing on a vast and diverse archive in theory, testimony, and image and on such thinkers as Karl Marx, Walter Benjamin, Theodor W. Adorno, and others, the intellectual historian Enzo Traverso explores the varying nature of left melancholy as it has manifested in a feeling of guilt for not sufficiently challenging authority, in a fear of surrendering in disarray and resignation, in mourning the human costs of the past, and in a sense of failure for not realizing utopian aspirations. Yet hidden within this melancholic tradition are the resources for a renewed challenge to prevailing regimes of historicity, a passion that has the power to reignite the dialectic of revolutionary thought.

    Behind the scenes, wrenching debates between hawks and doves—those who would kill versus those who would capture—have repeatedly tested the very core of the president’s identity.Top investigative reporter Dan Klaidman has spoken to dozens of sources to piece together a riveting Washington story packed with revelations. As the president’s inner circle debated secret programs, new legal frontiers, and the disjuncture between principles and down-and-dirty politics, Obama vacillated, sometimes lashed out, and spoke in lofty tones while approving a mounting toll of assassinations and kinetic-war operations. Klaidman’s fly-on-the-wall reporting reveals who has his ear, how key national security decisions are really made, and whether or not President Obama has lived up to the promise of candidate Obama. Readers making up their minds about him during the 2012 election year will turn to Kill or Capture to decide.

    Khaled El-Rouayheb argues that this apparent paradox is based on the anachronistic assumption that homosexuality is a timeless, self-evident fact to which a particular culture reacts with some degree of tolerance or intolerance. Drawing on poetry, biographical literature, medicine, dream interpretation, and Islamic texts, he shows that the culture of the period lacked the concept of homosexuality.

    Drawing on extensive research, including dozens of interviews with serving and former ambassadors on the Council, the book chronicles political battles and personality clashes as it opens the closed doors of its meeting room. What emerges here is a revealing portrait of the most powerful diplomatic body in the world. When the five permanent members are united, David Bosco points out, the Council can wage war, impose blockades, redraw borders, unseat governments, and levy sanctions. There are almost no limits to its authority. Yet the Council exists in a world of realpolitik. Its members are, above all, powerful states with their own diverging interests. Time and again, the Council's performance has dashed the hope that its members would somehow work together to establish a more peaceful world. But if these lofty hopes have been unfulfilled, the Council has still served an invaluable purpose: to prevent conflict between the Great Powers. In this role, the Council has been an unheralded success. As Bosco reminds us, massacres in the Balkans and chaos in Iraq are human tragedies, but conflicts between the world's great powers in the nuclear age would be catastrophic.In this lively, fast-moving, and often humorous narrative, Bosco illuminates the role of the Security Council in the postwar world, making a compelling case for the enduring importance of the five who rule them all.

    When American lives or vital interests are at stake, the public—and especially the news media and political opponents—expect aggressive leadership. But, contrary to the dramatizations of Hollywood, rarely does a president have that option.In Presidents in Crisis, a former director of the Situation Room takes the reader inside the White House during seventeen grave international emergencies handled by the presidents from Truman to Obama: from North Korea’s invasion of South Korea to the revolutions of the Arab Spring, and from the thirteen days of the Cuban Missile Crisis to the taking of American diplomats hostage in Iran and George W. Bush’s response to the attacks of September 11, 2001. In narratives that convey the drama of unfolding events and the stakes of confrontation when a misstep can mean catastrophe, he walks us step by step through each crisis. Laying out the key players and personalities and the moral and political calculations that the leaders have had to make, he provides a fascinating insider’s look at modern presidential decision making and the fundamental role in it of human frailty.Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

    William T.Cavanaugh challenges this conventional wisdom by examining how the twin categories of religion and the secular are constructed. A growing body of scholarly work explores how the category 'religion' has been constructed in the modern West and in colonial contexts according to specific configurationsof political power. Cavanaugh draws on this scholarship to examine how timeless and transcultural categories of 'religion and 'the secular' are used in arguments that religion causes violence. He argues three points: 1) There is no transhistorical and transcultural essence of religion. What countsas religious or secular in any given context is a function of political configurations of power; 2) Such a transhistorical and transcultural concept of religion as non-rational and prone to violence is one of the foundational legitimating myths of Western society; 3) This myth can be and is used tolegitimate neo-colonial violence against non-Western others, particularly the Muslim world.

    The quest to bring political life under God’s authority has been revived, confounding expectations of a secular future. In this major book, Mark Lilla reveals the sources of this age-old quest—and its surprising role in shaping Western thought.The story could not be more timely. Most civilizations in history have been organized on the basis of a political theology – a myth or revelation about the correct ordering of society. Yet due to a crisis in Western Christendom nearly five hundred years ago, a novel intellectual challenge to political theology arose in Europe. By portraying religion as an expression of human nature, not a divine gift, modern Western thinkers found a way to free politics from God’s authority and build barriers against destructive religious passions.But the temptations of political theology are always present, even in the West. As Lilla vividly shows, the urge to reconnect politics to religion remained strong and took novel forms in modern European thought. By the Second World War a forceful political messianism had arisen, justifying the most deadly ideologies of the age.Making us question what we thought we knew about religion, politics, and the fate of civilizations, Lilla reminds us of the modern West’s unique trajectory and what is required to remain on it.

    George Saliba follows the rise and fall of the Islamic scientific tradition, and the relationship of Islamic science to European science during the Renaissance.

    Of course, East and West are no longer what they were in Guenon's time. The aggressive rationalism and materialism of post-Christian Western culture has become a worldwide phenomenon, and no longer corrodes the philosophical and cultural underpinnings of the West only: it has infiltrated distorted forms of Eastern spirituality and metaphysics, incited fundamentalist reactions the world over, and, thanks to the pervasive internet, wields previously unheard of influence. And so today we have an East largely inflamed with a desire to surpass the West in materialism, and a West sodden with moral and spiritual degeneracy. Nonetheless, fruitful exchanges between traditional Christianity and Eastern religions have also taken place on an unprecedented scale, though marred by an ongoing temptation to ill-informed syncretism. In such a milieu, Guenon's East and West, read with an eye to events of recent decades, delivers a stunning intellectual punch. But the East is always the East: the place where the sun rises, the point of recollection and return to the Source. And the West is always the West: the place of the full manifestation of possibilities (including the most degenerate), of the tendency to dissipation and dissolution; the point where the sun sets. In postmodern, global culture, we are all more or less forced to be 'Westerners' outwardly; our only recourse under these circumstances may be to become 'Easterners' within.

    The structure of the contemporary University is changing rapidly, and we have yet to understand what precisely these changes will mean. Is a new age dawning for the University, the renaissance of higher education under way? Or is the University in the twilight of its social function, the demise of higher education fast approaching? We can answer such questions only if we look carefully at the different roles the University has played historically and then imagine how it might be possible to live, and to think, amid the ruins of the University.Tracing the roots of the modern American University in German philosophy and in the work of British thinkers such as Newman and Arnold, Bill Readings argues that historically the integrity of the modern University has been linked to the nation-state, which it has served by promoting and protecting the idea of a national culture. But now the nation-state is in decline, and national culture no longer needs to be either promoted or protected. Increasingly, universities are turning into transnational corporations, and the idea of culture is being replaced by the discourse of "excellence." On the surface, this does not seem particularly pernicious.The author cautions, however, that we should not embrace this techno-bureaucratic appeal too quickly. The new University of Excellence is a corporation driven by market forces, and, as such, is more interested in profit margins than in thought. Readings urges us to imagine how to think, without concession to corporate excellence or recourse to romantic nostalgia within an institution in ruins. The result is a passionate appeal for a new community of thinkers.

    Trampling over the boundaries between the religious and the secular in order to tackle some of the key questions facing Muslims in the contemporary age, this text presents an account of modern Islam.

    Little did he know, as he kissed her good-bye, that he would spend the next three months in Iran’s most notorious prison, enduring brutal interrogation sessions at the hands of a man he knew only by his smell: Rosewater.For the Bahari family, wars, coups, and revolutions are not distant concepts but intimate realities they have suffered for generations: Maziar’s father was imprisoned by the shah in the 1950s, and his sister by Ayatollah Khomeini in the 1980s. Alone in his cell at Evin Prison, fearing the worst, Maziar draws strength from his memories of the courage of his father and sister in the face of torture, and hears their voices speaking to him across the years. He dreams of being with Paola in London, and imagines all that she and his rambunctious, resilient eighty-four-year-old mother must be doing to campaign for his release. During the worst of his encounters with Rosewater, he silently repeats the names of his loved ones, calling on their strength and love to protect him and praying he will be released in time for the birth of his first child. A riveting, heart-wrenching memoir, Rosewater offers insight into the past seventy years of regime change in Iran, as well as the future of a country where the democratic impulses of the youth continually clash with a government that becomes more totalitarian with each passing day. An intimate and fascinating account of contemporary Iran, it is also the moving and wonderfully written story of one family’s extraordinary courage in the face of repression.Now a major motion picture directed by Jon Stewart - Previously published as Then They Came for Me.