The era of peace marked by the parama dharma, a rigorous code that forbids the spilling of blood, seems about to end. A new and deadly race of beings that destroy and devour anything that lives is gathering outside Kishkindha’s northern frontiers, and invasion is imminent. Hanuman, meanwhile, has been exiled by the intrigues of his aunt, the empress Riksharaja, in order to make way for Vali. Only his cousin Sugreeva, and wise guru Vishwamitra, can help Hanuman as his destiny takes him onward to face himself and a world no one in Kishkindha has known about until now.‘The Kishkindha Chronicles’ re-imagines the ancient prehistory of India from a startlingly new perspective that will make us rethink what it means to be human and animal. Saraswati’s Intelligence is the first book in the trilogy.

    Starting with a close examination of his own belief in Hinduism, he ranges far and wide in his study of the faith. He talks about the Great Souls of Hinduism, Adi Shankara, Patanjali, Ramanuja, Swami Vivekananda, Ramakrishna Paramahamsa, and many others who made major contributions to the essence of Hinduism. He delves deep into Hinduism’s most important schools of thought (such as the Advaita Vedanta). He explains, in easily accessible language, important aspects and concepts of Hindu philosophy like the Purusharthas and Bhakti, masterfully summarizes the lessons of the Gita and Vivekananda’s ecumenism, and explores with sympathy the ‘Hinduism of habit’ practised by ordinary believers. He looks at the myriad manifestations of political Hinduism in the modern era, including violence committed in the name of the faith by right-wing organizations and their adherents. He analyzes Hindutva, explains its rise and dwells at length on the philosophy of Deen Dayal Upadhyaya, its most significant ideologue. He is unsparing in his criticism of extremist ‘bhakts’, and unequivocal in his belief that everything that makes India a great and distinctive culture and country will be imperiled if religious ‘fundamentalists’ are allowed to take the upper hand. However, he also makes the point that it is precisely because Hindus form the majority that India has survived as a plural, secular democracy.A book that will be read and debated now and in the future, Why I Am a Hindu is a revelatory and original masterwork.

    K. Narayan has produced his own versions of tales taken from the Ramayana and the Mahabarata. Carefully selecting those stories which include the strongest characters, and omitting the theological or social commentary that would have drawn out the telling, Narayan informs these fascinating myths with his urbane humor and graceful style."Mr. Narayan gives vitality and an original viewpoint to the most ancient of legends, lacing them with his own blend of satire, pertinent explanation and thoughtful commentary."—Santha Rama Rau, New York Times"Narayan's narrative style is swift, firm, graceful, and lucid . . . thoroughly knowledgeable, skillful, entertaining. One could hardly hope for more."—Rosanne Klass, Times Literary Supplement

    They could change day to night, turn people into animals, and punish men with eternal torture. Their whims and desires changed the course of human destiny. No legends are more fabulous than those of the Greek gods. This classic collection tells their stories.

    These pages retell in riveting detail the story of the Pandava Warrior-Prince who has captured the imagination of millions across centuries. This is the intense and human story of his loves, friendship, ambitions, weaknesses and follies, as well as his untimely death and revival, his stint as a eunuch, and the innermost reaches of his thoughts. Told in a refreshingly modern and humourous style and set against the staggering backdrop of the Mahabharata. Arjunas story appeals equally to the average, discerning reader and the scholar. It spans the epic journey from before his birth, when omens foretold his greatness, across the fabled, wondrous landscape that was his life.

    It is written around 200BC by the great Hindu Scholar Pandit Vishnu Sharma. Panchatantra means "the five books". It is a "Nitishastra" which means book of wise conduct in life. The book is written in the form of simple stories and each story has a moral and philosophical theme which has stood the test of time in modern age of atomic fear and madness. It guides us to attain success in life by understanding human nature. Panchatantra is commonly available in an abridged form written for children. Here is the complete translation of the book as written by Vishnu Sharma.

    The Mahabharata is obsessed with the elusive notion of dharma - in essence, doing the right thing. When a hero falters, the action stops and everyone weighs in with a different and often contradictory take on dharma. The epic's characters are flawed, but their incoherent experiences throw light on our familiar dilemmas. Gurcharan Das's best-selling book India Unbound examined the classical aim of artha, material well being. This, his first book in seven years, dwells on the goal of dharma, moral well being. It addresses the central problem of how to live our lives in an examined way - holding a mirror up to us and forcing us to confront the many ways in which we deceive ourselves and others. What emerges is a doctrine of dharma that we can apply to our business decisions, political strategies and interpersonal relationships - in effect, to life itself.

    But these visions that keep flashing through his mind are far from an ordinary fantasy-they are vivid episodes from the god's life. Through these scenes, as Krishna's mystifying schemes are revealed, Anirudh slowly comes to terms with his real identity . . .He is the last avatar of Vishnu, sent to restore the balance between good and evil. But an ancient and powerful nemesis, burning with the fire of revenge, has already started assembling a clan of mighty sorcerers to finally be rid of the protector god and unleash depravity on earth.Will Anirudh realize his potential before it's too late? Or will the enemy destroy everything in their wake before the avatar finally manifests? This gripping read is the first part in the Kalki Chronicles, which unveils the greatest legend of the Kali yuga.

    Sixty-eight-year-old Noni Appa finds herself drawn to a married man – ‘Why do people have to define relationships, underline each word till the paper gives way beneath,’ she wonders. Bablu Kewat becomes obsessed with sanitary napkins much to his family’s horror, and a young woman keeps checking the weather forecast as she meticulously plans each of her five weddings. Funny, observant and wise, this is storytelling at its most irresistible.

    But what does all that mean to the modern Hindu today? Why do Hindus call themselves so? Is it merely because their parents were Hindus? In what way does the faith speak to those who profess to follow it? What does Hinduism mean to the everyday-practicing or sometimes-accessing ordinary Hindu? Away from the raucous debate around religions, this is the journey of a common Hindu—an attempt to understand why, for so many Hindus, their faith is one of the most powerful arguments for plurality, for unity in diversity, and even more than the omnipresent power of God, the sublime courage and conviction of man. Being Hindu is the exploration of Hinduism in a way you have never seen before—almost through your own eyes.

    These are stories that passed down through the ages virtually unaltered in their telling. To those who told and listened to them, they expressed something fundamental about Irish culture and the Irish way of life. The stories in this volume feature a wide variety of fantastic beings, including ghosts, witches, fairies, and changelings, but several feature creatures that are virtually exclusive to Ireland: the banshee, the merrow, the pooka, and the leprechaun. Read these tales of frightening supernatural horrors, brave folk heroes, and everyday people clever enough to outwith the devil, and you'll agree that they could only take place on Irish soil.

    The 26 stories of "Guleesh," "The Horned Women," "King O'Toole and His Goose," "The Sea-Maiden," "The Shee An Gannon and the Gruagach Gaire," "The Lad with the Goat-Skin," the legendary "Dierdre," "Beth Gellert," and the other wonderful characters, the curses and hexes, the broken promises and granted wishes are accompanied by eight full-page plates, 37 drawings, and decorated capitals and endpieces that help make this book the charming one that generations of youngsters have proclaimed it to be.

    But a familiar face from his past seeks his help to stop the tyranny of the blind usurper Andhaka. If Narasimha refuses, the world might just end. What will he do? And why did he leave the war in the first place? Prahlad, the interim king of Kashyapuri, is torn between the ideals of his unrighteous father and his love for Lord Vishnu. Whom will he choose? Hiranyakashyap, the ruler of the Asura Empire, wants to avenge the death of his wife. To do that, he must go through the Trials and get the ultimate weapon - the Brahmastra. But the Trials have sent so many others to their death. Can Hiranyakashyap survive?

    Centuries ago, it was proclaimed of the Mahabharata: "What is not in it, is nowhere." But even now, we can use the same words about it. He who knows it not, knows not the heights and depths of the soul; he misses the trials and tragedy and the beauty and grandeur of life. The Mahabharata is not a mere epic; it is a romance telling the tale of heroic men and women, and of some who were divine. It is a whole literature in itself, containing a code of life, a philosophy of social and ethical relations, and speculative thought on human problems that is hard to rival.

    Three thousand years ago, deep inside the forests of India, agreat ‘thought revolution’ was brewing.In those forest labs, the brightest thinker–philosopherscontemplated the universe, reflected on ancient texts called theVedas and came up with startling insights into questions westill don’t have final answers to, like:• What is the universe made of?• How do I know I’m looking at a tree when I see one?• Who am I? My body, my mind, my intelligence, my emotions,or none of the above?And where did they put those explosive findings?In a sprawling body of goosebumpy and fascinating oralliterature called the Upanishads! Intimidated? Don’t be! Forthis joyful, fun guide to some of India’s longest-lasting secularwisdoms, reinterpreted for first-time explorers by Roopa Pai, isguaranteed to keep you turning the pages.Why haven’t you read it yet?