Parker's novels from Spenser to Jesse Stone to Sunny Randall, plot summaries, cast of characters, Boston locations and maps, and more. Even before he was named Grand Master for Lifetime Achievement by the Mystery Writers of America, Edgar® Award-winning Robert B. Parker had assumed the mantle of dean of American crime fiction. "Taking his place beside Dashiell Hammett, Raymond Chandler, and Ross MacDonald" (Boston Globe), he transcended the crime genre. As one of the most prolific writers in the world, he reinvented crime writing. Now his millions of fans can discover everything about Robert B. Parker and his books: - Comprehensive biography of Robert B. Parker - Inside the Spenser novels - All about the Jesse Stone and Sunny Randall novels - Parker's stand-alone fiction - Complete cast of characters - Spenser on film - Robert B. Parker's Boston: locales, crime scenes, and maps - Memorable quotes - Inclusive bibliography - Plus, an exclusive and insightful new interview with Robert B. Parker

    S. Poet Laureate Ted Kooser at the top of his imaginative and storytelling powers. Here are the richly metaphorical, imagistically masterful, clear and accessible poems for which he has become widely known. Kooser writes for an audience of everyday readers and believes poets "need to write poetry that doesn't make people feel stupid." Each poem in Red Stilts strives to reveal the complex beauties of the ordinary, of the world that's right under our noses. Right under Kooser's nose is rural America, most specifically the Great Plains, with its isolated villages, struggling economy, hard-working people and multiple beauties that surpass everything wrecked, wrong, or in error.

    As a novelist and icon, Rushdie has embraced both 'popular' and 'high' culture; reflecting this, the Guide brings together both academic criticism and journalism to investigate the passions and preoccupations of Rushdie's many critics, steering the reader through the inflamed debates and rhetoric surrounding this much admired but controversial author.

    The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    

    This volume provides her readers and fans with additional insights into her life and work. The first section provides a biographical chapter and literary heritage. The second and third sections analyze the Tales of Tortall and the Magic Circle Sagas as a whole, providing details into the characters and settings of each. The final section of the book, Perspectives, includes both a section on literary techniques along with an interview of Tamora Pierce herself. Appendices include a section on Power Female Heroes, and Fantasy Adventures.Novels include: *The Song of the Lioness Quartet *The Immortals Quartet *The Protector of the Small Quartet *The Trickster Duology *The Magic Circle Quartet *The Circle Opens Quartet *The Will of the Empress

    York Notes author John Scicluna discusses all aspect of An Inspector Calls --a thorough run-down very helpful to anyone studying the famous Priestley play.

    Essays include discussion of the psychological implications in the novel as well as themes and character analysis.

    A collection of seven critical essays discussing Tolstoy's novel, arranged in chronological order of their original publication.

    In this volume of selected prose, Roethke articulates his commitments to imaginative possibilities, offers tender advice to young writers, and zings darts at stuffed shirts, lightweights and fools."Art is our defense against hysteria and death."With the assistance of Roethke's widow, this volume has been edited to include the finest selections from out of print collections of prose and journal entries. Focused on the making and teaching of poetry,On Poetry and Craft will be prized in the classroom-and outrageous Roethke quotes will once again pepper our conversations."You must believe a poem is a holy thing, a good poem, that is."Theodore Roethke was of an illustrious generation of poets which included Sexton, Plath, Lowell, Berryman, and like them he received nearly every major award in poetry, including the Pulitzer Prize and twice the National Book Award. In spite of his fame, he remained a legendary teacher, known for the care and attention he gave to his students, poets such as James Wright, Carolyn Kizer, Tess Gallagher, and Richard Hugo. Roethke died on August 1, 1963, while swimming in a friend's pool."But before I'm reduced to an absolute pulp by my own ambivalence, I must say goodbye. The old lion perisheth. Nymphs, I wish you the swoops of many fish. May your search for the abiding be forever furious."On Poetry and CraftI am overwhelmed by the beautiful disorder of poetry, the eternal virginity of words.The poem, even a short time after being written, seems no miracle; unwritten, it seems something beyond the capacity of the gods.We can't escape what we are, and I'm afraid many of my notions about verse (I haven't too many) have been conditioned by the fact that for nearly 25 years I've been trying to teach the young something about the nature of verse by writing it--and that with very little formal knowledge of the subject or previous instruction. So it's going to be lik

    Poet Laureate Robert Hass considers some of the twentiethcentury poets who bring him pleasure: Robert Lowll, JamesWright, Tomas Transtromer, Joseph Brodsky, Yvor Winters,Robert Creeley, James McMichael, Czeslaw Milosz, and others,in this, his first collection of essays. Originally published in1984, Twentieth Century Pleasures: Prose on Poetry won theNational Book Critics Circle Award for criticism. A new collection of Robert Hass's essays will be published by Ecco in 1998.

    Stafford's advice to beginning poets has become a favorite text in writing programs

    S. Lewis) that the poet's sympathies are obviously with God and the angels loyal to him.The achievement of Stanley Fish's Surprised by Sin was to reconcile the two camps by subsuming their claims in a single overarching thesis: Paradise Lost is a poem about how its readers came to be the way they are--that is, fallen--and the poem's lesson is proven on a reader's impulse every time he or she finds a devilish action attractive or a godly action dismaying.Fish's argument reshaped the face of Milton studies; thirty years later the issues raised in Surprised by Sin continue to set the agenda and drive debate.

    Readers often have stumbled upon seeming mysteries in their favorite novels. Why, for example, is the plot of The Woman in White irrevocably flawed? (The timing of the crime is off.) Is the hero of George Eliot's Middlemarch illegitimate? (Probably, although he was later legitimized.) Why does the otherwise sensible Jane Eyre give in to a sudden and unexplained outburst of superstition? (Charlotte Bronte, in reality, had a similar experience.) What is the real reason we find The Picture of Dorian Gray so disturbing? (There is an overwhelming emphasis on the sense of smell.) These answers and more can all be found in John Sutherland's entertaining and maddening book. When it comes to literary criticism there's really nothing quite like the joys of close reading and good-natured inquiry. This is the spirit in which Is Heathcliff A Murderer was conceived and executed. Rather than trying to catch great authors in mistakes, Sutherland usually turns up perfectly plausible reasons for the seeming anomalies. Everyone who reads nineteenth-century novels will thoroughly enjoy John Sutherland's exploration of the seemingly unanswered, and each chapter is a direct link to one of Oxford's World's Classics.

    Elizabeth Bishop, the Pulitzer Prize–winning American poet, sought artistic inspiration in Brazil. There she met and fell in love with Lota de Macedo Soares, a self-trained Brazilian architect. This dual biography—brilliantly researched, and written in a lively, novelistic style—follows their relationship from 1951 to 1967, the time when the two lived together in Brazil. The fact that these two women had an intimate relationship caused an uproar when it first came to public notice.The relationship started out happily, yet ended tragically. In 1961, Soares became increasingly obsessed with building and administering Flamengo Park, Rio de Janeiro’s equivalent to New York City’s Central Park. Though she had been the driving force behind the park’s inception, the ultimate credit that was due her was stripped away because of petty politics and chicanery. As Soares’s career declined and Bishop’s flourished, their relationship crumbled.Rare and Commonplace Flowers is a tale of two artists and two cultures, offering unique perspectives on both women and their work. Carmen L. Oliveira provides an unparalleled level of detail and insight, due to both her familiarity with Brazil as well as her access to the country’s artistic elite, many of whom had a direct connection with Bishop and Soares. Rare pictures of the two artists and their home bring this unique story to life.