With 365 traditions covering the whole year, Daily Wisdom explores Islamic morals and manners in all aspects of everyday life. Beautifully presented, this ideal gift item is a must for every home. Abdur Raheem Kidwai is professor of English at the Aligarh Muslim University in India and a well-known author of many works on the Qur'an and Islam.

    Heinlein was sixty-six, at the height of his literary career; J. Neil Schulman was twenty and hadn't yet started his first novel. Because he was looking for a way to meet his idol, Schulman wangled an assignment from the New York Daily News--at the time the largest circulation newspaper in the U.S.--to interview Heinlein for its Sunday Book Supplement. The resulting taped interview lasted three-and-a-half hours. This turned out to be the longest interview Heinlein ever granted, and the only one in which he talked freely and extensively about his personal philosophy and ideology. "The Robert Heinlein Interview" contains Heinlein you won't find anywhere else--even in Heinlein's own "Expanded Universe." If you wnat to know what Heinlein had to say about UFO's, life after death, epistemology, or libertarianism, this interview is the only source available. Also included in this collection are articles, reviews, and letters that J. Neil Schulman wrote about Heinlein, including the original article written for The Daily News, about which the Heinleins wrote Schulman that it was, "The best article--in style, content, and accuracy--of the many, many written about him over the years." This book is must-reading for any serious student of Heinlein, or any reader seeking to know him better.

    For all the great and everlasting moments of cultural interchange and tolerance--in Cordoba, Palermo, Constantinople--the ultimate "geography of belief " was decided on the battlefield. O'Shea vividly recounts seven pivotal battles between the forces of Christianity and Islam that shaped the Mediterranean world--from the loss of the Christian Middle East to the Muslims at Yarmuk (Turkey) in 636 to the stemming of the seemingly unstoppable Ottoman tide at Malta in 1565. In between, the battles raged round the Mediterranean, from Poitiers in France and Hattin in the Holy Land during the height of the Crusades, to the famed contest for Constantinople in 1453 that signaled the end of Byzantium. As much as the armies were motivated by belief, their exploits were inspired by leaders such as Charles Martel, Saladin, and Mehmet II, whose stirring feats were sometimes accompanied by unexpected changes of heart.

    Coming face to face with an important illuminated manuscript in the original is like meeting a very famous person. We may all pretend that a well-known celebrity is no different from anyone else, and yet there is an undeniable thrill in actually meeting and talking to a person of world stature.The idea for the book, which is entirely new, is to invite the reader into intimate conversations with twelve of the most famous manuscripts in existence and to explore with the author what they tell us about nearly a thousand years of medieval history - and sometimes about the modern world too. Christopher de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, collectors and the international community of manuscript scholars, showing us how he and his fellows piece together evidence to reach unexpected conclusions. He traces the elaborate journeys which these exceptionally precious artefacts have made through time and space, shows us how they have been copied, who has owned them or lusted after them (and how we can tell), how they have been embroiled in politics and scholarly disputes, how they have been regarded as objects of supreme beauty and luxury and as symbols of national identity. The book touches on religion, art, literature, music, science and the history of taste.Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts conveys the fascination and excitement of encountering some of the greatest works of art in our culture which, in the originals, are to most people completely inaccessible. At the end, we have a slightly different perspective on history and how we come by knowledge. It is a most unusual book.

    Collections of interviews with notable modern writers

    Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic reading of archives and archiving, both provocative and compelling."Judaic mythos, Freudian psychoanalysis, and e-mail all get fused into another staggeringly dense, brilliant slab of scholarship and suggestion."—The Guardian"[Derrida] convincingly argues that, although the archive is a public entity, it nevertheless is the repository of the private and personal, including even intimate details."—Choice"Beautifully written and clear."—Jeremy Barris, Philosophy in Review"Translator Prenowitz has managed valiantly to bring into English a difficult but inspiring text that relies on Greek, German, and their translations into French."—Library Journal

    Jones questions the accepted view of the Knight as a paragon of Christian chivalry, and argues that he is in fact no more than a professional mercenary who has spent his life in the service of petty despots and tyrants around the world. This edition includes astonishing new evidence from Jones, who argues that the character of the Knight was actually based on Sir John Hawkwood (d.1394), a marauding English freebooter and mercenary who pillaged his way across northern Italy during the 14th century, running protection rackets on the Italian Dukes and creating a vast fortune in the process.

    But what do you really know about this twelfth-century ruler of England? Do you know why he left England, or why he was taken prisoner by another sovereign as he tried to return? Did you know Richard had other brothers besides the famed scoundrel, Prince John? Have you heard tales of Richard not only as a missing king but as a leader who rode boldly into battle alongside his knights? Inside you will read about... - From Aquitaine to King of England - Beginnings of a Crusade - The Way to Palestine - Sea Battles and Sieges - A Captive King - The Last Five Years And much more! In this book, you'll learn the actual story of King Richard, a king who may not have been exactly "good," but was certainly brave, charismatic, and dashing-a historical character with a story to remember.

    The medieval world was not simply excavated through systematic research. It had to be conceptually created: It had to be invented, and this is the story of that invention.Norman Cantor focuses on the lives and works of twenty of the great medievalists of this century, demonstrating how the events of their lives, and their spiritual and emotional outlooks, influenced their interpretations of the Middle Ages. Cantor makes their scholarship an intensely personal and passionate exercise, full of color and controversy, displaying the strong personalities and creative minds that brought new insights about the past.A revolution in academic method, this book is a breakthrough to a new way of teaching the humanities and historiography, to be enjoyed by student and general public alike. It takes an immense body of learning and transmits it so that readers come away fully informed of the essentials of the subject, perceiving the interconnection of medieval civilization with the culture of the twentieth century and having had a good time while doing it! This is a riveting, entertaining, humorous, and learned read, compulsory for anyone concerned about the past and future of Western civilization.

    

    Besides George Meredith and his wife Mary Ellen, Swinburne and his companion Theodore Watts-Dunton are among those who also find a place in the three poem-sequences that comprise the book: "Arisbe," "The Leisure of the Theory Class," and "Rückenfigur." Howe's historical linkings, resonant with the sorrows of love and loss and the tragedies of war, create a compelling canvas of associations. "It's the blanks and gaps," she says, "that to me actually represent what poetry is-the connections between seemingly unconnected things-as if there is a place and might be a map to thought, when we know there is not."

    Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of medieval culture.  “[A] delightful study. . . . [Eco’s] remarkably lucid and readable essay is full of contemporary relevance and informed by the energies of a man in love with his subject.” —Robert Taylor, Boston Globe “The book lays out so many exciting ideas and interesting facts that readers will find it gripping.” —Washington Post Book World  “A lively introduction to the subject.” —Michael Camille, The Burlington Magazine “If you want to become acquainted with medieval aesthetics, you will not find a more scrupulously researched, better written (or better translated), intelligent and illuminating introduction than Eco’s short volume.” —D. C. Barrett, Art Monthly

    A marriage surprisingly happy, with the king pouring wealth upon his young wife's relatives...incurring the wrath of the Barons. Eleanor, devoted mother, who fought the will of the monks to stay in a monastery and nurse her sick son, the future Edward I. Eleanor, caught in court intrigue, with the powerful, disturbing Baron, Simon de Montfort, looming at every turn--friend or foe? Or what else? Eleanor, attacked while on a barge passing under London Bridge, as the kingdom seems to slip away from her and Henry. Eleanor in victory, de Montfort slain at Evesham by her son's mighty forces. But there is a price to pay. Eleanor, a widow, seeking peace after so many years of strife, ending her days in Amesbury Priory in the shadow of Stonehenge, a convent thought in Eleanor's time to be the final refuge of Queen Guinevere, whose legends the queen had ever loved. Today, Eleanor of Provence is lost to time, one of the lesser known English Queens, her gravesite obliterated, its whereabouts forgotten—one of the few English monarchs to have no known tomb. MY FAIR LADY is first person novel written from the viewpoint of Eleanor herself. A woman’s look at her own Queenship and life and loves in the 13th century, at the time of the Second Barons Revolt.

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    It was a time of uncertainty and incessant warfare, a time during which the crown was constantly contested, alliances were made and broken, and peasants and townsmen alike arose in revolt. This was the raw material of Shakespeare's dramas, and Norwich holds up his work to the light of history to ask: Who was the real Falstaff? How accurate a historian was the playwright? Shakespeare's Kings is a marvelous study of the Bard's method of spinning history into art, and a captivating portrait of the Middle Ages.