So grateful was Queen Victoria for Henry’s services as physician to the royal family that she granted him a peerage, making him a lord, the first doctor ever to be so honored. Henry had been especially attentive to hemophiliacs in the royal family, for he was obsessed with blood. As he recounted in his diary, “Red is my favorite color. To me a splash of blood is beautiful, and I profoundly lack understanding of those who flinch or even faint at the sight of it.”As his research deepens, Martin begins to uncover hints that his great-grandfather’s fascination with blood may have had its darker side. The murder of Henry’s fiancée, the death of his young son, the remarkable number of relatives and friends who died mysteriously—could all these have been mere coincidence? Martin scours England and America for relatives whose attics or memories might hold clues, until finally the tragic truth stands revealed.Drawing from the dark themes of obsession and murder that drive so many of Barbara Vine’s extraordinary novels, The Blood Doctor is also enriched by domestic intimacies familiar to readers of Ruth Rendell’s beloved Inspector Wexford novels and by details of Dame Rendell’s own experience as a Life Peer in the House of Lords. Once again we have a masterful work from a storyteller of the highest order.

    "Ikiru "(1952) tells the painful and intimate story of a Japanese civil servant coming to terms with old age and death. In "Seven Samurai "(1954) the inhabitants of a small Janpanese village employ a roaming band of samurai to defend them. In "Throne of Blood" (1957), based on "Macbeth," a samurai is encouraged by his wife to kill his lord.This edition also includes a critical introduction to each screenplay.

    L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter's depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life. But summer ends, and with the work done, Birkin must leave. Now, long after, as he reflects on the passage of time and the power of art, he finds in his memories some consolation for all that has been lost.

    Harding, a clergyman of great personal integrity who is nevertheless in possession of an income from a charity far in excess of the sum devoted to the purposes of the foundation. On discovering this, young John Bold turns his reforming zeal to exposing what he regards as an abuse of privilege, despite the fact that he is in love with Mr. Harding's daughter Eleanor. It was a highly topical novel (a case regarding the misapplication of church funds was the scandalous subject of contemporary debate), but like other great Victorian novelists, Trollope uses the specific case to explore and illuminate the universal complexities of human motivation and social morality

    This beautifully designed and illustrated book tells the story largely through the eyes of an unknown English patient whose mind is awash with a life's worth of secrets and passions after his plane is shot down near the beginning of World War Two.

    Take in the atmosphere of the Great White Way in its heyday at a little speakeasy called Good Time Charley's. Here are thirty-two of Damon Runyon's best-loved, most "Runyonesque" stories, each woven around the mobsmen, chorus girls, gamblers, and racetrack hustlers of the Broadway he knew and loved. Runyon captures with an acute eye and ear the colorful lives and language of a bygone era, one that lives on in our imagination—and on stage.

    It begins with the Day the Battle of Waterloo was fought and ends at the closing of the 19th Century. Its cast includes Actors, Kings, Sailors, Artists, etc. It is filled with romance.

    A computerized horse-betting system falls into Jonathan Derry's hands--and unless he returns it to the rightful owners, the odds of his survival are slim to none.

    This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

    Lucas, Lucia to her intimates, resides in the village of Riseholme, a pretty Elizabethan village in Worcestershire, where she vigorously guards her status as "Queen" despite occasional attempts from her subjects to overthrow her. Lucia’s dear friend Georgie Pillson both worships Lucia and occasionally works to subvert her power.

    Elizabeth Jenkins's artistry, however, transforms the bare facts of this case from the annals of Victorian England's Old Bailey into an absolutely spine-chilling exploration of the depths of human depravity.

    Blandings has impostors like other houses have mice. Now there are two of them – both intent on a dangerous enterprise. Lord Emsworth’s secretary, the efficient Baxter, is on the alert and determined to discover what is afoot – despite the distractions caused by the Honorable Freddie Threepwood’s hapless affair of the heart.

    An inspector calls to interrogate the family, and during the course of his questioning, all members of the group are implicated lightly or deeply in the girl's undoing. The family, closely knit and friendly at the beginning of the evening, is shown up as selfish, self-centered or cowardly, its good humor turning to acid, and good fellowship to dislike, before the evening is over. The surprising revelation, however, is in the inspector...

    An eminent—and initially unsympathetic—QC takes on the case, and the boy has to withstand the full might of the Royal Naval Establishment seeking to discredit him.

    Gallery owner Ethan Muller can see its brilliance—and money-making potential. When Ethan displays the art, the show attracts the attention of the police. Because the subjects of the pictures look exactly like the victims in a long-cold murder case. Ethan has received a letter saying stop, stop, stop. And the still-missing genius may be the link to a madman—or the madman himself.