Written by a lady of the court at the height of Heian culture, this book enthralls with its lively gossip, witty observations, and subtle impressions. Lady Shonagon was an erstwhile rival of Lady Murasaki, whose novel, "The Tale of Genji," fictionalized the elite world Lady Shonagon so eloquently relates. Featuring reflections on royal and religious ceremonies, nature, conversation, poetry, and many other subjects, "The Pillow Book" is an intimate look at the experiences and outlook of the Heian upper class, further enriched by Ivan Morris's extensive notes and critical contextualization.

    The next morning, the fishermen find themselves in the middle of an empty sea. Overnight, the island has vanished without a trace. The Japanese weather service sends a vessel to investigate. They find convincing evidence of a horrifying geological change. Thrust into existence millions of years ago when a strong shift in the underlying plates tore it away from the Asian mainland, the Japanese Archipelago has been moving inexorably toward an unseen force in the Japan Trench, and is set on a collision course that threatens to pull the economic superpower under--literally.

    Beloved translator Peter Beilenson’s goal was twofold: to craft a book of haiku accessible to anyone, and to render his best guess at what the poets would have written in English. His translations preserve the sublime spirit of each verse, conjuring vivid visual and emotional impressions in spare words.Haiku icon Basho is represented amply here, as are imagery-virtuoso Buson and wry, warm, painfully human Issa. The verses of Shiki, Joso, Kyorai, Kikaku, Chora, Gyodai, Kakei, Izen, and others also appear, all illuminated by lovely woodblock prints. Ranging from exquisite (In the sea surf edge/Mingling with the bright small shells…/Bush-clover petals –Basho) to bittersweet (Dead my fine hopes/And dry my dreaming, but still…/Iris, blue each spring –Shushiki) to silly (Dim the grey cow comes/Mooing, mooing, and mooing/Out of the morning mist –Issa), this collection will stir your senses and your heart.

    As he starts digging deeper and deeper into the mystery of her sudden reappearance, he discovers a secret that is somehow linked to the past...and the future. Is it possible to experience first love for a second time? Without question, the answer is yes!

    The Way of the Warrior presents a remarkably faithful mirror of many of the characteristics and habits of modern Japanese civilization, as it represents a tradition that enjoyed great power and prestige for centuries. This work was written to provide practical and moral instruction for warriors, and to outline the parameters of personal, social, and professional conduct characteristic of Bushido, or Way of the Warrior, the Japanese chivalric tradition.Personal responsibilities, family relationships, public duties, education, finances and ethics are treated in this text from the perspective of the spirit of Japanese gentlemen. Even the forms of political incompetence and corruption that Japan currently struggles with are accurately described in this more than 400-year-old book; So deep did the feudal and military modes of government that generated them take their roots in Japanese society. This manual is therefore an essential resource for anyone who wishes to understand Japan and the Japanese people in a realistic way.

    The result was an autobiographical narrative, a tale of thirty-six years (1271-1306) in the life of Lady Nijo, starting when she became the concubine of a retired emperor in Kyoto at the age of fourteen and ending, several love affairs later, with an account of her new life as a wandering Buddhist nun.Through the vagaries of history, however, the glory of Lady Nijo's story has taken six and half centuries to arrive. The Confessions of Lady Nijo or Towazugatari in Japanese, was not widely circulated after it was written, perhaps because of the dynastic quarrel that soon split the imperial family, or perhaps because of Lady Nijo's intimate portrait of a very human emperor. Whatever the cause, the book was neglected, then forgotten completely, and only a single manuscript survived. This was finally discovered in 1940, but would not be published until after World War II in 1950. This translation and its annotations draw on multiple Japanese editions, but borrow most heavily from the interpretations offered by Tsugita Kasumi.

    She remains hopeful that a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans.In Klara and the Sun, Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?

    Death Sentences—a work of science fiction that shares its conceit with the major motion picture The Ring—tells the story of a mysterious surrealist poem, penned in the 1940s, which, through low-tech circulation across time, kills its readers, including Arshile Gorky and Antonin Artaud, before sparking a wave of suicides after its publication in 1980s Japan. Mixing elements of Japanese hard-boiled detective story, horror, and science fiction, the novel ranges across time and space, from the Left Bank of Paris to the planet Mars.Paris, 1948: André Breton anxiously awaits a young poet, Who May. He recalls their earlier encounter in New York City and the mysterious effects of reading Who May’s poem “Other World.” Upon meeting, Who May gives Breton another poem, “Mirror,” an even more unsettling work. Breton shares it with his fellow surrealists. Before Breton can discuss the poem with him, Who May vanishes. Who May contacts Breton about a third poem, “The Gold of Time,” and then slips into a coma and dies (or enters another dimension). Copies of the poem are mailed to all of Who May’s friends—Breton, Gorky, Paul Éluard, Marcel Duchamp, and other famous surrealists and dadaists. Thus begins the “magic poem plague.”Death Sentences is the first novel by the popular and critically acclaimed science fiction author Kawamata Chiaki to be published in English. Released in Japan in 1984 as Genshi-gari (Hunting the magic poems), Death Sentences was a best seller and won the Japan Science Fiction Grand Prize. With echoes of such classic sci-fi works as George Orwell’s 1984, Ray Bradbury’s Fahrenheit 451, William Gibson’s Neuromancer, and Philip K. Dick’s Martian Time-Slip, Death Sentences is a fascinating mind-bender with a style all its own.

    She begins with the formality and security of the arrangements of life for a Japanese middle-class family, living in a walled compound with their servants, following exactly the tradition inherited from their parents, with marriages arranged for the children, which continued up until World War II. By then her mother was married to an engineer and living in Japanese-occupied Manchuria. That period is marked by her mother's often funny, painful experiences of learning about the Chinese and Russians with whom she now lived with her growing family, and the war seen from her point of view. At the end of the war, the Japanese - women, children, everyone - had to escape, walking hundreds of miles to the coast. The family returned to a Tokyo where the society, the culture, the economy was entirely overturned. The Americans were everywhere, the Japanese were unemployed, and the ways of society that they had all known had vanished. And yet somehow Ruri's indomitable mother survived.

    In a shocking clash between the warriors and the merchant class of seventeenth century Japan, there emerged the most unlikely set of heroes--the forty-seven ronin, or ex-samurai, of Ako.

    However, he soon becomes all too painfully aware of the consequences of his actions.

    Police investigating the murder of a middle-aged office worker discover e-mail correspondence on the victim's computer that indicates he had been a regular participant in an Internet chat room, as the "father" in a fantasy "family." Meanwhile, a female detective is assigned to protect the dead man's real-life daughter who complains of being stalked. As the real daughter confronts her father's alternate life, we are pulled into a psychological drama that pits reality and illusion against each other in astonishing ways.

    Tsuyoshi Manase learned his first geology lesson from a dying soldier in a cave at the end of World War II. The soldier, a corporal, is skeletal, his eyes swarming with maggots, but his voice is low and steady, as he tells Manase of how a small pebble contains the Earth's history in its ephemeral matter. When the war ends, Manase returns home and opens a bookstore. He marries, and becomes the father of two sons. But what consoles him the most is the collecting of stones, and he enjoys his quiet life. That is until horrible violence visits his family and Manase must face his past in order to survive the nightmares of the present. A darkly compelling tale of one man's struggle against his own memories, The Stones Cry Out is a formidable debut novel from an international writer with an unusually penetrating voice.

    At this moment in New York, Manfred lurches from a dream where a fisherman was about to gut him he wakes just in time to make his morning work-out. Meanwhile, Michael is preparing to go to the late-night gym in Tokyo, thinking of a man he met in Berlin only weeks before. Tawada's story follows the three men Mamoru, Manfred and Michael as they move through their lives on different sides of the globe. Though thousands of miles apart, odd moments of synchronicity form between these characters, the narrative shifting from one perspective to another as the three men's lives momentarily align and diverge. Here, modernity is rendered textual as Tawada explores the strange nature of human connection in a globalized, technologized world, and discovers what this means for contemporary storytelling.Translated by Jeffrey Angles. Design by Glen Robinson.

    Arguably the central genre of Japanese literature, the 31-syllable lyric made up the great majority of Japanese poetry from the ninth to the nineteenth century and was the inspiration for such poetry as haiku and renga. Tanka has begun to attract considerable attention in North America in recent years. Modern Japanese Tanka is the first comprehensive collection available in English.Tanka retains the aesthetic sensibilities that circumscribe Japanese culture, but just as Japan has changed during this tumultuous century, tanka has undergone equally radical shifts. Responding to artistic and social movements of the West, tanka has incorporated influences ranging from Marxism to Avant-Garde.Modern Japanese Tanka includes four hundred poems by twenty of Japan's most renowned poets who have made major contributions to the hisotry of tanka in the late nineteenth and early twentieth centuries. With his graceful, eloquent translations, Makoto Ueda captures the distinct voices of these individual poets, providing biographical sketches of each as well as transliterating Japanese text below each poem. His introduction gives an excellent overview of the development of tanka in the last one hundred years.Tracing the contemporary tanka tradition from Yosana Tekkan in the late nineteenth century to the late twentieth-century poetry of such writers as Taware Machi, Modern Japanese Tankselegantly conveys an authentic sense of Japanese lyric to a Western audience.