D. James. Fast on the heels of her latest best seller: a new, fiendishly entertaining gathering of previously uncollected stories, from the author of Death Comes to Pemberley and The Private Patient.It's not always a question of "whodunit?" Sometimes there's more mystery in the why or how. And although we usually know the unhealthy fates of both victim and perpetrator, what of those clever few who plan and carry out the perfect crime? The ones who aren't brought down even though they're found out? And what about those who do the finding out who witness a murder or who identify the murderer but keep the information to themselves? These are some of the mysteries that we follow through those six stories as we are drawn into the thinking, the memories, the emotional machinations, the rationalizations, the dreams and desires behind murderous cause and effect.

    But trouble is Chicago private eye V.I. Warshawski's specialty. Her client says he's the prominent banker, John Thayer. Turns out he's not. He says his son's girlfriend, Anita Hill, is missing. Turns out that's not her real name. V.I.'s search turns up someone soon enough -- the real John Thayer's son, and he's dead. Who's V.I.'s client? Why has she been set up and sent out on a wild-goose chase? By the time she's got it figured, things are hotter -- and deadlier -- than Chicago in July. V.I.'s in a desperate race against time. At stake: a young woman's life.

    A tough-talking former cop, private investigator Kinsey Millhone has set up a modest detective agency in a quiet corner of Santa Teresa, California. She's a twice-divorced loner with few personal possessions and fewer personal attachments but with a soft spot for underdogs and lost causes.A IS FOR ACCUSED. That's why she draws desperate clients like Nikki Fife. Eight years ago, she was convicted of killing her philandering husband. Now she's out on parole and needs Kinsey's help to find the real killer. But after all this time, clearing Nikki's bad name won't be easy.A IS FOR ALIBI. If there's one thing that makes Kinsey Millhone feel alive, it's playing on the edge. When her investigation turns up a second corpse, more suspects, and a new reason to kill, Kinsey discovers that the edge is closer--and sharper--than she imagined.Librarian's note: there are 25 titles in this extraordinary series: "A" Is for Alibi (1982); "B" Is for Burglar (1985); "C" Is for Corpse (1986); "D" Is for Deadbeat (1987); "E" Is for Evidence (1988); "F" Is for Fugitive (1989); "G" Is for Gumshoe (1990); "H" Is for Homicide (1991); "I" Is for Innocent (1992); "J" Is for Judgment (1993); "K" Is for Killer (1994); "L" is for Lawless (1995); "M" Is for Malice (1996); "N" Is for Noose (1998); "O" Is for Outlaw (1999); "P" Is for Peril (2001); "Q" Is for Quarry (2002); "R" Is for Ricochet (2004); "S" Is for Silence (2005); "T" Is for Trespass (2007); "U" Is for Undertow (2009); "V" Is for Vengeance (2011); "W" Is for Wasted (2013); "X" (2015), and lastly, “Y” Is for Yesterday (2017). Work on "Z" had not begun at the time of the author's death in late 2017.

    Immediately shut out by a local police department already stretched thin by budget cuts and the growing OxyContin and meth epidemic, Vega enlists the help of a disgraced former cop, Max Caplan. Cap is a man trying to put the scandal of his past behind him and move on, but Vega needs his help to find the girls, and she will not be denied. With little to go on, Vega and Cap will go to extraordinary lengths to untangle a dangerous web of lies, false leads, and complex relationships to find the girls before time runs out, and they are gone forever.

    He's been sent from his home in Singapore to Kuala Lumpur to solve a murder that has him stumped. Chelsea Liew – the famous Singaporean model – is on death row for the murder of her ex-husband. She swears she didn't do it, he thinks she didn't do it, but no matter how hard he tries to get to the bottom of things, he still arrives back at the same place – that Chelsea's husband was shot at point blank range, and that Chelsea had the best motivation to pull the trigger: he was taking her kids away from her. Now Inspector Singh must pull out all the stops to crack a crime that could potentially free a beautiful and innocent woman and reunite a mother with her children. There's just one problem – the Malaysian police refuse to play ball...

    He's left the LAPD in disgrace but lands on his feet as the new chief of police in Paradise, Massachusetts -- a town not far from Boston that's a lot less idyllic than it sounds.On arrival, the new chief finds himself in between corrupt town leaders, a local militia group, and a murderer on the loose.This exciting departure for the creator of Spenser, Robert B. Parker, "the reigning champion of the American tough-guy detective novel" (Entertainment Weekly), has landed Parker on the New York Times bestseller list once again but this time with Jesse Stone. Both readers and critics are thrilled.

    If only the nightmare had ended when she was rescued. Instead, her real father exploited her tabloid-ready story for fame and profit—until Charlotte finally broke free from her ghoulish past and fled. Just when she thinks she has buried her personal hell forever, Charlotte is swept into a frightening new ordeal. Secretly dosed with an experimental drug, she’s endowed with a shocking new power—but pursued by a treacherous corporation desperate to control her.Except from now on, if anybody is going to control Charlotte, it’s going to be Charlotte herself. She’s determined to use the extraordinary ability she now possesses to fight the kind of evil that shattered her life—by drawing a serial killer out from the shadows to face the righteous fury of a victim turned avenger.

    Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he’ll murder Haines’s wife if Haines will murder Bruno’s father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith’s perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. The inspiration for Alfred Hitchcock’s classic 1951 film, Strangers on a Train launched Highsmith’s prolific career, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday life.

    She's an officer in sleepy Woodbury, MA, where a bicycle theft still makes the newspapers. No one there knows she was once victim number seventeen in the grisly story of serial killer Francis Michael Coben. The only one who lived.When three people disappear from her town in three years―all around her birthday―Ellery fears someone knows her secret. Someone very dangerous. Her superiors dismiss her concerns, but Ellery knows the vanishing season is coming and anyone could be next. She contacts the one man she knows will believe her: the FBI agent who saved her from a killer all those years ago.Agent Reed Markham made his name and fame on the back of the Coben case, but his fortunes have since turned. His marriage is in shambles, his bosses think he's washed up, and worst of all, he blew a major investigation. When Ellery calls him, he can’t help but wonder: sure, he rescued her, but was she ever truly saved? His greatest triumph is Ellery’s waking nightmare, and now both of them are about to be sucked into the past, back to the case that made them...with a killer who can't let go.

    Even being the adopted daughter of a revered cop couldn’t keep Abbie’s troubled past from making her a misfit in the working-class Irish American enclave of South Buffalo. And now, despite a Harvard degree and a police detective’s badge, she still struggles to earn the respect and trust of those she’s sworn to protect. But all that may change, once the killing starts.When Jimmy Ryan’s mangled corpse is found in a local church basement, this sadistic sacrilege sends a bone-deep chill through the winter-whipped city. It also seems to send a message—one that Abbie believes only the fiercely secretive citizens of the neighborhood known as “the County” understand. But in a town ruled by an old-world code of silence and secrecy, her search for answers is stonewalled at every turn, even by fellow cops. Only when Abbie finds a lead at the Gaelic Club, where war stories, gossip, and confidences flow as freely as the drink, do tongues begin to wag—with desperate warnings and dire threats. And when the killer’s mysterious calling card appears on her own doorstep, the hunt takes a shocking twist into her own family’s past. As the grisly murders and grim revelations multiply, Abbie wages a chilling battle of wits with a maniac who sees into her soul, and she swears to expose the County’s hidden history—one bloody body at a time.

    Soon after, it simply drops off the radar, and its wreckage is later uncovered in the Alps. Among the disappeared is Matthew Werner, a banking insider at Swiss United, a powerful offshore bank. His young widow, Annabel, is left grappling with the secrets he left behind, including an encrypted laptop and a shady client list. As she begins a desperate search for answers, she determines that Matthew's death was no accident, and that she is now in the crosshairs of his powerful enemies. Meanwhile, ambitious society journalist Marina Tourneau has finally landed at the top. Now that she's engaged to Grant Ellis, she will stop writing about powerful families and finally be a part of one. Her entry into the upper echelons of New York's social scene is more appealing than any article could ever be, but, after the death of her mentor, she agrees to dig into one more story. While looking into Swiss United, Marina uncovers information that implicates some of the most powerful men in the financial world, including a few who are too close to home. The story could also be the answer to Annabel's heartbreaking search--if Marina chooses to publish it.

    Will under suspicion, they flee. Suddenly a hard-edged FBI agent appears on their doorstep. “I know you’re innocent, because Rachael wasn’t the first ... or the last.”

    But as questions mount, Falk is forced to probe deeper into the deaths of the Hadler family. Because Falk and Luke Hadler shared a secret. A secret Falk thought was long buried. A secret Luke's death now threatens to bring to the surface in this small Australian town, as old wounds bleed into new ones.

    Then a beautiful young woman is found raped and savagely murdered on the altar steps of an ancient church near Westminster Abbey. A dueling pistol discovered at the scene and the damning testimony of a witness both point to one man, Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.Now a fugitive running for his life, Sebastian calls upon his skill as an agent during the war to catch the killer and prove his own innocence. In the process, he accumulates a band of unlikely allies, including the enigmatic beauty Kat Boleyn, who broke Sebastian's heart years ago. In Sebastian's world of intrigue and espionage, nothing is as it seems, yet the truth may hold the key to the future of the British monarchy, as well as to Sebastian's own salvation....

    Every night, on the point of losing his mind, he drowns their screams in drink. His solution is to kill those who engineered their deaths.From the greedy politicians to the corrupt security forces, the street thugs to the complacent bystanders who let it happen, all are called to account. But when Fegan's vendetta threatens to derail a hard-won truce and destabilise the government, old comrades and enemies alike want him dead.Winner of the Los Angeles Times Book Prize for Best Thriller.