With full participation from reclusive singer and chief songwriter Paul Westerberg, bassist Tommy Stinson, guitarist Slim Dunlap, and the family of late band co-founder Bob Stinson, author Bob Mehr is able to tell the real story of this highly influential group, capturing their chaotic, tragic journey from the basements of Minneapolis to rock legend. Drawing on years of research and access to the band's archives at Twin/Tone Records and Warner Bros. Mehr also discovers previously unrevealed details from those in the group's inner circle, including family, managers, musical friends and collaborators.

    The band's notorious exploits have been chronicled in bestselling books; yet none of the individual members of the band has penned a memoir nor cooperated to any degree with the press or a biographer.  In Light & Shade, Jimmy Page, the band’s most reticent and inscrutable member, opens up to journalist Brad Tolinski, for the first time exploring his remarkable life and musical journey in great depth and intimate detail.   Based on extensive interviews conducted with the guitarist/producer over the past 20 years, Light & Shade encompasses Page’s entire career, beginning with his early years as England’s top session guitarist when he worked with artists ranging from Tom Jones, Shirley Bassey, and Burt Bacharach to the Kinks, The Who, and Eric Clapton.  Page speaks frankly about his decadent yet immensely creative years in Led Zeppelin, his synergistic relationships with band members Robert Plant, John Bonham, and John Paul Jones, and his notable post-Zeppelin pursuits.  While examining every major track recorded by Zeppelin, including “Stairway to Heaven,” “Whole Lotta Love,” and “Kashmir,” Page reflects on the band’s sensational tours, the filming of the concert movie The Song Remains the Same, his fascination with the occult, meeting Elvis Presley, and the making of the rock masterpiece Led Zeppelin IV, about which he offers a complete behind-the-scenes account. Additionally, the book is peppered with “sidebar” chapters that include conversations between Page and other guitar greats, including his childhood friend Jeff Beck and hipster icon Jack White.   Through Page’s own words, Light and Shade presents an unprecedented first-person view of one of the most important musicians of our era.

    The British singer-songwriter made only three albums during his short life - Five Leaves Left, Bryter Layter and Pink Moon. All are now recognized as classics.Since his death, Nick has been cited as a seminal influence by stars as diverse as REM, Elton John, and Paul Weller. While the lives of other musicians who died before their time, such as Jim Morrison, John Lennon, Jimi Hendrix, Janis Joplin and Gram Parsons, have been amply documented, there has never before been a biography of Nick Drake. Patrick Humphries' illuminating text includes exclusive interviews with friends, colleagues and musicians who knew and worked with Nick. It provides an unprecedented insight not only into the life and work of Nick Drake, but also into the music scene of the 1960s that formed his backdrop.If a week is a long time in politics, then the 23 years since Nick's death represents a lifetime in the transitory world of pop. But the music of Nick Drake has never lost its place in his fans affections, and still its haunting beauty reaches out of fresh generations. This book is for all of them.

    Contents: Julian Cope shot to fame with eighties band 'Teardrop Explodes' during the Punk era. Hailed as a visionary by those people who recognise his genius and a madman by those who find him perplexing, he has become a cult figure in the music world. Head-On has previously only been available via 'Head Heritage' Julian's own company. Repossesed picks up in 1983 where Head On ends and continues up until 1989. Written in Cope's inimitable style it is set to provoke the same kind of media excitement.

    And a lot of people looked up to us. It helped a lot of kids who had very mediocre, uneventful, unhappy lives. It gave them something to hold on to.” —Cherie Currie“The objective was to create something for our own personal satisfaction, because everything in our youthful and limited opinion sucked, and we knew better.” —John Doe“The Masque was like Heaven and Hell all rolled into one. It was a bomb shelter, a basement. It was so amazing, such a dive ... but it was our dive.” —Hellin Killer“At least fifty punks were living at the Canterbury. You’d walk into the courtyard and there’d be a dozen different punk songs all playing at the same time. It was an incredible environment.” —Belinda CarlisleAssembled from exhaustive interviews, We Got the Neutron Bomb tells the authentically gritty stories of bands like the Runaways, the Germs, X, the Screamers, Black Flag, and the Circle Jerks—their rise, their fall, and their undeniable influence on the rock ’n’ roll of today.

    While ostensibly purporting to be a history of that much derided (though currently fashionable) four-letter word, 'folk', Electric Eden will be a magnificent survey of the visionary, topographic and esoteric impulses that have driven the margins of British visionary folk music from Vaughan Williams and Holst to The Incredible String Band, Nick Drake, John Martyn and Aphex Twin. For the first time the full story of the extraordinary period of folk rock from the mid 1960s to the mid 1970s will be told in a book with the breadth of a social history touching on sonic worship, pagan architecture, land art, ley lines and ther outer fringes of the avant garde. Electric Eden identifies a particularly English wellspring of imagery and imagination, an undercurrent that has fed into the creative and organic strand of Britain's music over the past century.

    What's not to love?"-Nick Cave, author of The Sick Bag Song and The Death of Bunny MunroWhen Mark Lanegan first arrived in Seattle in the mid-1980s, he was just "an arrogant, self-loathing redneck waster seeking transformation through rock 'n' roll." Little did he know that within less than a decade, he would rise to fame as the front man of the Screaming Trees, then fall from grace as a low-level crack dealer and a homeless heroin addict, all the while watching some of his closest friends rocket to the forefront of popular music.In Sing Backwards and Weep, Lanegan takes readers back to the sinister, needle-ridden streets of Seattle, to an alternative music scene that was simultaneously bursting with creativity and dripping with drugs. He tracks the tumultuous rise and fall of the Screaming Trees, from a brawling, acid-rock bar band to world-famous festival favorites that scored a hit #5 single on Billboard's Alternative charts and landed a notorious performance on David Letterman, where Lanegan appeared sporting a fresh black eye from a brawl the night before. This book also dives into Lanegan's personal struggles with addiction, culminating in homelessness, petty crime, and the tragic deaths of his closest friends. From the back of the van to the front of the bar, from the hotel room to the emergency room, onstage, backstage, and everywhere in between, Sing Backwards and Weep reveals the abrasive underlining beneath one of the most romanticized decades in rock history-from a survivor who lived to tell the tale. Gritty, gripping, and unflinchingly raw, Sing Backwards and Weep is a book about more than just an extraordinary singer who watched his dreams catch fire and incinerate the ground beneath his feet. Instead, it's about a man who learned how to drag himself from the wreckage, dust off the ashes, and keep living and creating.

    Based on interviews with former members Lou Reed, John Cale, and Sterling Morrison, as well as others from Andy Warhol's circle of artistic collaborators, Up-Tight is the definitive oral and visual history of the band and its revolutionary, often avant-garde music. Bockris and Malanga's intelligent and entertaining approach-which does not shy away from the drugs, sleaze, and controversy that enveloped the band seemingly from its inception-provides compulsive reading.

    Fisher searches for the traces of these lost futures in the work of David Peace, John Le Carré, Christopher Nolan, Joy Division, Burial and many others.

    Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing.Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.

    Thirty years later, the music made in Laurel Canyon continues to pour from radios, iPods, and concert stages around the world. During the canyon's golden era, the musicians who lived and worked there scored dozens of landmark hits, from "California Dreamin'" to "Suite: Judy Blue Eyes" to "It's Too Late," selling tens of millions of records and resetting the thermostat of pop culture.In Laurel Canyon, veteran journalist Michael Walker tells the inside story of this unprecedented gathering of some of the baby boom's leading musical lights—including Joni Mitchell; Jim Morrison; Crosby, Stills, and Nash; John Mayall; the Mamas and the Papas; Carole King; the Eagles; and Frank Zappa, to name just a few—who turned Los Angeles into the music capital of the world and forever changed the way popular music is recorded, marketed, and consumed.

    Universally acclaimed as a musical genius, Miles is one of the most important and influential musicians in the world. The subject of several biographies, now Miles speaks out himself about his extraordinary life.Miles: The Autobiography, like Miles himself, holds nothing back. For the first time Miles talks about his five-year silence. He speaks frankly and openly about his drug problem and how he overcame it. He condemns the racism he has encountered in the music business and in American society generally. And he discusses the women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus, and many others.The man who has given us some of the most exciting music of the past few decades has now given us a compelling and fascinating autobiography, featuring a concise discography and thirty-two pages of photographs.

    He was a soldier. He was a flag-waver for the Labour Party. He is Billy Bragg, best known as a passionate political songwriter and urbane folk singer, but equally admired for his offbeat love songs. Billy Bragg is a British institution who never went out of fashion (he was never in fashion in the first place). In America he was chosen as the spiritual heir to legendary protest singer Woody Guthrie, beating rival claims from the likes of Bob Dylan and Neil Young. In the UK he surfaced on current affairs TV programmes during the 2001 election dressed as a Roman legionary advocating tactical voting to keep the Tories out. Billy Bragg is a one-off and Still Suitable for Miners is his official story, a portrait of a peerless entertainer and a fearless campaigner growing up in Britain in the years after rock 'n' roll. The book includes childhood photos and previously unseen images from Billy's personal archive.

    Moonage Daydream is the most complete, detailed exploration of one of rock 'n' roll's greatest creations: Ziggy Stardust.Featuring more than 600 photographs from Mick Rock's vast archive, Moonage Daydream takes the reader from the early English Concerts where Ziggy and the Spiders from Mars made their names, to Ziggy's final swansong, the flamboyant 1980 Floor Show.Alongside Mick Rock's reflections on these incredible images, David Bowie adds his own thoughts: discussing Ziggy's origins ad giving an unprecedented insight into the stratospheric two-year career of his alter-ego.These include reflections on his collaboration with mime artist Lindsay Kemp; the breakthrough tour of the USA; the massive sell-out UK tour that culminated in Ziggy's official retirement; and the recording of Pin Ups in Paris.Mick Rock's camera caught more of the Ziggy legend than any other ad followed Bowie into hotel rooms and dressing rooms, on the road and socialising with musicians and friends including Lou Reed, Iggy Pop and Mick Jagger.Also included are formal studio sessions for the Pin Ups album sleeve and the four pioneering music videos that Mick directed and filmed for Bowie.

    He lived with them throughout their 1969 American tour, staying up all night together listening to blues, talking about music, ingesting drugs, and consorting with groupies. His thrilling account culminates with their final concert at Altamont Speedway—a nightmare of beating, stabbing, and killing that would signal the end of a generation’s dreams of peace and freedom. But while this book renders in fine detail the entire history of the Stones, paying special attention to the tragedy of Brian Jones, it is about much more than a writer and a rock band. It has been called—by Harold Brodkey and Robert Stone, among others—the best book ever written about the sixties. In Booth’s new afterword, he finally explains why it took him 15 years to write the book, relating an astonishing story of drugs, jails, and disasters.