As a young Detective Inspector, he's lost none of his disgust with privileged elites - or his objectionable manners. But he notices things; they stick to his eyes. His professional partner, DI Ray Wilkins, of affluent Nigerian-London heritage, is an impeccably groomed, smooth-talking graduate of Balliol College, Oxford. You wouldn't think they would get on. They don't.But when a young woman is found strangled at Barnabas Hall, they're forced to.Rich Oxford is not Ryan's natural habitat. St Barnabas's irascible Provost does not appreciate his forceful line of questioning. But what was the dead woman doing in the Provost's study? Is it just a coincidence that on the night of her murder the college was entertaining Sheik al-Medina, a Gulf state ruler linked to human-rights abuses in his own country and acts of atrocity in others?As tensions rise, things aren't going well. Ray is in despair. Ryan is in disciplinary measures. But their investigation gradually disentangles the links between a Syrian refugee lawyer now working in the college kitchens, a priceless copy of the Koran in the college collection and the identity of the dead woman.A Killing in November introduces an unlikely duo from different sides of the tracks in Oxford in a deftly plotted murder story full of dangerous turns, troubled pasts and unconventional detective work.

    What was once the United States has become a savage post-apocalyptic environment where the worst of the worst prosper and the remaining good hide. The series features a brutal setting, where seven characters in different parts of the United States must adapt to this new environment. The "fight or flight" mentality plays into the story, as the nation is divided into factions fighting for control of the country. The government is outnumbered, outgunned, and forced into hiding as well to recoup their forces. The novel follows a fast paced momentum from the first page to the last word. The plot pits these characters against the elements and each other, with plot-lines intertwining on opposite sides of the war effort. And one character's quest for revenge can jeopardize not only the war outcome, but the reshaping of the entire nation. With an ever-changing storyline and evolving characters, the Aftermath series gets more intense with every chapter. But what these characters don't realize, the terrifying evil making its way across the ocean.

    Bask in the sweetness of young hearts falling in love and cheer them on when circumstances stand in their way. Walk through the pain of broken relationships and rejoice at unexpected reunions. Whether you prefer it happy or bittersweet, straightforward or a little complicated, Love in Penang offers you 18 morsels of love in various forms.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    Facing eviction, her only hope of staying afloat is to do the reality TV show, "Let's Get Married." The show pairs up single strangers, and viewers vote for who should be united in wedded bliss. Imani is only looking to be united with a paycheck—until she locks eyes with a fellow contestant. . Are About To Create A Buzz...Dr. Raymond Thomas is determined to keep his struggling free clinic running—even if it means appearing on "Let's Get Married." He can't imagine finding love on TV—but when he spots Imani, he definitely finds lust. And their attraction isn't lost on the producers. But as the cameras start focusing on them, Raymond wonders if he's just a tool in Imani's career. Only time—and a life-changing choice—will tell.

    A top-secret mission. Danger that lurks at every turn. Raven Remington is facing her most challenging mission: protecting the man who may have killed her sister. The former spy is still trying to integrate into life as a civilian and figure out whom to trust. With each passing day, the task becomes more difficult. Can Raven figure out who is trying to assassinate the man—the senator—she’s been tasked to protect . . . or will surprises hidden just below the surface destroy life as she knows it? *Relentless is based on the fictional TV show starring Hollywood starlet Joey Darling from The Worst Detective Ever mystery series.

    The work of an obscure German artist, the scene showed Christ leaving the palace of Pontius Pilate under a guard of Roman soldiers forcing their way through a stone-throwing mob. There was no doubt that it was a true masterpiece of Renaissance art. But for the four people who gathered to view it, the picture possessed a qualit that was absolutely unique: As each of them looked upon it he found himself clearly depicted as one of the howling mob.In this new novel by the author of The Lilies of the Field, a young man's search for the secret of the strange genius who created that seemingly magical painting leads him to a beautiful, and perfectly intact medieval town in Germany, and, finally, to the discovery of the most precious gift a person can receive.

    Angel is convinced that the voice belongs to his beautiful and enigmatic neighbor, Angela -- and that she is terrified for her life. He paces the floor, waiting for the phone to ring again, calls the police, searches her apartment, but there is no trace of her anywhere, not for days. So begins a haunted man's quest to uncover what happened to the woman he has fallen in love with. Only now does he realize that he knows nearly nothing about her. Angel has his secrets, too. He is the son of one of Hollywood's most successful movie producers, but he has turned away from that bright and power-ridden world. Instead, he leads a cloistered existence, nursing an unfinished screenplay as Ridley Scott's Blade Runner loops ceaselessly in his darkened apartment. But now, for the first time in years, because of Angela's sudden disappearance, Angel is propelled into action. Following the few clues he has gathered about her, he trails Angela through the hard glitter of Los Angeles days and nights. With every new piece of knowledge arrives another question and an even more chilling possibility: Did he merely imagine Angela? Is someone deliberately leading him? Is the phantom he is pursuing the very fear he has been running from? In the murky underworld beneath the bright surface of Los Angeles, everything he knew about her -- and himself -- begins to unravel. In this city of secrets that aren't meant to be told and people who aren't meant to be found, Angel may soon discover that the most dangerous lies of all are the ones you tell yourself.

    The murky winter twilight gathered stealthily around him. As he passed by the corner grocery store, he waved to the proprietor, who returned the greeting. He didn’t have far to go now; his home was just the third house down from the corner. Where, at that very moment, his mother boiled water for his tea. But he never made it. For somewhere in that short distance of just about one hundred feet, he simply vanished and was never seen again. Fifteen years later, the case still remained unsolved. Under its former title Monsters in our Midst, this novel received the following reviews: REVIEW FROM COFFEE TIME ROMANCE "Ms. Lewis brings to light one of the horrors that any parent prays they never experience. The unknown would be like a cancer that just eats away at your very soul. As a parent, I can only hope that there are people out there like Scott Preston, who take it upon themselves to keep a case like this alive. The real tragedy in this story is the fact that no matter how horrible the truth, it is so much better than not knowing." REVIEW FROM DARK ANGELS "MONSTERS IN OUT MIDST by Karen Lewis will chill you to the bone. What an excellent suspense thriller to get lost in." "Every person questioned in this story has a little something to hide and you never know what it’s going to be. I found myself gaping and gasping a few times, through out the story. I was so eager to read more, I was able to finish the book, in a few short hours. Karen Lewis knows how to make sneaky characters, twisting clues and a dangerous plot that will keeps you guessing, even when you think it’s over. I have to tell you, I had no idea who the bad guy was. Every time a new character was introduced I was certain they were the perpetrator, but things just kept going farther and farther into left field. The fact that I had no idea what really was happening, kept me guessing, until the very end. You know, in most of the mystery books you read, you can guess who done it? Well in MONSTERS IN OUR MIDST I guessed wrong and the ending will give you the willies. I can’t wait to get my hands on more of Ms. Lewis’s work." REVIEW FROM BROWLER BOOKS "Karen Lewis takes you back in time to solve a cold case. She has written a very interesting mystery that will leave you completely shocked at the outcome. Scott Preston is a newspaper reporter given a very difficult assignment. He has to investigate a cold case of a missing boy that happened fifteen years ago. The police couldn't solve the case, so he feels that he shouldn't be asked to look into this case. The more he investigates the more interested he gets. Things don't always add up the way they should. This book will hold your interest from page one all the way to the very last page. I would recommend this book. 4.5 stars" REVIEW FROM MANIC READERS I really enjoyed Monsters in Our Midst. Karen Lewis has a fluent, easy writing style which draws the reader in. Her characters are well-drawn and believable. I was particularly taken with Scott's Aunt Violet. You get the feeling throughout that somebody knows something and isn't telling, but you can't work out who. Is it the neighbor who was away at the time, but seems a bit shifty? Or the truck driver who taught part-time at the boy's school and may have been seen in his company on the fatal day? Or even the boy's own mother, who seems far too unemotional about the whole thing and can only deal with the situation by insisting that her son is still alive? http://www.amazon.co.

    A beautiful princess. A courageous hero.A ruthless villain.An impossible choice.Eliana and Rinan are in love. However, she is destined to become queen of Bariwon, obligated to marry the victor of a competition called the Shoginoc, while Rinan, her royal guardian, is forbidden to marry. Normally they could renounce their titles to be together, but these are not normal times. Abrecan, the malevolent governor of Erd, is determined to win the Shoginoc, thereby placing his easily manipulated son Daimh on Bariwon’s throne. Can Eliana and Rinan find a way to be together without jeopardizing the peace they are so desperately trying to protect?

    She erred in not considering commercial and political consequences. Now, someone wants to steal or bury her research and, perhaps, her with it. With no way to fight this unknown foe, Jaswinder knows she has but one chance—complete her research and publish. To do that, she has to stay alive and stay free. Pilot Johannes Yrden desires a courtesan, someone to keep him company on the 8 month trip to the planet Liberty and back. He wants someone not from the Yrden Family spaceship and to hell with his brother, Captain Matt Yrden, who believes the TransPlanetary Corporations will stock his line-up with spies. Yrden's plan runs afoul of circumstance, which throws him together with one 'Jazz Saro', a woman on the run. Forced to run with her, Yrden allows her to convince him to sign her on as courtesan. He needs a companion; she needs a ship, a place to hide. It seems a simple enough arrangement. Jaswinder thinks she's found her perfect solution: a hiding place in hyperspace, where she can complete her research using the ship as her laboratory. Unfortunately, she hasn't reckoned on the possibility of one of her pursuers booking passage, forcing her to maintain the fiction of her alias. The pilot's family, with troubles of their own, grow suspicious and it becomes apparent she cannot complete her research openly. That leaves her the choice: Do what she needs to do to in order to save Jaswinder's life or become Jazz Saro.

    He provides the majority of care for his younger siblings and for his mother who is sick with cancer. His stepfather stays gone for days and weeks on drinking binges, only to come home to take out his anger and frustration on his family. This family’s nomadic life brings them to the house that Ella used to live in beside Tucker. Tucker sets her sites on the evil stepfather, while April, who has returned home with her own complications to live with Tucker, identifies with Benjamin’s struggles with being teased and bullied and decides she can help save him from self-destructing.This is a story of simple people engaged in heroic acts, the kinds of acts that change people’s lives.

    Robb, is the perfect entry point into the compelling In Death police procedural series featuring Lieutenant Eve Dallas.As NY Lt. Eve Dallas and her billionaire husband Roarke are driving home, a young woman—dazed, naked, and bloody—suddenly stumbles out in front of their car. Roarke slams on the brakes and Eve springs into action.Daphne Strazza is rushed to the ER, but it’s too late for her husband Dr. Anthony Strazza. A brilliant orthopedic surgeon, he now lies dead amid the wreckage of his obsessively organized town house, his three safes opened and emptied. Daphne would be a valuable witness, but in her terror and shock the only description of the perp she can offer is repeatedly calling him “the devil”...While it emerges that Dr. Strazza was cold, controlling, and widely disliked, this is one case where the evidence doesn’t point to the spouse. So Eve and her team must get started on the legwork, interviewing everyone from dinner-party guests to professional colleagues to caterers, in a desperate race to answer some crucial questions: What does the devil look like? And where will he show up next?

    The night of January 5th begins; the air seems heavier, the real and the imaginary is blurred. However, what is really happening?Five teenagers head for a summer vacation to Cabo Rojo and they will be confronted with a presence more terrifying than death itself...a hideously and powerful luminescence that terrorizes and kills everything in its way.These five friends will face a storm of epic proportions, an old legend, a mysterious red light, and as if that were not enough, they must do it in a wood cabin away from any connection with civilization.A threat that looms over reality in a terrifying nightmare.All condiments for an exciting novel of horror and mystery that you will cannot stop reading.

    When he returns to Britain, having found that life as a tax exile gives him writer's block, temptation comes in the form of Sally, Richard's step-daughter.