She is always the first on the dancefloor and the very last to stop boogying. She has never tried to dress like a Parisian, never followed advice on what not to wear, and certainly has never tried to tone down her natural pinkness; she knows he is perfect just the way she is. And even when life throws Flamingo a curveball, she is always ready to embrace the unknown and jump straight in.A gorgeous little gift book of motivational sayings and hilarious axioms, Be a Flamingo is a perfect pink pick-me-up gift for a friend who needs a confidence boost, or great as an impulse self-purchase when you feel you need to start tooting your own horn a little louder. Because we could all do worse than taking a leaf out of Flamingo's book.

    With peace in their lands, Levi and Reece have been living a life of serenity and peace, raising their three young children at Oxley Manor. Everything seems perfect and well until Levi realizes something: a holiday he knows his wife as always loved on her home planet of Earth has never been celebrated in his realm. In fact, Reece hasn't had the privilege of enjoying her favorite holiday in over six years, and Levi vows to change that. But can he? With his sister's wedding at hand, his own daughter professing her love for another as well, and wanting to have a new holiday introduced to Pemdas...Levi is determined to find a way to make all of this work no matter the sacrifices he must make.

    Sean's babysitter insists that he stay in his room, but there's a monster under his bed! What can Sean do?4 full color illustrations, 3,500 words, recommended for ages 6 and up

    In her debut collection of humor essays, Connie provides entertainment with hysterical stories about awkward workplace situations, ridiculous coworkers, and enough happy hour cocktails to make you question her life choices. From low paying high school gigs to “real world” marketing jobs in Chicago, Connie presents stories about life both in and out of the office that will have you laughing out loud in the break room.

    Ali” to friends and family. Janelle Jennings: a forty-nine-year-old bestselling romance author, Botox-stuffed narcissist, four-time ex-wife (but who’s counting?), and all-around spoiled brat. What could these two possibly have in common? Uncork the wine. Bring out the calming chocolate. Ali Lawrence’s diva sister, Janelle Jennings, is making an unexpected visit to their hometown of Willoughby, Georgia, and Ali needs help. Since they were schoolgirls, Ali has suffered ridicule and criticism from her prom queen, beauty pageant older sister, whom their mother still coddles at Ali’s expense. Ali is suspicious of her sister’s motives for visiting Willoughby, and especially her odd behavior and uncharacteristically long stay. Something’s not quite right, and Ali is both curious and concerned. During this visit, Ali vows to stop being a bitter doormat and stand up to Janelle. But when Ali discovers a secret that has the potential to destroy Janelle’s career and tarnish her reputation, will she expose her sister, or, for the sake of family unity, will she protect her? Can the sisters finally come to terms with each other, admire their achievements, and ignore their faults, or will their relationship continue to disintegrate, bringing bedlam to Willoughby in the process? Someone has to take the first step: Will it be Janelle in her stepladder stilettos or Ali in her ratty, old running shoes?

    Join Garfield, Odie, and Jon in a series of all-new adventures from legendary Garfield and Friends show writer Mark Evanier, ongoing Garfield contributors Scott Nickel and Antonio Alfaro, and New York Times best-selling cartoonist Judd Winick (Hilo).

    M. Forster, perhaps the greatest living author of the time. Subsequent issues carried interviews with, among others, François Mauriac, Graham Greene, Irwin Shaw, William Styron, Ralph Ellison, and William Faulkner; in the intervening years, many of the world's most significant writers (Ezra Pound, Robert Frost, Ernest Hemingway, John Updike, and John Dos Passos) sat down with The Paris Review. Many of the interviews have been collected in a series of volumes entitled Writers at Work. From these interviews, The Paris Review's editor, George Plimpton, has selected the best and most illuminating insights that the writers have provided and arranged them by subject rather than by author. The book is divided into four parts: "The Writer: A Profile" (including the sections "On Reading," "On Work Habits," On the Audi-ence," etc.); Part II is "Technical Matters" ("On Style," "On Plot," etc.); Part III is "Different Forms" ("On Biography," "On Journalism"); and Part IV is "The Writer's Life," covering topics like conferences, courses, and teaching, along with a section in which writers provided portraits of other writers.         The Writer's Chapbook is a fund of observations by writers on writing. These range from marvel-ous one-liners (Eugene O'Neill on critics: "I love every bone in their heads"; T. S. Eliot on editors: "I suppose some editors are failed writers--but so are most writers") to expositions on plot, character, and the technical process of putting pen to paper and doing it for a living. "I don't even have a plot," says Norman Mailer; Paul Bowles describes writing in bed; Toni Morrison talks about inventing characters; and Edward Albee and Tom Wolfe explain where they discovered the titles for Who's Afraid of Virginia Woolf and The Bonfire of the Vanities.        This book is a treasure. But beware: What is true for the Writers at Work series holds for The Writer's Chapbook even more--a reader who picks it up, intending just to dip into it, might not emerge for days.

    The dot.com boom is in full swing, and it seems as though every twenty-something has become an instant millionaire-except our narrator, who has just arrived from the Midwest without a job. Confronted with the chilling prospect of missing out on the greatest cash grab of the twentieth century, he enlists with a temp agency. That's when things start getting strange.Mistaken by the agency for an urbane homosexual instead of the ex-frat boy he really is, he is assigned to a fully-staffed mansion in the Pacific Heights neighborhood. His new boss? Definitely not the old matron he was expecting.Bailey Phelan is the gorgeous, thirty-year-old wife of an aging billionaire, and her penchant for Prada, recreational drugs, and foreign boyfriends quickly has the narrator running in circles trying to keep her exorbitant spending and romantic misadventures under wraps. But despite all the glitz, what she might need most is a friend.As the narrator gets sucked deeper into the mansion milieu-oversexed nannies, a lovelorn gay chef, the obsessive head housekeeper, the bilious billionaire himself-he's faced with the unavoidable question: will the six-figure salary and over-the-top lifestyle of the rich and infamous corrupt him -- or will he cut and run with his soul intact?

    'The Crime Writer's Guide To Police Practice And Procedure' is the detective in your pocket - something you can reach for when you feel your writing needs that short sharp shock of real-life investigating.

     It was supposed to be a place where every child’s favorite characters came to life. And, it was, until those characters went nuts and started killing everyone. Then it wasn’t so happy. Ten years later Jake and his team of robot reclamation specialists are heading to the island theme park to confront the evil machines, discover Kat’s connection to the disaster and boost the flagging ratings on their reality show, Scrappers. Fearless Monkeynauts, overly friendly Bearberry Bears, feuding Presidents, Dinosty Warriors, fairy tale legends and more populate the abandoned park and only the Junkers are brave enough, or dumb enough, to go for a visit. Join Jake, Hailey, Kat, Savant, Mason and, of course, Glitch as they try to uncover the mystery of what they call The Tragic Kingdom.

    All contributors have been recent faculty members of the prestigious Warren Wilson Low Residency Program, including such literary favorites as Margot Livesey, Charles Baxter, Robert Boswell, Jim Shepard, Antonya Nelson, David Shields, and the editors themselves.Each writer was asked to submit an original story, accompanied by an essay describing the challenges of the story and how they were met. Since writers resist herding, the editors were happily surprised by the wide range of essays—"fiction writers, when given the space, think about their work very differently." We learn about the genesis of a story, how story evolves, what was eventually relinquished and why, and how a story—surprisingly—might "insist" on changing.Arranged alphabetically by author, and beginning with Richard Russo's cogent introduction, this volume is a treasure throughout.

    This is the book explaining how, with a few simple changes, I boosted my daily writing from 2000 words to over 10k a day, and how you can too."Expanding on her highly successful process for doubling daily word counts, this book, a combination of reworked blog posts and new material, offers practical writing advice for anyone who's ever longed to increase their daily writing output. In addition to updated information for Rachel's popular 2k to 10k writing efficiency process, 5 step plotting method, and easy editing tips, this new book includes chapters on creating characters that write their own stories, practical plot structure, and learning to love your daily writing. Full of easy to follow, practical advice from a commercial author who doesn't eat if she doesn't produce good books on a regular basis, 2k to 10k focuses not just on writing faster, but writing better, and having more fun while you do it.

    Written with passion, humor, and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart - to take pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; she is deeply moved by the brilliant characterization in George Eliot's Middlemarch. She looks to John Le Carré for a lesson in how to advance plot through dialogue and to Flannery O'Connor for the cunning use of the telling detail. And, most important, Prose cautions readers to slow down and pay attention to words, the raw material out of which all literature is crafted.

    Suddenly, this longtime church member and pillar of her small Southern community finds herself in the center of an unseemly scandal-and the guardian of a wan nine-year-old whose mere presence turns her life upside down. With razor-sharp wit and perfect "Steel Magnolia" poise, Miss Julia speaks her mind indeed-about a robbery, a kidnapping, and the other disgraceful events precipitated by her husband's death. Miss Julia Takes Over - Miss Julia has come to terms with her onetime rival, Hazel Marie, and is now the guardian of Little Lloyd. Now Hazel Marie has disappeared, and Miss Julia has to find her. With Little Lloyd by her side, she sets off across North Carolina, and encounters enough obstacles and adventures to tax even Miss Julia's amazing and ingenious survival skills.

    There's more to it than just a detective, a dead body, and Colonel Mustard in the drawing room with the candlestick. Fortunately, Larry Beinhart--Edgar Award-winning author of You Get What You Pay For, Foreign Exchange, and American Hero--has taken a break from writing smart, suspenseful thrillers to act as your guide through all the twists and turns of creating the twists and turns of a good mystery. Drawing on advice and examples from a host of the best names in mystery writing--from Raymond Chandler and Mickey Spillane to Scott Turow and Thomas Harris--plus some of his own prime plots, Larry Beinhart introduces you to your most indispensable partners in crime: *Character, plot, and procedure * The secrets to creating heroes, heroines, and villains ("All writers draw upon themselves and their experience. While the whole of yourself might not be capable of being either a serial killer or an FBI agent, there are parts in each of us that are capable of almost anything.") * The fine art of scripting the sex scene *The low-down on violence ("A crime novel without violence is like smoking pot without inhaling, sex without orgasm, or a hug without a squeeze." ) *And much more!From the opening hook to the final denouement, Larry Beinhart takes the mystery out of being a mystery writer.