Dov Indig was killed on October 7, 1973, in a holding action on the Golan Heights in Israel during the Yom Kippur War. Letters to Talia, published in his memory by family and friends, contains excerpts from an extensive correspondence Dov maintained with Talia, a girl from an irreligious kibbutz in northern Israel, in 1972 and 73, the last two years of his life. At the time, Talia was a highschool student, and Dov was a student in the Hesder yeshiva Kerem B Yavneh, which combines Torah study with military service. It was Talia s father who suggested that Talia correspond with Dov, and an intense dialogue developed between them on questions of Judaism and Zionism, values and education. Their correspondence continued right up to Dov s death in the Yom Kippur War."

    The Blue Estuaries contains her five previous books of verse along with a section of uncollected work, fully representing a unique and distinguished contribution to modern poetry over five decades.

    She was born during the War of Independence in the 1940s and disappears on a cold winter night in the 1990s.

    Set at the turn of the century in the fictional Persian village of Omerijan, it tells the magical story of two young girls--Flora and Nazie Ratoryan--and their many neighbors in the almond tree alley in Omerijan where they live. Fifteen-years-old, pregnant, and recently abandoned by her cloth-merchant husband, Flora longs desperately for the return of her unborn baby's father. Nazie consoles and pities her, and though she is still a child of eleven, she yearns--just as desperately--for her own future marriage. Although the narrative spans only two days, it branches out and back, encompassing the lives and histories of many of Omerijan's inhabitants. Rabinyan's vivid depiction of the village is a sensual feast, recreating the odors and flavors, the colors, sounds, and textures of everyday life. A masterful blend of fantasy and reality, the narrative forcefully conveys the shocking cruelties endured by many of the characters while at the same time weaving a modern-day Arabic legend where snakes offer jewels in exchange for milk and death is thwarted by appeasing the village demons. Written with passion and elegance, Persian Brides brings a rich array of characters to life--telling of their hardships without ever losing the magic and wonder that is so much a part of their lives.

    Facing unprecedented internal and external pressures, Israel today is at a moment of existential crisis. Through revealing stories of significant events and of ordinary individuals—pioneers, immigrants, entrepreneurs, scientists, army generals, peaceniks, settlers, and Palestinians—Israeli journalist Ari Shavit illuminates many of the pivotal moments of the Zionist century that led Israel to where it is today. We meet the youth group leader who recognized the potential of Masada as a powerful symbol for Zionism; the young farmer who bought an orange grove from his Arab neighbor in the 1920s, and with the Jaffa orange helped to create a booming economy in Palestine; the engineer who was instrumental in developing Israel’s nuclear program; the religious Zionists who started the settler movement. Over an illustrious career that has spanned almost thirty years, Shavit has had rare access to people from across the Israeli political, economic, and social spectrum, and in this ambitious work he tells a riveting story that is both deeply human and of profound historical dimension.As it examines the complexities and contradictions of the Israeli condition, My Promised Land asks difficult but important questions: Why did Israel come to be? How did it come to be? And can Israel survive? Culminating with an analysis of the issues and threats that Israel is currently facing, both internal and external, My Promised Land uses the defining events of the past to shed new light on the present. The result is a landmark portrait of a small, vibrant country living on the edge, whose identity and presence play a crucial role in today’s global political landscape.

    In his haunted, brief life, Crane fashioned a distinctively modern idiom that fused the ornate rhetoric of the Elizabethans, the ecstatic enigmas of Rimbaud, and the prophetic utterances and cosmic sympathy of Whitman, in a quest for wholeness and healing in what he called "the broken world." White Buildings, perhaps the greatest debut volume in American poetry since Leaves of Grass, is but an exquisite prelude to Crane's masterpiece The Bridge, his magnificent evocation of America from Columbus to the Jazz Age that countered the pessimism of Eliot's The Waste Land and became a crucial influence on poets whose impact continues to this day. This edition is the largest collection of Crane's writings ever published. Gathered here are the complete poems and published prose, along with a generous selection of Crane's letters, several of which have never before been published. In his letters Crane elucidates his aims as an artist and provides fascinating glosses on his poetry. His voluminous correspondence also offers an intriguing glimpse into his complicated personality, as well as his tempestuous relationships with family, lovers, and writers such as Allen Tate, Waldo Frank, Yvor Winters, Jean Toomer, Marianne Moore, E. E. Cummings, William Carlos Williams, and Katherine Anne Porter. Several letters included here are published for the first time. This landmark 850-page volume features a detailed and freshly-researched chronology of Crane's life by editor Langdon Hammer, chair of the English Department at Yale University and a biographer of Crane, as well as extensive explanatory notes, and over fifty biographical sketches of Crane's correspondents.

    . . . It helps us to go on, having Gary Snyder in our midst."--Los Angeles Times. Snyder is the author of many volumes of poetry and prose, including The Practice of the Wild and the Pulitzer Prize-winning Turtle Island. Reading tour.

    The Bus Driver Who Wanted to Be God gathers his daring and provocative short stories for the first time in English. Brief, intense, painfully funny, and shockingly honest, Keret's stories are snapshots that illuminate with intelligence and wit the hidden truths of life. As with the best comic authors, hilarity and anguish are the twin pillars of his work. Keret covers a remarkable emotional and narrative terrain-from a father's first lesson to his boy to a standoff between soldiers caught in the Middle East conflict to a slice of life where nothing much happens. Bus Driver includes stories from Keret's bestselling collections in Israel, Pipelines and Missing Kissinger, as well as Keret's major new novella, "Kneller's Happy Campers," a bitingly satirical yet wistful road trip set in the afterlife for suicides.

    His whole family died in Auschwitz. He barely survived. Now he spends his nights haunted by nightmares and his days solving cases the police won’t handle.Hired to find a missing boy, Adam thinks the case is hopeless. But he can’t turn down a mother searching for her only child.What Adam doesn’t realize is that this case will soon put him in mortal danger. For at the root of the mystery lies a double murder that has stayed unsolved for ten long years.Adam must untangle a web of lies and betrayal to get to the truth. And he’d better watch his back because some of the suspects are willing to kill to keep their dark secrets buried.

    Yoshe Kalb is a brilliant and haunting novel set in nineteenth-century Galicia. Nahum, a naive and sensitive young man, is thrust into the decadent world of corrupt and competing hasidic dynasties when he marries the daughter of a powerful Rabbi. I. J. Singer explores the darker side of hasidic life and the forces of sin and saintliness that vie for Nahum's soul.

    "On gray days when most modern poetry seems one dull colorless voice speaking through a hundred rival styles, one turns to Stevie Smith and enjoys her unique and cheerfully gruesome voice. She is a charming and original poet," commented Robert Lowell about the book that introduced Stevie to American readers, her Selected Poems (New Directions, 1964). The Selected won her many enthusiasts, but it was not until the release of Hugh Whitemore’s film Stevie in 1981 that her poetry found a wider audience and sent that little book repeatedly back to press. The title of Miss Smith’s first published collection (London, 1937) was A Good Time Was Had By All, and indeed that is what her poetry, embroidered by her delightful, apposite doodles, provides. It brings us too into the company of wit, irony, and, as Brendan Gill remarked, "images of joy and terror." A Newsweek reviewer wrote, "Even in the lightest of her verse, the briefest epigram, there is a resonance, the reverberation of a triangle, if not a gong."

    His modern and sensationally original plays dramatize with force and eloquence the isolation of the individual from society and from himself.The editor, Eric Bentley, is an international theater authority. In addition to the Introduction and the biographical and bibliographical material in the Appendices, Mr. Bentley has prepared for this volume the first English translations of the play Liolà and Pirandello's important "Preface" to Six Characters in Search of an Author.Included Plays: Liolà It Is So! (If You Think So) Henry IV Six Characters in Search of an Author Each in His Own Way

    This bilingual edition contains a representative selection of poems from different periods and different aspects of his vast output.

    Challenging, intense, and difficult to translate, Vallejo's work has often been overshadowed by his fervent endorsement of communism. Noted scholar Ilan Stavans tackles the avant- garde poet's politics head-on in an enlightening new introduction that places Vallejo in his proper literary context, while Margaret Sayers Peden's new translation does full justice to Vallejo's complex literary style. Including Spanish and English versions of more than eighty poems that span the arc of his career, this volume is certain to become the leading collection of Vallejo's work for years to come.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Hired as a promising young historian, he soon becomes a leading expert on Nazi methods of extermination at concentration camps in Poland during World War II and guides tours through the sites for students and visiting dignitaries. He hungrily devours every detail of life and death in the camps and takes pride in being able to recreate for his audience the excruciating last moments of the victims’ lives. The job becomes a mission, and then an obsession. Spending so much time immersed in death, his connections with the living begin to deteriorate. He resents the students lost in their iPhones, singing sentimental songs, not expressing sufficient outrage at the genocide committed by the Nazis. In fact, he even begins to detect, in the students as well as himself, a hint of admiration for the murderers—their efficiency, audacity, and determination. Force is the only way to resist force, he comes to think, and one must be prepared to kill. With the perspicuity of Kafka’s The Trial and the obsessions of Delillo’s White Noise, The Memory Monster confronts difficult questions that are all too relevant to Israel and the world today: How do we process human brutality? What makes us choose sides in conflict? And how do we honor the memory of horror without becoming consumed by it?