With most of their animals dead, zookeepers Jan and Antonina Zabinski began smuggling Jews into empty cages. Another dozen "guests" hid inside the Zabinskis' villa, emerging after dark for dinner, socializing, and, during rare moments of calm, piano concerts. Jan, active in the Polish resistance, kept ammunition buried in the elephant enclosure and stashed explosives in the animal hospital. Meanwhile, Antonina kept her unusual household afloat, caring for both its human and its animal inhabitants—otters, a badger, hyena pups, lynxes.With her exuberant prose and exquisite sensitivity to the natural world, Diane Ackerman engages us viscerally in the lives of the zoo animals, their keepers, and their hidden visitors. She shows us how Antonina refused to give in to the penetrating fear of discovery, keeping alive an atmosphere of play and innocence even as Europe crumbled around her.

    Death Dealer is a new, unexpurgated translation of Höss’s autobiography, written before, during, and after his trial. This edition includes rare photos, the minutes of the Wannsee Conference (where the Final Solution was decided and coordinated), original diagrams of the camps, a detailed chronology of important events at Auschwitz-Birkenau, Höss's final letters to his family, and a new foreword by Auschwitz survivor Primo Levi. Death Dealer stands as one of the most important—and chilling—documents of the Holocaust.

    Growing up Jewish in a small Polish town near the German border, my mother and one sister were all that survived from among her parents, 4 sisters, 2 brothers, husband and young daughter. Persecuted and hunted by the Germans. Hiding with friendly Poles. Imprisoned in the Warsaw ghetto, labor camps and Auschwitz. This is the story of how many of them died and how my mother struggled to survive.

    He called it Ravensbrück, and during the years that followed thousands of people died there after enduring brutal forms of torture. All were women. There are a handful of studies and memoirs that reference Ravensbrück, but until now no one has written a full account of this atrocity, perhaps due to the mostly masculine narrative of war, or perhaps because it lacks the Jewish context of most mainstream Holocaust history. Ninety percent of Ravensbrück's prisoners were not Jewish. Rather, they were political prisoners, Resistance fighters, lesbians, prostitutes, even the sister of New York's Mayor LaGuardia. In a perverse twist, most of the guards were women themselves. Sarah Helm's groundbreaking work sheds much-needed light on an aspect of World War II that has remained in the shadows for decades. Using research into German and newly opened Russian archives, as well as interviews with survivors, Helm has produced a landmark achievement that weaves together various accounts, allowing us to follow characters on both sides of the prisoner/guard divide. Chilling, compelling, and deeply unsettling, Ravensbrück is essential reading for anyone concerned with Nazi history.

    Growing up in rural Pennsylvania, all Kimi ever wanted to do was fit in, spurning traditional Japanese cuisine and her grandfather’s attempts to teach her the language.But there was one part of Obaachan’s life that had fascinated and haunted Kimi ever since the age of eleven—her gentle yet proud Obaachan had once been a prisoner, along with 112,000 Japanese Americans, for more than five years of her life. Obaachan never spoke of those years, and Kimi’s own mother only spoke of it in whispers. It was a source of haji, or shame. But what had really happened to Obaachan, then a young woman, and the thousands of other men, women, and children like her?Obaachan would meet her husband in the camps and watch her mother die there, too. From the turmoil, racism, and paranoia that sprang up after the bombing of Pearl Harbor and the terrifying train ride to Heart Mountain, to the false promise of V-J Day, Silver Like Dust captures a vital chapter of the Japanese American experience through the journey of one remarkable woman.Her story is one of thousands, yet is a powerful testament to the enduring bonds of family and an unusual look at the American dream.

    In 2000, a suitcase arrived at a children's Holocaust education center in Tokyo, Japan, marked "Hana Brady, May 16, 1931." The center's curator searches for clues to young Hana and her family, whose happy life in a small Czech town was turned upside down by the invasion of the Nazis.

    Approved by both the Anne Frank House Foundation in Amsterdam and the Anne Frank-Fonds in Basel, run by the Frank family, this work of literary criticism unravels the complex, fascinating story of the diary and effectively makes the case for it being a work of art from a precociously gifted writer.

    A little cobbled street in a smoky mill town in the North of England has haunted me for the greater part of my life. It was inevitable that I should write about it and the people who lived on both sides of its "Invisible Wall." The narrow street where Harry Bernstein grew up, in a small English mill town, was seemingly unremarkable. It was identical to countless other streets in countless other working-class neighborhoods of the early 1900s, except for the "invisible wall" that ran down its center, dividing Jewish families on one side from Christian families on the other. Only a few feet of cobblestones separated Jews from Gentiles, but socially, it they were miles apart.On the eve of World War I, Harry's family struggles to make ends meet. His father earns little money at the Jewish tailoring shop and brings home even less, preferring to spend his wages drinking and gambling. Harry's mother, devoted to her children and fiercely resilient, survives on her dreams: new shoes that might secure Harry's admission to a fancy school; that her daughter might marry the local rabbi; that the entire family might one day be whisked off to the paradise of America.Then Harry's older sister, Lily, does the unthinkable: She falls in love with Arthur, a Christian boy from across the street. When Harry unwittingly discovers their secret affair, he must choose between the morals he's been taught all his life, his loyalty to his selfless mother, and what he knows to be true in his own heart.A wonderfully charming memoir written when the author was ninety-three, The Invisible Wall vibrantly brings to life an all-but-forgotten time and place. It is a moving tale of working-class life, and of the boundaries that can be overcome by love.

    In 1941, in Berlin, Helga Schneider's mother abandoned her along with her father and younger brother. Let Me Go recounts Helga's final meeting with her ailing mother in a Vienna nursing home some sixty years after World War II, in which Helga confronts a nightmare: her mother's lack of repentance about her past as a Nazi SS guard at concentration camps, including Auschwitz, where she was responsible for untold acts of torture. With spellbinding detail, Schneider recalls their conversation, evoking her own struggle between a daughter's sense of obligation and the inescapable horror of her mother's deeds.

    During the Second World War, Grass volunteered for the submarine corps at the age of fifteen but was rejected; two years later, in 1944, he was instead drafted into the Waffen-SS. Taken prisoner by American forces as he was recovering from shrapnel wounds, he spent the final weeks of the war in an American POW camp. After the war, Grass resolved to become an artist and moved with his first wife to Paris, where he began to write the novel that would make him famous.Full of the bravado of youth, the rubble of postwar Germany, the thrill of wild love affairs, and the exhilaration of Paris in the early fifties, Peeling the Onion -- which caused great controversy when it was published in Germany -- reveals Grass at his most intimate.

    Their account is complete, covering the lives of Anne's parents, Edith and Otto; Anne's first years in Frankfurt; the rise of Nazism; the Franks' immigration to Amsterdam; war and occupation; Anne's years in the Secret Annex; betrayal and arrest; her deportation and tragic death in Bergen-Belsen; the survival of Anne's father; and his recovery and publication of her astounding diary.

    A small town in Poland. Two Jewish families flee to hiding places, hoping to evade deportation by the Nazis. At the last moment, 17-year old Manya makes the heart wrenching decision to leave her family and join her sweetheart, Meyer, also 17, with his family. For three long years, Manya and Meyer endure the loss of their parents and siblings, separation from each other, and the horror of concentration camps, including Aushwitz-but are helped at key points by courageous Polish Catholics and are constantly sustained by their faith and their love for each other. Co-authored by the couple's son Michael, this absorbing and suspenseful narrative reads like a novel, yet tells a true story of love and horror, sacrifice and courage, with a conclusion that is truly miraculous.

    But after months in hiding at Corrie ten Boom's home, Poley found an inner peace and freedom that defied even the Nazi peril. Composed of his wartime journals and letters, the book also includes exclusive photos documenting Poley's life in hiding.

    A chemistry student, Steinberg was assigned to work in the camp's laboratory alongside Primo Levi, who would later immortalize his fellow inmate as "Henri," the ultimate survivor, the paradigm of the prisoner who clung to life at the cost of his own humanity. "One seems to glimpse a human soul," Levi wrote in If This Is a Man, "but then Henri's sad smile freezes in a cold grimace, and here he is again, intent on his hunt and his struggle; hard and distant, enclosed in armor, the enemy of all."Now, after fifty years, Steinberg speaks for himself. In an unsparing act of self-scrutiny, he traces his passage from artless adolescent to ruthless creature determined to do anything to live. He describes his strategies of survival: the boxing matches he staged for the camp commanders, the English POWs he exploited, the maneuvers and tactics he applied with cold competence. Ultimately, he confirms Levi's judgment: "No doubt he saw straight. I probably was that creature, prepared to use whatever means I had available." But, he asks, "Is it so wrong to survive?"Brave and rare, Speak You Also is a profound and necessary addition to the body of Holocaust writing: a survivor's reckoning with culpability and survival.

    But the times Anne lived in and wrote of in her diary made her simple life extraordinary. In over one hundred photographs, many which have never been published, this poignant memoir brings to life the harrowing story of one young Jewish woman's struggle to survive during a period of history which must never be forgotten.