If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."-- Sylvia Plath, from "Notebooks, February 1956"Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imaginaton. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. "Jonny Panic and the Bible of Dreams" truly showcases the talent and genius of Sylvia Plath.

    Behind a dusty Georgia carny show... In a mausoleum in Baton Rouge, or in an alley in Calcutta... Here wanderers come to rest, the lost and lonely press their bodies up against each other, the heat rises, flesh yields, bones are bared, blood spills. This is the landscape of today's most brilliant young horror writer, Poppy Z. Brite.Now, in a collection that sings like cutting edge rock 'n' roll and shows the deft touch of a master storyteller, Poppy Z. Brite weaves her unique spell of the sensual, the frightening, and the forbidden....

    As one of the richest businessmen in Dubai, he’s used to being catered to and respected—never mind that he acquired his wealth by cheating his brother out of his own company and depriving his niece, Mariam, of her rights.Not one to dwell on the past—he sent Mariam to school in Egypt, what more could she want from him?—Majed spends his days berating his wife and staff and cavorting with friends at a private apartment. But he’s suddenly plagued by nightmares that continue to haunt him during the day, and he feels his control further slipping away with the discovery that his niece and his daughter are defying his orders.Mariam despises Majed, and although she blames him for her father’s death, hers is a strictly-organized, dutiful existence. But when she falls for a brash, mischievous fellow student named Adel, he might just prove to be her downfall.Largely abandoned by Majed as the daughter of a second, secret marriage, the vivacious Dalal has a lot to prove. The runner-up on “Nights of Dubai,” an American Idol-type reality show for Arab talent, Dalal is committed to being a singer despite the fact that it’s a disreputable career. When her efforts to become a celebrity finally begin to pay off, she attracts the attention of her father, who is determined to subdue Dalal to protect the family name. As Majed increasingly exerts his control over both Dalal and Mariam, both girls resist, with explosive consequences.An exhilarating look at the little-known Khaleeji (Gulf-Arab) culture, That Other Me explores the ways social mores contribute to the collapse of one family.

    The earliest stories are Rebecca Harding Davis' naturalistic "Life in the Iron Mills" (published in 1861 and predating Émile Zola's Germinal by almost 25 years) and Louisa May Alcott's semiautobiographical tale "Transcendental Wild Oats" (1873). The most recent ones are Zora Neale Hurston's "Sweat," an ironic tale of contested loyalty.In between is a grand cavalcade of superbly crafted fiction by Sarah Orne Jewett, Mary E. Wilkins Freeman, Charlotte Perkins Gilman, Kate Chopin, Willa Cather, Alice Dunbar-Nelson, Djuna Barnes, Susan Glaspell and Edith Wharton. Brief biographies of each of the writers are included.

    They're funny, smart, gentle, and occasionally very, very scary. The stories in The Monkey's Wedding are collected here for the very first time and include six never before published, as well as two previously published under the pseudonym Nicholas Dee. Here you'll find the story of a village for sale... or is the village itself the story? There's an English vicar who declares on his deathbed that he might have lived an entirely different life. After his death, a large, black, argumentative cat makes an appearance... This hugely imaginative collection includes introductions by Aiken as well as by her daughter, Lizza Aiken.Best known for The Wolves of Willoughby Chase, Joan Aiken (1924-2004) wrote over a hundred books and won the Guardian and Edgar Allan Poe awards. After her first husband's death, she supported her family by copyediting at Argosy magazine and an advertising agency before turning to fiction. She went on to write for Vogue, Good Housekeeping, Vanity Fair, Argosy, Women's Own, and many others. Visit her online at: www.joanaiken.com.

    Now THE BEST AMERICAN SHORT STORIES OF THE CENTURY brings together the best of the best - fifty-five extraordinary stories that represent a century's worth of unsurpassed accomplishments in this quintessentially American literary genre. Here are the stories that have endured the test of time: masterworks by such writers as Ernest Hemingway, William Faulkner, Willa Cather, F. Scott Fitzgerald, William Saroyan, Flannery O'Connor, John Cheever, Eudora Welty, Philip Roth, Joyce Carol Oates, Raymond Carver, Cynthia Ozick, and scores of others. These are the writers who have shaped and defined the landscape of the American short story, who have unflinchingly explored all aspects of the human condition, and whose works will continue to speak to us as we enter the next century. Their artistry is represented splendidly in these pages. THE BEST AMERICAN SHORT STORIES series has also always been known for making literary discoveries, and discovery proved to be an essential part of selecting the stories for this volume too. Collections from years past yielded a rich harvest of surprises, stories that may have been forgotten but still retain their relevance and luster. The result is a volume that not only gathers some of the most significant stories of our century between two covers but resurrects a handful of lost literary gems as well. Of all the great writers whose work has appeared in the series, only John Updike's contributions have spanned five consecutive decades, from his first appearance, in 1959. Updike worked with coeditor Katrina Kenison to choose stories from each decade that meet his own high standards of literary quality.

    The fables are imperishably illustrated, and are supplemented by Mr. Thurber's own pictorial interpretations of famous poems in a wonderful and joyous assemblage.

    In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, Stories for Nighttime and Some for the Day draws us into a world of delightfully wicked recognitions, and introduces us to a writer of uncommon talent and imagination.Contains 40 stories, including "The Duck," "The Man and the Moose," and "Death and the Fruits of the Tree," as heard on NPR's This American Life, "The Book," as heard on Selected Shorts, and "The TV," as found in The New Yorker.A selection of the Barnes & Noble Discover Great New Writers Program and the Starbucks Coffee Bookish Reading Club.Winner of the 2011 Nobbie Award for Best Book of the Year."This guy can write!" –Ray Bradbury, author of Fahrenheit 451

    edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    Their stories show just how varied the search for love can be—from singles' events and college flirtations to arranged marriages, all with a uniquely Muslim twist.These heartfelt tales are filled with passion and hope, loss and longing. One follows the quintessential single woman in the big city as she takes a chance on a Muslim speed-dating event. Another tells of a shy student from a liberal college town who falls in love online and must reveal her secret to her conservative family. A third recounts a Southern girl who surprises herself by agreeing to an arranged marriage, unexpectedly finding the love of her life.These compelling stories of love and romance create an irresistible balance of heart-warming and tantalizing, always revealing and deeply relatable.

    One Israeli soldier is killed and another is kidnapped. Wounded, in a state of shock, the hostage loses hold of reality and forgets everything, even his own name. In this poignant novel, Hubert Haddad makes Falastin a modern Antigone: proud, untamed and the victim of mans cruelty. Reflecting the beauty of the setting in his style, he models a modern tragedy in all its horror and absurdity.

    From Jose Garcia Villa's minimalist "Untitled Story, " first published in 1933, to Meena Alexander's "Manhattan Music, " with its razor-sharp look at the hip downtown New York art scene of the troubled 1990s, their stories sweep across the twentieth century and across the range of Asian American experience. These characters make love, worry about the future, endure hardships. They audition for jobs as anchormen. They are displaced, assimilated, rebellious. They lie and cheat; they betray themselves and others. These are stories about Asian Americans, yes, but, finally, they are stories about life.

    The daughters of Franz Kafka and Mary Shelley, the Brothers Grimm, and Angela Carter, these inventive, insightful authors steep their narratives in a heady potion of surrealism and macabre black comedy. The result is wildly creative work that captures the potent truth about human nature far more clearly than much of the fiction (or, for that matter, the nonfiction) being written today. Why just women? More and more women writers are creating work that not only pushes the envelope but also folds realistic fiction into an origami dragon, transporting readers into worlds we’ve never seen before and digging deeper into the psychic bedrock than their male counterparts.So slip into a pocket universe, drive through a family’s home, awake in the night to find you’ve become a deer, and dive into the ocean to join your mermaid mother. We can’t imagine ever wanting to escape this spellbinding world, but if you must, best leave a trail of crumbs along your way.

    Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.The Collected Stories is a 1994 National Book Award Finalist for Fiction.

    As always, Gorey's painstakingly cross-hatched pen and ink drawings are perfectly suited to his oddball verse and prose. The first book of 15, "The Unstrung Harp," describes the writing process of novelist Mr. Clavius Frederick Earbrass: "He must be mad to go on enduring the unexquisite agony of writing when it all turns out drivel." In "The Listing Attic," you'll find a set of quirky limericks such as "A certain young man, it was noted, / Went about in the heat thickly coated; / He said, 'You may scoff, / But I shan't take it off; / Underneath I am horribly bloated.' "Many of Gorey's tales involve untimely deaths and dreadful mishaps, but much like tragic Irish ballads with their perky rhythms and melodies, they come off as strangely lighthearted. "The Gashlycrumb Tinies," for example, begins like this: "A is for AMY who fell down the stairs, B is for BASIL assaulted by bears," and so on. An eccentric, funny book for either the uninitiated or diehard Gorey fans.Contains: The Unstrung Harp, The Listing Attic, The Doubtful Guest, The Object Lesson, The Bug Book, The Fatal Lozenge, The Hapless Child, The Curious Sofa, The Willowdale Handcar, The Gashlycrumb Tinies, The Insect God, The West Wing, The Wuggly Ump, The Sinking Spell, and The Remembered Visit.