One of the most imaginative, exciting talents to appear on the SF scene in recent years.--Publishers Weekly

    Here’s the correct version, as published in Omni, 1990." -- Terry Bisson

    A story about an architect on Earth commissioned to create (via long distance) a masterwork with materials from the last abandoned Martian colony, a monument that will last thousands of years longer than Earth, which is dying.

    But there's something even more interesting than the remarkable movies: the woman working behind the counter.

    “Night’s Slow Poison” is from the same setting as Ancillary Justice, and tells a rich, claustrophobic story of a galactic voyage that forces one guardsmen to confront his uneasy family history through the lens of a passenger with his lost lover’s eyes.

    

    Humanity, which has spread throughout the universe, is involved in a war with the Invaders, who have been covertly assassinating officials and sabotaging spaceships. The only clues humanity has to go on are strange alien messages that have been intercepted in space. Poet and linguist Rydra Wong is determined to understand the language and stop the alien threat. (Paul Goat Allen)

    In this fluid society, human and mindship avatars mingle in corridors and in function rooms, and physical and virtual realities overlap, the appareance of environments easily modified and adapted to interlocutors or current mood. A transport ship discharged from military service after a traumatic injury, The Shadow's Child now ekes out a precarious living as a brewer of mind-altering drugs for the comfort of space-travellers. Meanwhile, abrasive and eccentric scholar Long Chau wants to find a corpse for a scientific study. When Long Chau walks into her office, The Shadow's Child expects an unpleasant but easy assignment. When the corpse turns out to have been murdered, Long Chau feels compelled to investigate, dragging The Shadow's Child with her. As they dig deep into the victim's past, The Shadow's Child realises that the investigation points to Long Chau's own murky past--and, ultimately, to the dark and unbearable void that lies between the stars...

    Quite a number of disparate threads wove into the final narrative. One important thread was my feeling that a story involving time travel should have a nonlinear narrative to reflect the discontinuous way the characters experience time. I also wanted to see if it was possible to write a story in which real physics is presented. Very little of modern SF goes beyond the early quantum mechanics of Heisenberg and Schrodinger, work which is admittedly remarkable and beautiful, but by no means the end of the story. Here I tried to invoke some of the strangeness and beauty— I might even say sense of wonder—of the physics of Paul Adrien Maurice Dirac. In 'Ripples' I decided to explore the inconsistency between Dirac's relativistic quantum mechanics and the mathematics of infinity developed by Cantor and others (as far as I can tell, a quite real inconsistency). The Dirac sea is also real, not an invention of mine— despite the very science-fictional feel of an infinitely dense sea of negative energy that surrounds and permeates us."

    L. Moore created Jirel, ruler of Joiry, in reaction to the beefy total-testosterone blood-and-thunder tales of '30s pulp magazines, but Jirel is no anti-Conan. She's a good Catholic girl, stubbornly purposeful, relentless in pursuit of enemies or vengeance, hard-boiled and a little stupid, and cannot be distracted by mere physical attractiveness. Indeed, in Jirel's world, beauty = decadence = corruption. Were these stories written today, inevitably Jirel would have a lot of hot sex, but as they were first published in Weird Tales between 1934-1939, sexual attraction is mostly only vividly implied. No loss. Jirel's journeys through unnatural landscapes and her battles with supernatural opponents are still wonderful to read, and though newcomers Red Sonja and Xena are more famous now, Jirel rules as the archetypal, indomitable redheaded swordswoman in chain mail and greaves, swinging her "great two-edged sword."Contents:· Jirel Meets Magic · nv Weird Tales Jul ’35 · Black God’s Kiss · nv Weird Tales Oct ’34 · Black God’s Shadow · nv Weird Tales Dec ’34 · The Dark Land · nv Weird Tales Jan ’36 · Hellsgarde · nv Weird Tales Apr ’39

    Judy can see every possible future, branching out from each moment like infinite trees. Doug can also see the future, but for him, it's a single, locked-in, inexorable sequence of foreordained events. They can't both be right, but over and over again, they are. Obviously these are the last two people in the world who should date. So, naturally, they doSix Months, Three Days is the winner of the 2012 Hugo Award for Best Novelette. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Discovered practising his illegal reindeer dance and poo-dropping routine, our hero, along with fellow disaster-magnets Peterson and Maxwell, is despatched to Anglo-Saxon England to discover the truth about Alfred and the cakes.In his own words, our hero reveals Major Guthrie’s six-point guide to a successful assignment and the Security Section’s true opinion of the History Department. And of historians in general. And of one historian in particular.And, just to be clear, it is time travel, for God’s sake. Forget all that pretentious ‘investigating major historical events in contemporary time’ rubbish.This is history without the capital ‘H’. Because this is the way the Security Section rolls!

    In the original Tor.com story Any Way the Wind Blows, New York Times bestselling author Seanan McGuire presents a sweet tribute to Manhattan's iconic Flatiron building--celebrating the longtime home of Tor Books as the publisher bids farewell for new office space.Composed of travelers from nine different parallel dimensions, the Cartography Corps crew aboard the airship Stalwart Trumpet of Glory descends on the New York City in our universe to collect and preserve artifacts from the legendary turn-of-the-twentieth century landmark Flatiron building.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    When Harry finds out about a problem with one of the Mormon swales, he decides he must help, even if it means confronting Leviathan, the largest of the swales.

    After ecological disasters nearly destroyed the Earth, 26 survivors—the last of humanity—are trapped by an alien race in a sterile enclosure known as the Shell. Fifteen-year-old Pete is one of the Six—children who were born deformed or sterile and raised in the Shell. As, one by one, the survivors grow sick and die, Pete and the Six struggle to put aside their anger at the alien Tesslies in order to find the means to rebuild the earth together. Their only hope lies within brief time-portals into the recent past, where they bring back children to replenish their disappearing gene pool. Meanwhile, in 2013, brilliant mathematician Julie Kahn works with the FBI to solve a series of inexplicable kidnappings. Suddenly her predictive algorithms begin to reveal more than just criminal activity. As she begins to realize her role in the impending catastrophe, simultaneously affecting the Earth and the Shell, Julie closes in on the truth. She and Pete are converging in time upon the future of humanity—a future which might never unfold. Weaving three consecutive time lines to unravel both the mystery of the Earth's destruction and the key to its salvation, this taut post-apocalyptic thriller offers a topical plot with a satisfying twist.