Here for the first time is an English-language biography of the man. Morris Rossabi draws on sources from a variety of East Asian, Middle Eastern, and European languages as he focuses on the life and times of the great Mongol monarch.

    Despite a terrible two-stage 'European civil war' and the traumatic rise and fall of communism, wealth has increased dramatically alongside a four-fold leap in population, women's lives have been transformed, America has assumed undisputed political and cultural leadership. The Penguin History of the Twentieth Century is powerful, international and definitive.

    Through biblical events, to the dawn and spread of Islam, to the revolutions of the twentieth century, Persia—or Iran—has played an integral role in nearly all major events of world history. Uncover the fascinating story of this influential and unique civilization.Discover a plethora of topics such asThe Ancient Persian EmpiresThe Arab Conquest and the Rise of IslamThe Golden Age of the Persian EmpireArt, Religion, and CultureThe Turbulent Years of the Eighteenth CenturyRevolutions and Upheaval: The End of the Persian EmpireAnd much more!

    But they also breathe a sigh of relief when the action is over, when they are able to close their books or leave the movie theater. Whether serious, kitschy, frightening, or ridiculous, horror not only arouses the senses but also raises profound questions about fear, safety, justice, and suffering. From literature and urban legends to film and television, horror's ability to thrill has made it an integral part of modern entertainment. Thomas Fahy and twelve other scholars reveal the underlying themes of the genre in The Philosophy of Horror. Examining the evolving role of horror, the contributing authors investigate works such as Mary Shelley's Frankenstein (1818), horror films of the 1930s, Stephen King's novels, Stanley Kubrick's adaptation of The Shining (1980), and Alfred Hitchcock's Psycho (1960). Also examined are works that have largely been ignored in philosophical circles, including Truman Capote's In Cold Blood (1965), Patrick S�skind's Perfume (1985), and James Purdy's Narrow Rooms (2005). The analysis also extends to contemporary forms of popular horror and "torture-horror" films of the last decade, including Saw (2004), Hostel (2005), The Devil's Rejects (2005), and The Hills Have Eyes (2006), as well as the ongoing popularity of horror on the small screen. The Philosophy of Horror celebrates the strange, compelling, and disturbing elements of horror, drawing on interpretive approaches such as feminist, postcolonial, Marxist, and psychoanalytic criticism. The book invites readers to consider horror's various manifestations and transformations since the late 1700s, probing its social, cultural, and political functions in today's media-hungry society.

    He chronicles his journey in the New York Times bestseller Great Books: My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World. What brought Denby back to his alma mater was not a sense of nostalgia, but the current academic debate surrounding Western literature. This culture war centers on the left's denunciation of "dead white European males" as oppressive and exclusionary and the right's reverence of the Western canon as the foundation of traditional values and patriotism. Like many of the extremists engaged in the debate, Denby found his memories of these works faded and forgotten. "I possessed information without knowledge, opinions without principles, instincts without beliefs.... And I wanted to add my words to the debate from the ground up, beginning and ending in literature, never leaving the books themselves." Thus Denby returns to Columbia for the two "great books" courses: Literature Humanities and Contemporary Civilization. During his yearlong education he explores the difficulties of going back to reading seriously; analyzes today's college students; observes the teaching styles of four professors; and enters into a period of self-discovery as he learns to deal with life as a middle-aged student, father, and husband. Along the way he gains a new appreciation of writers such as Homer, Boccaccio, Austen, Nietzsche, Conrad, Machiavelli, Marx, and Woolf. He walks away from his experiences believing deeply that students today, more than ever, need this type of humanistic education and that both sides of the culture war are simplifying the Western tradition.

    while their European cousins still ran wild. Over the centuries they gained an exalted position in royal society--revered as an incarnation of a goddess, modeled in bronze statuettes, and even mummified and buried with their owners. Yet cats also won commoners' respect for their humble origins and protective instincts, earning them a prominent place in the personal religion of ordinary people.Egypt scholar Jaromir Malek has called on a variety of artistic and written sources to tell how the cat became one of the most widely esteemed animals in that ancient society. He shows how we can date the domestication of cats from their depiction in art--first from the tomb of Baket III, in which a cat is shown confronting a field rat; then increasingly in images where cats are seen under the chairs of wives, a depiction that complements the long-established motif of dogs situated beneath the husbands' chair.Malek's book includes more than a hundred illustrations--many in full color--that show how cats came to be widely represented in tomb paintings, sculpture, papyri, jewelry, ostraka, and sarcophagi. Throughout the text, he provides sufficient information on ancient Egyptian religion, society, and art to help general readers understand how the cat achieved its place of honor.Today cats can be seen throughout Egypt, wandering in bazaars or asleep in shaded courtyards, evidence of an enduring relationship with humans that this book warmly captures. The Cat in Ancient Egypt is an informative and entertaining work that will delight cat lovers and history buffs alike.

    From the sinking of the Titanic to Hitchcock’s Rear Window, from the operas of Wagner to science fiction, from Alien to the Jewish joke, Zizek’s acute analyses explore the ideological fantasies of wholeness and exclusion that make up human society.Linking key psychoanalytical and philosophical concepts to social phenomena such as totalitarianism and racism, the book explores the political significance of these fantasies of control.

    This witty, wry, and unique new book rectifies that wrong. Part detective story, part history lesson, part exposé, The Book of Lost Books is the first guide to literature’s what-ifs and never-weres.In compulsively readable fashion, Stuart Kelly reveals details about tantalizing vanished works by the famous, the acclaimed, and the influential, from the time of cave drawings to the late twentieth century. Here are the true stories behind stories, poems, and plays that now exist only in imagination:·Aristophanes’ Heracles, the Stage Manager was one of the playwright’s several spoofs that disappeared. ·Love’s Labours Won may have been a sequel to Shakespeare’s Love’s Labours Lost–or was it just an alternative title for The Taming of the Shrew?·Jane Austen’s incomplete novel Sanditon, was a critique of hypochondriacs and cures started when the author was fatally ill.·Nikolai Gogol burned the second half of Dead Souls after a religious conversion convinced him that literature was paganism.·Some of the thousand pages of William Burroughs’s original Naked Lunch were stolen and sold on the street by Algerian street boys.·Sylvia Plath’s widower, Ted Hughes, claimed that the 130 pages of her second novel, perhaps based on their marriage, were lost after her death.Whether destroyed (Socrates’ versions of Aesop’s Fables), misplaced (Malcolm Lowry’s Ultramarine was pinched from his publisher’s car), interrupted by the author’s death (Robert Louis Stevenson’s Weir of Hermiston), or simply never begun (Vladimir Nabokov’s Speak, America, a second volume of his memoirs), these missing links create a history of literature for a parallel world. Civilized and satirical, erudite yet accessible, The Book of Lost Books is itself a find.

    A VINTAGE ORIGINAL.What do we see when we read? Did Tolstoy really describe Anna Karenina? Did Melville ever really tell us what, exactly, Ishmael looked like? The collection of fragmented images on a page - a graceful ear there, a stray curl, a hat positioned just so - and other clues and signifiers helps us to create an image of a character. But in fact our sense that we know a character intimately has little to do with our ability to concretely picture our beloved - or reviled - literary figures.In this remarkable work of nonfiction, Knopf's Associate Art Director Peter Mendelsund combines his profession, as an award-winning designer; his first career, as a classically trained pianist; and his first love, literature - he thinks of himself first, and foremost, as a reader - into what is sure to be one of the most provocative and unusual investigations into how we understand the act of reading.

    The orthodox view is that the author of the works of Shakespeare was, of course, the actor and businessman of Statford-upon-Avon. But the known facts about this man are surprisingly meager and contrast puzzlingly with the learned, courtly philosopher revealed in the sonnets and plays--the universal genius and supreme stylist. John Michell's witty investigation of the theories and claims reads like a series of detective stories. By the end of the book even the most faithful disciples of the Bard will find themselves asking, "Who Wrote Shakespeare?"

    In The Life of the Cosmos, Smolin cuts the Gordian knot of cosmology with a simple, powerful idea: "The underlying structure of our world, " he writes, "is to be found in the logic of evolution." Today's physicists have overturned Newton's view of the universe, yet they continue to cling to an understanding of reality not unlike Newton's own - as a clock, an intricate mechanism, governed by laws which are mathematical and eternally true. Smolin argues that the laws of nature we observe may be in part the result of a process of natural selection which took place before the big bang. Smolin's ideas are based on recent developments in cosmology, quantum theory, relativity and string theory, yet they offer, at the same time, an unprecedented view of how these developments may fit together to form a new theory of cosmology. From this perspective, the lines between the simple and the complex, the fundamental and the emergent, and even between the biological and the physical are redrawn. The result is a framework that illuminates many intractable problems, from the paradoxes of quantum theory and the nature of space and time to the problem of constructing a final theory of physics. As he argues for this new view, Smolin introduces the reader to recent developments in a wide range of fields, from string theory and quantum gravity to evolutionary theory the structure of galaxies. He examines the philosophical roots of controversies in the foundations of physics, and shows how they may be transformed as science moves towardunderstanding the universe as an interrelated, self-constructed entity, within which life and complexity have a natural place, and in which "the occurrence of novelty, indeed the perpetual birth of novelty, can be understood."

    Before 1776, a variety of icons appeared throughout the colonies: New England's Liberty Trees, New York's Liberty Poles, Pennsylvania's Liberty Bells, South Carolina's Liberty Crescents, and backcountry rattlesnakes that warned "Don't tread on me." After independence, the search for a common vision inspired new symbols with other meanings: the eagle, the flag, Yankee Doodle, Uncle Sam, Brother Jonathan, and Miss Liberty.