He regards her as one of the great thinker who has helped shape the thought of the Catholic Church.Today there are many websites and Hildegard groups that celebrate and honor Hildegard's teachings, philosophy, art, and music. Author Matthew Fox writes in Hildegard of Bingen about this amazing woman and what we can learn from her.In an era when women were marginalized, Hildegard was an outspoken, controversial figure. Yet so visionary was her insight that she was sought out by kings, popes, abbots, and bishops for advice. A sixteenth century follower of Martin Luther called her “the first Protestant” because of her appeals to reform the church.As a writer, composer, philosopher, Christian mystic, Benedictine abbess, healer, artist, feminist, and student of science, Hildegard was a pioneer in many fields in her day.For many centuries after her death Hildegard was ignored or even ridiculed but today is finally being recognized for her immense contribution to so many areas, including our understanding of our spiritual relationship to the earth—a contribution that touches on key issues faced by our planet in the 21st century, particularly with regard to the environment and ecology.

    Richard Carrier, world renowned philosopher and historian, explains the four reasons he does not accept the Christian religion, describing four facts of the world that, had they been different, he would believe. He is brief, clear, and down to earth, covering the whole topic in under ninety pages of easy-to-read explanation. Those four reasons are God's silence, God's inaction, the lack of evidence, and the way the universe looks exactly like a godless universe would, and not at all like a Christian universe would, even down to its very structure. Dr. Carrier addresses all the usual replies to these claims, in ways you might not have heard before, relying on his wide experience in debating and studying these issues all over the world for more than fifteen years. A perfect book to introduce yourself, or your friends, to why fewer educated people are embracing Christianity than ever before. Ideal for handing out to door-to-door missionaries.

    One story had ended, and Don was unsure how to start another.But he gets rescued by two movie producers who want to make a movie based on his memoir. When they start fictionalizing Don's life for film--changing a meandering memoir into a structured narrative--the real-life Don starts a journey to edit his actual life into a better story. A Million Miles in a Thousand Years details that journey and challenges readers to reconsider what they strive for in life. It shows how to get a second chance at life the first time around.

    Jones believes that the reason most Christians don't tell their friends about Jesus has nothing to do with not knowing how--it's because they don't think they need to. As Jones writes, the first four years he was a pastor, he didn't believe in hell himself. Today, he shares his story of discovering the truth that hell exists--and why many Christians are afraid to believe in it. "Hell Is Real "motivates Christians who have grown complacent in their view of hell. Drawing on the teachings of Jesus, Jones leads readers into a head-on collision with apocalyptic urgency--the all-consuming, inspiring conviction that will overcome readers when they realize that hell is real and they can help save people from going there.

    His name has become a by-word for faith throughout the world. In the early 1830s he embarked upon an extraordinary adventure. Disturbed by the faithlessness of the Church in general, he longed to have something to point to as 'visible proof that our God and Father is the same faithful creator as he ever was'. He was more successful than anyone could have believed possible and is as much an example to our generation, as he was to his.

    The interviews include favorites gleaned from the pages of the Believer magazine along with previously unpublished conversations. The book is rife with astonishing insights and profound quips. To wit:George Saunders: ‘I see writing as part of an ongoing attempt to really, viscerally, believe that everything matters, suffering is real, and death is imminent.’Ian McEwan: ‘The dream, surely, that we all have, is to write this beautiful paragraph that actually is describing something but at the same time in another voice is writing commentary on its own creation, without having to be a story about a writer.’Jamaica Kincaid: ‘All of these declarations of what writing ought to be, which I had myself—though, thank god I had never committed them to paper—I think are nonsense.... You write what you write, and then either it holds up or it doesn't hold up. There are no rules or particular sensibilities. I don't believe in that all anymore.’Janet Malcolm: ‘The narrator of my nonfiction pieces is not the same person I am—she is a lot more articulate and thinks of much cleverer things to say than I usually do.’Paul Auster: ‘In my own case, I certainly don't walk into my room and sit down at my desk feeling like a boxer ready to go ten rounds with Joe Louis. I tiptoe in. I procrastinate. I delay. I come in sideways, kind of sliding through the door.... I don't burst into the saloon with my six-shooter ready. If I did, I'd probably shoot myself in the foot.’Tobias Wolff: ‘Each time out should be a swing for the fences. Don't do base-running drills. You can do those on your own time.’

    The Seven Deadly Virtues sits down next to readers at the bar, buys them a drink, and an hour or three later, ushers them into the revival tent without them even realizing it.   The book’s contributors include Sonny Bunch, Christopher Buckley, David “Iowahawk” Burge, Christopher Caldwell, Andrew Ferguson, Jonah Goldberg, Michael Graham, Mollie Hemingway, Rita Koganzon, Matt Labash, James Lileks, Rob Long, Larry Miller, P. J. O’Rourke, Joe Queenan, Christine Rosen, and Andrew Stiles. Jonathan V. Last, senior writer at the Weekly Standard, editor of the collection, is also a contributor. All eighteen essays in this book are appearing for the first time anywhere.   In the book’s opening essay, P. J. O’Rourke observes: “Virtue has by no means disappeared. It’s as much in public view as ever. But it’s been strung up by the heels. Virtue is upside down. Virtue is uncomfortable. Virtue looks ridiculous. All the change and the house keys are falling out of Virtue’s pants pockets.”   Here are the virtues everyone (including the book’s contributors) was taught in Sunday school but have totally forgotten about until this very moment.  In this sanctimony-free zone:   • Joe Queenan observes: “In essence, thrift is a virtue that resembles being very good at Mahjong. You’ve heard about people who can do it, but you’ve never actually met any of them.” • P. J. O’Rourke notes: “Fortitude is quaint. We praise the greatest generation for having it, but they had aluminum siding, church on Sunday, and jobs that required them to wear neckties or nylons (but never at the same time). We don’t want those either.” • Christine Rosen writes: “A fellowship grounded in sociality means enjoying the company of those with whom you actually share physical space rather than those with whom you regularly and enthusiastically exchange cat videos.” • Rob Long offers his version of modern day justice: if you sleep late on the weekend, you are forced to wait thirty minutes in line at Costco. • Jonah Goldberg offers: “There was a time when this desire-to-do-good-in-all-things was considered the only kind of integrity: ‘Angels are better than mortals. They’re always certain about what is right because, by definition, they’re doing God’s will.’ Gabriel knew when it was okay to remove a mattress tag and Sandalphon always tipped the correct amount.” • Sonny Bunch dissects forbearance, observing that the fictional Two Minutes Hate of George Orwell’s 1984 is now actually a reality directed at living, breathing people. Thanks, in part, to the Internet, “Its targets are designated by a spontaneously created mob—one that, due to its hive-mind nature—is virtually impossible to call off.”   By the time readers have completed The Seven Deadly Virtues, they won’t even realize that they’ve just been catechized into an entirely different—and better—moral universe.

    He's timeless. His appeal spans over many decades and many generations. The Man Comes Around addresses why Cash is so important now and why he's always been important. It unpacks the anchor from which all Cash's artistry comes-his spirituality. From the cotton fields of Arkansas to the air fields of Germany, and from the streets of Memphis to the gospel road in Israel, this comprehensive, dripping-with-detail book on the spiritual journey of Johnny Cash will take the reader on an odyssey of earthy, workingman's music and war-torn, complex Christianity.

    Lewis are literary superstars, known around the world as the creators of Middle-earth and Narnia. But few of their readers and fans know about the important and complex friendship between Tolkien and his fellow Oxford academic C.S. Lewis. Without the persistent encouragement of his friend, Tolkien would never have completed The Lord of the Rings. This great tale, along with the connected matter of The Silmarillion, would have remained merely a private hobby. Likewise, all of Lewis' fiction, after the two met at Oxford University in 1926, bears the mark of Tolkien's influence, whether in names he used or in the creation of convincing fantasy worlds. They quickly discovered their affinity--a love of language and the imagination, a wide reading in northern myth and fairy tale, a desire to write stories themselves in both poetry and prose. The quality of their literary friendship invites comparisons with those of William Wordsworth and Samuel Taylor Coleridge, William Cowper and John Newton, and G.K. Chesterton and Hillaire Belloc. Both Tolkien and Lewis were central figures in the informal Oxford literary circle, the Inklings. This book explores their lives, unfolding the extraordinary story of their complex friendship that lasted, with its ups and downs, until Lewis's death in 1963. Despite their differences--differences of temperament, spiritual emphasis, and view of their storytelling art--what united them was much stronger, a shared vision that continues to inspire their millions of readers throughout the world.

    In the minds of many, he is perceived as an ivory-tower theologian who was harsh and unreasonable, the driving force behind a dangerous theological system. In this volume, Burk Parsons and eighteen other leading Reformed pastors and scholars authoritatively reveal the truth about Calvin and his teaching - that he was humble, caring, pious, Scripture-saturated, and, above all, passionate about upholding the glory of God. Published in conjunction with the five-hundredth anniversary of Calvin's birth (2009), John Calvin: A Heart for Devotion, Doctrine, and Doxology offers a highly readable partrait of a man whose example and teaching remain vitally relevant even in the twenty-first century.

    These concrete pictures with their hidden force have struck sharp and lasting impressions on our minds. Their imprint has etched itself on the language and grammar of Christian faith and Western culture. Why then do traditional Bible dictionaries and reference works offer so little help to explorers of the Bible's galaxy of verbal pictures? They excel in describing the climate, borders and location of Galilee or Sinai. But they are often blind to the artistic expressions and deaf to the musical meanings that echo from within the world of the biblical text. The Dictionary of Biblical Imagery is the first contemporary reference work dedicated to exploring the images, symbols, motifs, metaphors and literary patterns found in the Bible. More than that, it examines the Bible's universal archetypes or master images--including the plot motifs and character types that recur throughout life, literature and the Bible. This unique dictionary explores the dazzling variety in which the Word of God comes dressed in clothes of everyday life. It traces the trail of images from Eden to the New Jerusalem. It captures the plotted patterns of biblical narrative. It surveys the imaged texture of each book of the Bible. In short, The Dictionary of Biblical Imagery is an inviting, enlightening and indispensable companion to the reading, study, contemplation and enjoyment of the Bible.

    It is not appropriate in a brief study such as this to discuss that most interesting topic, the Kingdom of heaven—what it is and what the various periods of its development are—but these Beatitudes teach us much about those who belong to that Kingdom, and upon whom Christ pronounced its highest forms of benediction.

    Lewis, J.R.R. Tolkien, and Charles Williams met regularly to discuss philosophy and read aloud from their works. Carpenter's account brings to life those warm and enchanting evenings where their imaginations ran wild.

    This accessible guide explains the Torah in clear language, even to those who were not raised in the Jewish religious tradition. Christians who want to know more about the Jewish roots of Christianity need to understand the Torah, as do followers of Islamic tradition and those interested in the roots of Abrahamic faiths. The Torah For Dummies explains the history of the Torah, its structure and major principles, and how the Torah affects the daily lives of people who follow the Jewish way of life.

    Each year thousands of atheists, Evangelicals, Fundamentalists, and Pentecostals are being surprised by Catholic truth – and these converts tell you why.