Smith Goes to Washington," and "The Philadelphia Story." He symbolized the patriotism of the time, and even joined the army in World War II, winning a Distinguished Flying Cross. Up to that point, his characters had espoused the same values that Stewart himself, a devout Presbyterian, lived by. But after the war, his youthful exuberance faded, and he settled into darker roles, including his classic performances in Hitchcock's "Rear Window" and "Vertigo." Biographer Donald Dewey suggests that while the boyish charm of his early characters reflected pre-war hopefulness, his disturbed, nearly psychotic later characters mirrored the introspection and suspicion of the 1950s.

    From Mary Pickford and Charlie Chaplin to Archie Leach (a.k.a. Cary Grant) and Marion Morrison (a.k.a. John Wayne), Tom Cruise and Julia Roberts, and such no-cal stars of today as the Kardashians and the new online celebrity (i.e., you and me), Burr takes us on an insightful and entertaining journey through the modern fame game at its flashiest, most indulgent, occasionally most tragic, and ultimately, its most revealing.

    Filmed on a shoestring budget after hours at a convenience store, it was crude (in technique and language), realistic and, above all, hilarious. The movie's nationwide success helped launch the indepedent film boom of the 1990s and catapulted its director, Kevin Smith, to full-fledged stardom. Smith's work is explored in AN ASKEW VIEW, the first ever study of his films. John Kenneth Muir examines all of Smith's movies. including MALLRATS, CHASING AMY, and the hugely controversial and variously interpreted DOGMA. Muir discusses Smith's themes and obsessions in depth: his New Jersey boosterism, the cast of characters that pop in and out of all of his films, and the references to STAR WARS and other icons of pop culture. AN ASKEW VIEW is a fascinating and detailed history of the art of this visionary filmmaker, New Jersey's favorite local-boy-makes-good since Bruce Springsteen.

    The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry.James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962's Dr. No through its progression beyond Ian Fleming's spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films' box-office receipts and involves questions of film culture in a wider sense.Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation's might in a Cold War world where Britain was no longer a primary actor. Chapman describes the protean nature of Bond villains in a volatile global political scene--from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics--notably, in the evolution in the portrayal of women, showing how Bond's encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself.The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema's history--half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.

    The book traces Gable's life from its humble, hard-scrabble beginnings in Ohio, to his hard-work and determined efforts to achieve success on Broadway, to his meteoric rise to stardom in Hollywood, his time spent in the Army Air Force in Europe, and his many loves, including Carole Lombard who was tragically killed in an airplane crash in 1942. The King paints an intimate, contemporary portrait of Clark Gable the man, both on and off camera, and ends with Gable's work on his last film, The Misfits, and his subsequent decline in health and his death on November 16, 1960, at age 59.

    She felt it was foolhardy for a woman to leave everything behind to marry a man she had never met. However, when her greedy fiancé Ned jilted her for a rich woman, her friend convinced her to answer an ad. Soon she was exchanging letters with a nice widower who wanted to wed her. For months, they wrote to each other. All his letters were charming, except the last one. It contained an ultimatum: marry him now or never. He could wait no longer. She wrote back that she would come right away, but she did not. Instead, when the time came, she turned in her ticket to Texas and posted an apologetic letter to the widower breaking off their engagement. When Ned heard Violet stayed, he accused her of holding a torch for him and offered to make her his mistress. Violet scoffed at his lewd offer and his vile conceit. In a flash he was in her face, pointing out that a strong-willed 27-year-old servant was too old, too poor, and too disagreeable to find a husband in man-starved postwar Georgia. He predicted she would live out her life, a spinster dwelling in the servants’ quarters while she pined away for what might have been. That was all it took for her to pen another letter asking the widower to forgive her fickleness, and informing him she was on her way. There was no way Ned was going to ruin her dreams. She left on the very next stagecoach bound for Texas. Her fury kept her doubts and fears at bay for some time, but when the road got rough as they travelled farther and farther into the frontier, she regretted leaving Atlanta. When she really thought about it, being a spinster seemed like a pleasant carefree lifestyle and the servants’ quarters a safe haven. Her rationalization was for naught; it was too late to turn back. Certain she had left the frying pan for the fire, she stared out the window of the stagecoach as it rattled down the bumpy dirt road heading to her uncertain future. What if the widower would not have her? This is the second edition. Each book of the Westward Wanted Series can serve as a stand-alone novel because the main characters do not carry over from the previous books. In each, new main characters take up the torch while the lives of many of the former characters continue to develop within the story. Last Chance Mail Order Bride: Violet’s Cowboy is a sweet Western romance by Crystal Anne Tilden, author of the Best-Selling Christian Westerns: Mail Order Bride: Savannah’s Cowboy, Nobody’s Mail Order Bride: Adeline, and Mail Order Bride: Carrie and the Cowboy.

    The blast from a powerful handgun brings a halt to proceedings.Three days and two hundred miles separate the finding of a mutilated corpse in a Staffordshire beauty spot – there seems no connection.Interesting police work and pathology establish a shocking and unexpected history to the corpse and then another body is discovered. Detective inspector Doug Taylor knows that plenty of long days lie ahead.Sinister characters from different walks of life emerge as tales of rape, murder, corruption and horrific torture develop.A vigilante chase crosses the North Sea. Peril and intrigue loiter at every corner as the struggle to determine the criminal mastermind’s objectives intensifies with terrifying events in two different countries.Matters become all the more curious when a bizarre secret held by a cathedral and a church appear pivotal to the core of the affair – it is a secret surrounded by lies, a secret which stretches back decades and one which the main players will go to any lengths to obtain.Go to the interactive website www.cathedraloflies.com – when you have read the book you can open the secret pages and discover the truth of the real unsolved crime behind the book.

    This witty and allusive book, in the style of classic film theorists/critics like André Bazin and Siegfried Kracauer, includes considerations of global cinema’s most important figures and films, from Lars von Trier and Zia Jiangke to WALL-E, Avatar and Inception.

    Blue-Jay. On his reign to the top, it's not a question of who he crossed... The question is who he hasn't crossed? Because of his double life, it shouldn't be of any surprise that he would have two sons; Bloodbath (Mad Dog Blood) & Tre-Loc (8-Trey Gangsta Crip), both on different sides of the fence. Due to their father's mind manipulating ways, the two wreak havoc on the streets in an attempt to kill one another. In the midst of their chaos, a lot of people get caught in the crossfire. Some innocent... Some with hidden agendas of their own! A question you'll constantly ask yourself as you read this novel is will the two brothers kill each other and everyone in their path? Or make amends in the end and get to the root of their problem? In this grimey way of life of deceit, betrayal, and heartache, Every Bullet Gotta A Name... And if you get caught slipping on the wrong side of town, you better shoot first or be prepared to die!

    My Own Private Idaho charts the pilgrimage of a narcoleptic hustler who is searching for his long-lost mother in a world absent of love.

    Part comedy of manners, part social commentary, love story, mystic narration and thriller, it is a sort of Indian version of Oliver Goldsmith's THE VICAR OF WAKEFIELD.

    It also offers some pretty important insights into the lives we lead in the here and now. Using the Wisdom Traditions of the Bible as a backdrop, Wisdom from the Five People You Meet in Heaven brings us into a discussion of what might truly be important in life. Illustrating biblical concepts with examples from Albom's novel, this study guide for individuals or groups parallels the characters in The Five People You Meet in Heaven with the themes and insights from Wisdom Literature. Wisdom from the Five People You Meet in Heaven explores the orientation of Wisdom Literature toward life, sharing its teachings on issues of fairness, sacrifice, forgiveness, love, suffering, and what we can learn about our own character. From the Popular Insights series.

    He studies Lynch's talent for blending the bizarre and the normal to emphasize the odd nature of normality itself. Hollywood is often criticized for distorting reality and providing escapist fantasies, but in Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world.Considering the filmmaker's entire career, McGowan examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films, including the critically acclaimed Blue Velvet and The Elephant Man; the densely plotted Lost Highway and Mulholland Drive; the cult favorite Eraserhead; and the commercially unsuccessful Dune. McGowan engages with theorists from the "golden age" of film studies (Christian Metz, Laura Mulvey, and Jean-Louis Baudry) and with the thought of Sigmund Freud, Jacques Lacan, and Hegel. By using Lynch's weirdness as a point of departure, McGowan adds a new dimension to the field of auteur studies and reveals Lynch to be the source of a new and radical conception of fantasy.

    This book covers those and a slew of other questions that shed light onto what constrains people, what motivates them, and ultimately what makes them happy.

    Offers students a panoramic overview of the worldwide development of film, from the first movements captured on celluloid, through the studio heyday of the 1930s and 1940s and the Hollywood renaissance of the 1960s and 1970s, to the technology appearing today.